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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB36F2 it is the complementary color #04C90D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB36F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB36F2 shade: #FF36ED, #FF48FF, #FF5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB36F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB36F2 shade: #FB36F2, #EA24DF, #D912CC, #C800B9 and #B700A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB36F2 shade: #FA37F1, #FA37BD, #FA3788, #FA3753 and #FA3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB36F2 shade: #FA37F1, #CF37FA, #9A37FA, #6537FA and #3737FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB36F2 shade matches the following richer shades: #FA37F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB36F2 shade: #FA37F1, #EA47E2, #D958D3, #C968C4 and #B879B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB36F2 shade: #9937FA, #CD37FA, #FA37F4, #FA37C0 and #FA378B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB36F2 shade: #DB04D1, #FA0EEF, #FA37F1, #FB5FF4 and #FC87F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB36F2 shade: #FB36F2, #FA6437 and #37FAB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB36F2 shade: #FB36F2, #F4FA37 and #37F4FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB36F2 shade: #FB36F2, #FA6437, #37FA3D and #37CDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB36F2 shade: #FB36F2, #FA9F37, #37FA3D and #3792FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

Complementary color

CMYK 98 / 0 / 94 / 21

HEX #04C90D

RGB 4 201 13

HSL 122.74, 0.96%, 0.4%

LAB 70.75, -71.62, 68.15

 

CMYK 0 / 79 / 7 / 0

HEX #FF36ED

RGB 255 54 237

HSL 305.37, 1%, 0.61%

LAB 61.67, 88.96, -48.69

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 0 / 85 / 5 / 8

HEX #EA24DF

RGB 234 36 223

HSL 303.33, 0.83%, 0.53%

LAB 56.17, 86.77, -49.76

 

CMYK 0 / 92 / 6 / 15

HEX #D912CC

RGB 217 18 204

HSL 303.92, 0.85%, 0.46%

LAB 51.32, 83.69, -46.81

 

CMYK 0 / 100 / 8 / 22

HEX #C800B9

RGB 200 0 185

HSL 304.5, 1%, 0.39%

LAB 46.69, 79.71, -43.31

 

CMYK 0 / 100 / 9 / 28

HEX #B700A6

RGB 183 0 166

HSL 305.57, 1%, 0.36%

LAB 42.49, 74.16, -38.92

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F1

RGB 250 55 241

HSL 302.77, 0.95%, 0.6%

LAB 61.14, 88.33, -51.81

 

CMYK 0 / 78 / 24 / 2

HEX #FA37BD

RGB 250 55 189

HSL 318.77, 0.95%, 0.6%

LAB 58.72, 81.48, -26.15

 

CMYK 0 / 78 / 46 / 2

HEX #FA3788

RGB 250 55 136

HSL 335.08, 0.95%, 0.6%

LAB 56.91, 76.09, 2.11

 

CMYK 0 / 78 / 67 / 2

HEX #FA3753

RGB 250 55 83

HSL 351.38, 0.95%, 0.6%

LAB 55.77, 72.56, 31.96

 

CMYK 0 / 78 / 78 / 2

HEX #FA3737

RGB 250 55 55

HSL 0, 0.95%, 0.6%

LAB 55.41, 71.45, 47.31

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F1

RGB 250 55 241

HSL 302.77, 0.95%, 0.6%

LAB 61.14, 88.33, -51.81

 

CMYK 17 / 78 / 0 / 2

HEX #CF37FA

RGB 207 55 250

HSL 286.77, 0.95%, 0.6%

LAB 54.97, 81.92, -67.08

 

CMYK 38 / 78 / 0 / 2

HEX #9A37FA

RGB 154 55 250

HSL 270.46, 0.95%, 0.6%

LAB 47.63, 73.38, -79.33

 

CMYK 60 / 78 / 0 / 2

HEX #6537FA

RGB 101 55 250

HSL 254.15, 0.95%, 0.6%

LAB 41.85, 66.64, -89.05

 

CMYK 78 / 78 / 0 / 2

HEX #3737FA

RGB 55 55 250

HSL 240, 0.95%, 0.6%

LAB 38.63, 62.88, -94.47

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F1

RGB 250 55 241

HSL 302.77, 0.95%, 0.6%

LAB 61.14, 88.33, -51.81

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F1

RGB 250 55 241

HSL 302.77, 0.95%, 0.6%

LAB 61.14, 88.33, -51.81

 

CMYK 0 / 70 / 3 / 8

HEX #EA47E2

RGB 234 71 226

HSL 302.94, 0.8%, 0.6%

LAB 59.43, 78.28, -46.29

 

