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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4A13 it is the complementary color #04B5EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4A13 shade: #FF4A0E, #FF5C21, #FF6E34, #FF8047 and #FF925A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4A13 shade: #FB4A13, #EA3800, #D92600, #C81400 and #B70200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4A13 shade: #FB4A12 and #FB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4A13 shade: #FB4A12, #FB8812, #FBC712, #F0FB12 and #B2FB12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4A13 shade matches the following richer shades: #FB4A12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4A13 shade: #FB4A12, #E85426, #D45E39, #C1684D and #AD7260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4A13 shade: #FB1258, #FB121A, #FB4912, #FB8712 and #FBC512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4A13 shade: #B82D02, #E13803, #FB4A12, #FC693B and #FC8864

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4A13 shade: #FB4A13, #96FB12 and #1239FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4A13 shade: #FB4A13, #12FB49 and #4912FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4A13 shade: #FB4A13, #96FB12, #12C5FB and #7712FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4A13 shade: #FB4A13, #50FB12, #12C5FB and #BD12FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

Complementary color

CMYK 98 / 23 / 0 / 7

HEX #04B5EC

RGB 4 181 236

HSL 194.22, 0.97%, 0.47%

LAB 68.85, -18.91, -38.04

 

CMYK 0 / 71 / 95 / 0

HEX #FF4A0E

RGB 255 74 14

HSL 14.94, 1%, 0.53%

LAB 58.22, 66.21, 66.47

 

CMYK 0 / 64 / 87 / 0

HEX #FF5C21

RGB 255 92 33

HSL 15.95, 1%, 0.56%

LAB 60.8, 59.63, 62.5

 

CMYK 0 / 57 / 80 / 0

HEX #FF6E34

RGB 255 110 52

HSL 17.14, 1%, 0.6%

LAB 63.88, 52.28, 57.41

 

CMYK 0 / 50 / 72 / 0

HEX #FF8047

RGB 255 128 71

HSL 18.59, 1%, 0.64%

LAB 67.39, 44.44, 52.09

 

CMYK 0 / 43 / 65 / 0

HEX #FF925A

RGB 255 146 90

HSL 20.36, 1%, 0.68%

LAB 71.25, 36.4, 46.97

 

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

CMYK 0 / 76 / 100 / 8

HEX #EA3800

RGB 234 56 0

HSL 14.36, 1%, 0.46%

LAB 52.2, 65.6, 64.3

 

CMYK 0 / 82 / 100 / 15

HEX #D92600

RGB 217 38 0

HSL 10.51, 1%, 0.43%

LAB 47.15, 65.58, 60.21

 

CMYK 0 / 90 / 100 / 22

HEX #C81400

RGB 200 20 0

HSL 6, 1%, 0.39%

LAB 42.43, 64.48, 56.26

 

CMYK 0 / 99 / 100 / 28

HEX #B70200

RGB 183 2 0

HSL 0.66, 1%, 0.36%

LAB 38.04, 62.22, 52.41

 

CMYK 0 / 71 / 93 / 2

HEX #FB4A12

RGB 251 74 18

HSL 14.42, 0.97%, 0.53%

LAB 57.51, 65.01, 64.69

 

CMYK 0 / 93 / 93 / 2

HEX #FB1212

RGB 251 18 18

HSL 0, 0.97%, 0.53%

LAB 52.93, 77.91, 61.94

 

CMYK 0 / 71 / 93 / 2

HEX #FB4A12

RGB 251 74 18

HSL 14.42, 0.97%, 0.53%

LAB 57.51, 65.01, 64.69

 

CMYK 0 / 46 / 93 / 2

HEX #FB8812

RGB 251 136 18

HSL 30.39, 0.97%, 0.53%

LAB 68.14, 37.42, 71.72

 

CMYK 0 / 21 / 93 / 2

HEX #FBC712

RGB 251 199 18

HSL 46.61, 0.97%, 0.53%

LAB 82.59, 4.7, 82.08

 

CMYK 4 / 0 / 93 / 2

HEX #F0FB12

RGB 240 251 18

HSL 62.83, 0.97%, 0.53%

LAB 94.98, -25.65, 90.98

 

CMYK 29 / 0 / 93 / 2

HEX #B2FB12

RGB 178 251 18

HSL 78.8, 0.97%, 0.53%

LAB 91.01, -49.79, 86.18

 

CMYK 0 / 71 / 93 / 2

HEX #FB4A12

RGB 251 74 18

HSL 14.42, 0.97%, 0.53%

LAB 57.51, 65.01, 64.69

 

CMYK 0 / 71 / 93 / 2

HEX #FB4A12

RGB 251 74 18

HSL 14.42, 0.97%, 0.53%

LAB 57.51, 65.01, 64.69

 

CMYK 0 / 64 / 84 / 9

HEX #E85426

RGB 232 84 38

HSL 14.23, 0.81%, 0.53%

LAB 55.72, 55.27, 54.73

 

