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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB1260 it is the complementary color #04ED9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB1260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB1260 shade: #FF125B, #FF246E, #FF3681, #FF4894 and #FF5AA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB1260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB1260 shade: #FB1260, #EA004D, #D9003A, #C80027 and #B70014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB1260 shade: #FB1260, #FB1222 and #FB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB1260 shade: #FB1260, #FB129F, #FB12DE, #D912FB and #9B12FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB1260 shade matches the following richer shades: #FB1260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB1260 shade: #FB1260, #E82667, #D4396D, #C14D73 and #AD607A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB1260 shade: #FB12E0, #FB12A2, #FB1264, #FB1226 and #FB3D12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB1260 shade: #B8023F, #E1034D, #FB1260, #FC3B7B and #FC6497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB1260 shade: #FB1260, #FBD812 and #12C1FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB1260 shade: #FB1260, #64FB12 and #1264FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB1260 shade: #FB1260, #FBD812, #12FBAA and #1235FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB1260 shade: #FB1260, #D8FB12, #12FBAA and #3512FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

Complementary color

CMYK 98 / 0 / 33 / 7

HEX #04ED9F

RGB 4 237 159

HSL 159.91, 0.97%, 0.47%

LAB 83.49, -65.12, 24.75

 

CMYK 0 / 93 / 64 / 0

HEX #FF125B

RGB 255 18 91

HSL 341.52, 1%, 0.54%

LAB 54.5, 80.98, 25.81

 

CMYK 0 / 86 / 57 / 0

HEX #FF246E

RGB 255 36 110

HSL 339.73, 1%, 0.57%

LAB 55.73, 79.59, 16.07

 

CMYK 0 / 79 / 49 / 0

HEX #FF3681

RGB 255 54 129

HSL 337.61, 1%, 0.61%

LAB 57.54, 77.04, 7.28

 

CMYK 0 / 72 / 42 / 0

HEX #FF4894

RGB 255 72 148

HSL 335.08, 1%, 0.64%

LAB 59.92, 73.42, -0.47

 

CMYK 0 / 65 / 35 / 0

HEX #FF5AA7

RGB 255 90 167

HSL 332, 1%, 0.68%

LAB 62.81, 68.89, -7.21

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 100 / 67 / 8

HEX #EA004D

RGB 234 0 77

HSL 340.26, 1%, 0.46%

LAB 49.53, 76.85, 27.03

 

CMYK 0 / 100 / 73 / 15

HEX #D9003A

RGB 217 0 58

HSL 343.96, 1%, 0.43%

LAB 45.71, 72.07, 33.1

 

CMYK 0 / 100 / 81 / 22

HEX #C80027

RGB 200 0 39

HSL 348.3, 1%, 0.39%

LAB 41.89, 67.34, 39.11

 

CMYK 0 / 100 / 89 / 28

HEX #B70014

RGB 183 0 20

HSL 353.44, 1%, 0.36%

LAB 38.05, 62.69, 44.42

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 93 / 86 / 2

HEX #FB1222

RGB 251 18 34

HSL 355.88, 0.97%, 0.53%

LAB 53.01, 78.13, 55.67

 

CMYK 0 / 93 / 93 / 2

HEX #FB1212

RGB 251 18 18

HSL 0, 0.97%, 0.53%

LAB 52.93, 77.91, 61.94

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 93 / 37 / 2

HEX #FB129F

RGB 251 18 159

HSL 323.69, 0.97%, 0.53%

LAB 55.53, 84.99, -13.53

 

CMYK 0 / 93 / 12 / 2

HEX #FB12DE

RGB 251 18 222

HSL 307.47, 0.97%, 0.53%

LAB 58.24, 92.02, -45.73

 

CMYK 14 / 93 / 0 / 2

HEX #D912FB

RGB 217 18 251

HSL 291.24, 0.97%, 0.53%

LAB 54.19, 90.73, -68.82

 