CMYK 0 / 59 / 3 / 15

HEX #D958D3

RGB 217 88 211

HSL 302.79, 0.63%, 0.6%

LAB 58.45, 65.5, -39.54

 

CMYK 0 / 48 / 2 / 21

HEX #C968C4

RGB 201 104 196

HSL 303.09, 0.47%, 0.6%

LAB 58.32, 51.19, -31.37

 

CMYK 0 / 34 / 2 / 28

HEX #B879B5

RGB 184 121 181

HSL 302.86, 0.31%, 0.6%

LAB 59.16, 34.23, -21.7

 

CMYK 39 / 78 / 0 / 2

HEX #9937FA

RGB 153 55 250

HSL 270.15, 0.95%, 0.6%

LAB 47.5, 73.23, -79.54

 

CMYK 18 / 78 / 0 / 2

HEX #CD37FA

RGB 205 55 250

HSL 286.15, 0.95%, 0.6%

LAB 54.67, 81.58, -67.57

 

CMYK 0 / 78 / 2 / 2

HEX #FA37F4

RGB 250 55 244

HSL 301.85, 0.95%, 0.6%

LAB 61.3, 88.76, -53.23

 

CMYK 0 / 78 / 23 / 2

HEX #FA37C0

RGB 250 55 192

HSL 317.85, 0.95%, 0.6%

LAB 58.85, 81.83, -27.69

 

CMYK 0 / 78 / 44 / 2

HEX #FA378B

RGB 250 55 139

HSL 334.15, 0.95%, 0.6%

LAB 57, 76.35, 0.46

 

CMYK 0 / 98 / 5 / 14

HEX #DB04D1

RGB 219 4 209

HSL 302.79, 0.96%, 0.44%

LAB 51.55, 85.89, -49.29

 

CMYK 0 / 94 / 4 / 2

HEX #FA0EEF

RGB 250 14 239

HSL 302.8, 0.96%, 0.52%

LAB 58.85, 94.42, -54.33

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F1

RGB 250 55 241

HSL 302.77, 0.95%, 0.6%

LAB 61.14, 88.33, -51.81

 

CMYK 0 / 62 / 3 / 2

HEX #FB5FF4

RGB 251 95 244

HSL 302.69, 0.95%, 0.68%

LAB 65.92, 76.29, -45.9

 

CMYK 0 / 46 / 2 / 1

HEX #FC87F7

RGB 252 135 247

HSL 302.56, 0.95%, 0.76%

LAB 72.72, 59.45, -36.91

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 0 / 60 / 78 / 2

HEX #FA6437

RGB 250 100 55

HSL 13.85, 0.95%, 0.6%

LAB 61.41, 55.1, 53.36

 

CMYK 78 / 0 / 28 / 2

HEX #37FAB3

RGB 55 250 179

HSL 158.15, 0.95%, 0.6%

LAB 88.18, -62.56, 21

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 2 / 0 / 78 / 2

HEX #F4FA37

RGB 244 250 55

HSL 61.85, 0.95%, 0.6%

LAB 95.11, -22.74, 84.36

 

CMYK 78 / 2 / 0 / 2

HEX #37F4FA

RGB 55 244 250

HSL 181.85, 0.95%, 0.6%

LAB 88.17, -42.22, -15.92

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 0 / 60 / 78 / 2

HEX #FA6437

RGB 250 100 55

HSL 13.85, 0.95%, 0.6%

LAB 61.41, 55.1, 53.36

 

CMYK 78 / 0 / 76 / 2

HEX #37FA3D

RGB 55 250 61

HSL 121.85, 0.95%, 0.6%

LAB 86.76, -79.16, 71.84

 

CMYK 78 / 18 / 0 / 2

HEX #37CDFA

RGB 55 205 250

HSL 193.85, 0.95%, 0.6%

LAB 76.91, -23.71, -33.06

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 0 / 36 / 78 / 2

HEX #FA9F37

RGB 250 159 55

HSL 32, 0.95%, 0.6%

LAB 73.15, 26, 64.67

 

CMYK 78 / 0 / 76 / 2

HEX #37FA3D

RGB 55 250 61

HSL 121.85, 0.95%, 0.6%

LAB 86.76, -79.16, 71.84

 

CMYK 78 / 42 / 0 / 2

HEX #3792FA

RGB 55 146 250

HSL 212, 0.95%, 0.6%

LAB 60.13, 8.87, -59.42

 

Description

Color code: HEX #FB36F2 | qconv.com Color code: HEX #FB36F2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 54 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 54 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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