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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4081 it is the complementary color #04BF7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4081 shade: #FF407C, #FF528F, #FF64A2, #FF76B5 and #FF88C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4081 shade: #FB4081, #EA2E6E, #D91C5B, #C80A48 and #B70035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4081 shade: #FB4181, #FB414F and #FB4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4081 shade: #FB4181, #FB41B3, #FB41E6, #DD41FB and #AB41FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4081 shade matches the following richer shades: #FB4181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4081 shade: #FB4181, #EB5086, #DB608B, #CC7090 and #BC7F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4081 shade: #FB41E5, #FB41B3, #FB4182, #FB4150 and #FB6341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4081 shade: #E50452, #FA1867, #FB4181, #FB699C and #FC91B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4081 shade: #FB4081, #FBDF41 and #41CCFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4081 shade: #FB4081, #82FB41 and #4182FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4081 shade: #FB4081, #FBDF41, #41FBBA and #415CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4081 shade: #FB4081, #DFFB41, #41FBBA and #5C41FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

Complementary color

CMYK 98 / 0 / 34 / 25

HEX #04BF7E

RGB 4 191 126

HSL 159.14, 0.96%, 0.38%

LAB 68.6, -55.6, 21.72

 

CMYK 0 / 75 / 51 / 0

HEX #FF407C

RGB 255 64 124

HSL 341.15, 1%, 0.63%

LAB 58.4, 73.9, 11.45

 

CMYK 0 / 68 / 44 / 0

HEX #FF528F

RGB 255 82 143

HSL 338.84, 1%, 0.66%

LAB 61.03, 69.5, 4.06

 

CMYK 0 / 61 / 36 / 0

HEX #FF64A2

RGB 255 100 162

HSL 336, 1%, 0.7%

LAB 64.15, 64.31, -2.37

 

CMYK 0 / 54 / 29 / 0

HEX #FF76B5

RGB 255 118 181

HSL 332.41, 1%, 0.73%

LAB 67.69, 58.58, -7.93

 

CMYK 0 / 47 / 22 / 0

HEX #FF88C8

RGB 255 136 200

HSL 327.73, 1%, 0.77%

LAB 71.58, 52.53, -12.75

 

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

CMYK 0 / 80 / 53 / 8

HEX #EA2E6E

RGB 234 46 110

HSL 339.57, 0.82%, 0.55%

LAB 52.48, 72.28, 10.93

 

CMYK 0 / 87 / 58 / 15

HEX #D91C5B

RGB 217 28 91

HSL 340, 0.77%, 0.48%

LAB 47.41, 70.54, 15.01

 

CMYK 0 / 95 / 64 / 22

HEX #C80A48

RGB 200 10 72

HSL 340.42, 0.9%, 0.41%

LAB 42.71, 67.72, 19.94

 

CMYK 0 / 100 / 71 / 28

HEX #B70035

RGB 183 0 53

HSL 342.62, 1%, 0.36%

LAB 38.42, 63.68, 25.73

 

CMYK 0 / 74 / 49 / 2

HEX #FB4181

RGB 251 65 129

HSL 339.35, 0.96%, 0.62%

LAB 57.92, 72.91, 7.72

 

CMYK 0 / 74 / 69 / 2

HEX #FB414F

RGB 251 65 79

HSL 355.48, 0.96%, 0.62%

LAB 56.93, 69.72, 35.74

 

CMYK 0 / 74 / 74 / 2

HEX #FB4141

RGB 251 65 65

HSL 0, 0.96%, 0.62%

LAB 56.75, 69.13, 43.39

 

CMYK 0 / 74 / 49 / 2

HEX #FB4181

RGB 251 65 129

HSL 339.35, 0.96%, 0.62%

LAB 57.92, 72.91, 7.72

 

CMYK 0 / 74 / 29 / 2

HEX #FB41B3

RGB 251 65 179

HSL 323.23, 0.96%, 0.62%

LAB 59.47, 77.79, -19.22

 

CMYK 0 / 74 / 8 / 2

HEX #FB41E6

RGB 251 65 230

HSL 306.77, 0.96%, 0.62%

LAB 61.66, 84.33, -44.84

 

CMYK 12 / 74 / 0 / 2

HEX #DD41FB

RGB 221 65 251

HSL 290.32, 0.96%, 0.62%

LAB 58.15, 81.64, -62.41

 

CMYK 32 / 74 / 0 / 2

HEX #AB41FB

RGB 171 65 251

HSL 274.19, 0.96%, 0.62%

LAB 51.16, 72.62, -74.05

 

CMYK 0 / 74 / 49 / 2

HEX #FB4181

RGB 251 65 129

HSL 339.35, 0.96%, 0.62%

LAB 57.92, 72.91, 7.72

 

CMYK 0 / 74 / 49 / 2

HEX #FB4181

RGB 251 65 129

HSL 339.35, 0.96%, 0.62%

LAB 57.92, 72.91, 7.72

 