CMYK 0 / 56 / 73 / 17

HEX #D45E39

RGB 212 94 57

HSL 14.32, 0.64%, 0.53%

LAB 54.34, 44.25, 43.14

 

CMYK 0 / 46 / 60 / 24

HEX #C1684D

RGB 193 104 77

HSL 13.97, 0.48%, 0.53%

LAB 53.79, 33, 30.9

 

CMYK 0 / 34 / 45 / 32

HEX #AD7260

RGB 173 114 96

HSL 14.03, 0.32%, 0.53%

LAB 53.78, 21.14, 19.52

 

CMYK 0 / 93 / 65 / 2

HEX #FB1258

RGB 251 18 88

HSL 341.97, 0.97%, 0.53%

LAB 53.65, 79.9, 26.35

 

CMYK 0 / 93 / 90 / 2

HEX #FB121A

RGB 251 18 26

HSL 357.94, 0.97%, 0.53%

LAB 52.97, 78, 59.07

 

CMYK 0 / 71 / 93 / 2

HEX #FB4912

RGB 251 73 18

HSL 14.16, 0.97%, 0.53%

LAB 57.38, 65.36, 64.61

 

CMYK 0 / 46 / 93 / 2

HEX #FB8712

RGB 251 135 18

HSL 30.13, 0.97%, 0.53%

LAB 67.93, 37.93, 71.57

 

CMYK 0 / 22 / 93 / 2

HEX #FBC512

RGB 251 197 18

HSL 46.09, 0.97%, 0.53%

LAB 82.1, 5.73, 81.72

 

CMYK 0 / 76 / 99 / 28

HEX #B82D02

RGB 184 45 2

HSL 14.18, 0.98%, 0.36%

LAB 41.33, 53.79, 53.18

 

CMYK 0 / 75 / 99 / 12

HEX #E13803

RGB 225 56 3

HSL 14.32, 0.97%, 0.45%

LAB 50.5, 62.92, 61.79

 

CMYK 0 / 71 / 93 / 2

HEX #FB4A12

RGB 251 74 18

HSL 14.42, 0.97%, 0.53%

LAB 57.51, 65.01, 64.69

 

CMYK 0 / 58 / 77 / 1

HEX #FC693B

RGB 252 105 59

HSL 14.3, 0.97%, 0.61%

LAB 62.6, 53.71, 52.75

 

CMYK 0 / 46 / 60 / 1

HEX #FC8864

RGB 252 136 100

HSL 14.21, 0.96%, 0.69%

LAB 68.91, 40.96, 38.86

 

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

CMYK 40 / 0 / 93 / 2

HEX #96FB12

RGB 150 251 18

HSL 86.01, 0.97%, 0.53%

LAB 89.64, -59.43, 84.51

 

CMYK 93 / 77 / 0 / 2

HEX #1239FB

RGB 18 57 251

HSL 229.96, 0.97%, 0.53%

LAB 37.88, 60.76, -96.32

 

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

CMYK 93 / 0 / 71 / 2

HEX #12FB49

RGB 18 251 73

HSL 134.16, 0.97%, 0.53%

LAB 86.8, -81.52, 67.8

 

CMYK 71 / 93 / 0 / 2

HEX #4912FB

RGB 73 18 251

HSL 254.16, 0.97%, 0.53%

LAB 35.62, 76.73, -100

 

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

CMYK 40 / 0 / 93 / 2

HEX #96FB12

RGB 150 251 18

HSL 86.01, 0.97%, 0.53%

LAB 89.64, -59.43, 84.51

 

CMYK 93 / 22 / 0 / 2

HEX #12C5FB

RGB 18 197 251

HSL 193.91, 0.97%, 0.53%

LAB 74.21, -21.68, -37.81

 

CMYK 53 / 93 / 0 / 2

HEX #7712FB

RGB 119 18 251

HSL 266.01, 0.97%, 0.53%

LAB 40.11, 79.5, -92.41

 

CMYK 0 / 71 / 92 / 2

HEX #FB4A13

RGB 251 74 19

HSL 14.22, 0.97%, 0.53%

LAB 57.51, 65.02, 64.41

 

CMYK 68 / 0 / 93 / 2

HEX #50FB12

RGB 80 251 18

HSL 104.03, 0.97%, 0.53%

LAB 87.36, -77.45, 81.71

 

CMYK 93 / 22 / 0 / 2

HEX #12C5FB

RGB 18 197 251

HSL 193.91, 0.97%, 0.53%

LAB 74.21, -21.68, -37.81

 

CMYK 25 / 93 / 0 / 2

HEX #BD12FB

RGB 189 18 251

HSL 284.03, 0.97%, 0.53%

LAB 49.76, 86.88, -76.21

 

Description

Color code: HEX #FB4A13 | qconv.com Color code: HEX #FB4A13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 74 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 74 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 92 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 92% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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