CMYK 0 / 66 / 43 / 8

HEX #EB5086

RGB 235 80 134

HSL 339.1, 0.79%, 0.62%

LAB 57.19, 63.63, 3.37

 

CMYK 0 / 56 / 37 / 14

HEX #DB608B

RGB 219 96 139

HSL 339.02, 0.63%, 0.62%

LAB 57.36, 52.33, 0.36

 

CMYK 0 / 45 / 29 / 20

HEX #CC7090

RGB 204 112 144

HSL 339.13, 0.47%, 0.62%

LAB 58.45, 39.94, -1.2

 

CMYK 0 / 32 / 21 / 26

HEX #BC7F94

RGB 188 127 148

HSL 339.34, 0.31%, 0.62%

LAB 59.9, 26.66, -1.63

 

CMYK 0 / 74 / 9 / 2

HEX #FB41E5

RGB 251 65 229

HSL 307.1, 0.96%, 0.62%

LAB 61.61, 84.19, -44.35

 

CMYK 0 / 74 / 29 / 2

HEX #FB41B3

RGB 251 65 179

HSL 323.23, 0.96%, 0.62%

LAB 59.47, 77.79, -19.22

 

CMYK 0 / 74 / 48 / 2

HEX #FB4182

RGB 251 65 130

HSL 339.03, 0.96%, 0.62%

LAB 57.94, 73, 7.16

 

CMYK 0 / 74 / 68 / 2

HEX #FB4150

RGB 251 65 80

HSL 355.16, 0.96%, 0.62%

LAB 56.95, 69.77, 35.19

 

CMYK 0 / 61 / 74 / 2

HEX #FB6341

RGB 251 99 65

HSL 10.97, 0.96%, 0.62%

LAB 61.49, 56.25, 48.56

 

CMYK 0 / 98 / 64 / 10

HEX #E50452

RGB 229 4 82

HSL 339.2, 0.97%, 0.46%

LAB 48.7, 75.62, 22.71

 

CMYK 0 / 90 / 59 / 2

HEX #FA1867

RGB 250 24 103

HSL 339.03, 0.96%, 0.54%

LAB 53.98, 79.8, 17.72

 

CMYK 0 / 74 / 49 / 2

HEX #FB4181

RGB 251 65 129

HSL 339.35, 0.96%, 0.62%

LAB 57.92, 72.91, 7.72

 

CMYK 0 / 58 / 38 / 2

HEX #FB699C

RGB 251 105 156

HSL 339.04, 0.95%, 0.7%

LAB 64.17, 60.3, 1.03

 

CMYK 0 / 42 / 27 / 1

HEX #FC91B7

RGB 252 145 183

HSL 338.69, 0.95%, 0.78%

LAB 72.47, 44.74, -2.03

 

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

CMYK 0 / 11 / 74 / 2

HEX #FBDF41

RGB 251 223 65

HSL 50.97, 0.96%, 0.62%

LAB 88.76, -6.31, 75.79

 

CMYK 74 / 19 / 0 / 2

HEX #41CCFB

RGB 65 204 251

HSL 195.16, 0.96%, 0.62%

LAB 76.85, -21.83, -33.67

 

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

CMYK 48 / 0 / 74 / 2

HEX #82FB41

RGB 130 251 65

HSL 99.03, 0.96%, 0.62%

LAB 88.98, -63.79, 73.4

 

CMYK 74 / 48 / 0 / 2

HEX #4182FB

RGB 65 130 251

HSL 219.03, 0.96%, 0.62%

LAB 56.14, 20.04, -66.36

 

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

CMYK 0 / 11 / 74 / 2

HEX #FBDF41

RGB 251 223 65

HSL 50.97, 0.96%, 0.62%

LAB 88.76, -6.31, 75.79

 

CMYK 74 / 0 / 26 / 2

HEX #41FBBA

RGB 65 251 186

HSL 159.03, 0.96%, 0.62%

LAB 88.76, -60.31, 18.25

 

CMYK 74 / 63 / 0 / 2

HEX #415CFB

RGB 65 92 251

HSL 231.29, 0.96%, 0.62%

LAB 46.64, 43.48, -81.82

 

CMYK 0 / 75 / 49 / 2

HEX #FB4081

RGB 251 64 129

HSL 339.14, 0.96%, 0.62%

LAB 57.81, 73.22, 7.56

 

CMYK 11 / 0 / 74 / 2

HEX #DFFB41

RGB 223 251 65

HSL 69.03, 0.96%, 0.62%

LAB 93.91, -31.25, 79.84

 

CMYK 74 / 0 / 26 / 2

HEX #41FBBA

RGB 65 251 186

HSL 159.03, 0.96%, 0.62%

LAB 88.76, -60.31, 18.25

 

CMYK 63 / 74 / 0 / 2

HEX #5C41FB

RGB 92 65 251

HSL 248.71, 0.96%, 0.62%

LAB 42.79, 61.35, -88.07

 

Description

Color code: HEX #FB4081 | qconv.com Color code: HEX #FB4081 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 64 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 64 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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