CMYK 38 / 93 / 0 / 2

HEX #9B12FB

RGB 155 18 251

HSL 275.28, 0.97%, 0.53%

LAB 44.75, 82.85, -84.6

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 84 / 56 / 9

HEX #E82667

RGB 232 38 103

HSL 339.9, 0.81%, 0.53%

LAB 51.29, 73.11, 13.47

 

CMYK 0 / 73 / 49 / 17

HEX #D4396D

RGB 212 57 109

HSL 339.87, 0.64%, 0.53%

LAB 49.53, 63.1, 6.8

 

CMYK 0 / 60 / 40 / 24

HEX #C14D73

RGB 193 77 115

HSL 340.34, 0.48%, 0.53%

LAB 49.35, 49.96, 2.49

 

CMYK 0 / 45 / 29 / 32

HEX #AD607A

RGB 173 96 122

HSL 339.74, 0.32%, 0.53%

LAB 50.28, 34.36, -0.72

 

CMYK 0 / 93 / 11 / 2

HEX #FB12E0

RGB 251 18 224

HSL 306.95, 0.97%, 0.53%

LAB 58.34, 92.27, -46.7

 

CMYK 0 / 93 / 35 / 2

HEX #FB12A2

RGB 251 18 162

HSL 322.92, 0.97%, 0.53%

LAB 55.63, 85.27, -15.14

 

CMYK 0 / 93 / 60 / 2

HEX #FB1264

RGB 251 18 100

HSL 338.88, 0.97%, 0.53%

LAB 53.88, 80.54, 19.43

 

CMYK 0 / 93 / 85 / 2

HEX #FB1226

RGB 251 18 38

HSL 354.85, 0.97%, 0.53%

LAB 53.04, 78.2, 53.81

 

CMYK 0 / 76 / 93 / 2

HEX #FB3D12

RGB 251 61 18

HSL 11.07, 0.97%, 0.53%

LAB 55.98, 69.26, 63.74

 

CMYK 0 / 99 / 66 / 28

HEX #B8023F

RGB 184 2 63

HSL 339.89, 0.98%, 0.36%

LAB 38.89, 64.18, 20

 

CMYK 0 / 99 / 66 / 12

HEX #E1034D

RGB 225 3 77

HSL 340, 0.97%, 0.45%

LAB 47.76, 74.52, 24.4

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 77 / 51 / 1

HEX #FC3B7B

RGB 252 59 123

HSL 340.1, 0.97%, 0.61%

LAB 57.32, 74.47, 10.45

 

CMYK 0 / 60 / 40 / 1

HEX #FC6497

RGB 252 100 151

HSL 339.87, 0.96%, 0.69%

LAB 63.38, 62.25, 2.77

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 14 / 93 / 2

HEX #FBD812

RGB 251 216 18

HSL 50.99, 0.97%, 0.53%

LAB 86.83, -3.97, 85.23

 

CMYK 93 / 23 / 0 / 2

HEX #12C1FB

RGB 18 193 251

HSL 194.94, 0.97%, 0.53%

LAB 73.05, -19.62, -39.62

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 60 / 0 / 93 / 2

HEX #64FB12

RGB 100 251 18

HSL 98.88, 0.97%, 0.53%

LAB 87.85, -73.35, 82.31

 

CMYK 93 / 60 / 0 / 2

HEX #1264FB

RGB 18 100 251

HSL 218.88, 0.97%, 0.53%

LAB 47.25, 35.4, -80.87

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 0 / 14 / 93 / 2

HEX #FBD812

RGB 251 216 18

HSL 50.99, 0.97%, 0.53%

LAB 86.83, -3.97, 85.23

 

CMYK 93 / 0 / 32 / 2

HEX #12FBAA

RGB 18 251 170

HSL 159.14, 0.97%, 0.53%

LAB 87.98, -67.35, 25.27

 

CMYK 93 / 79 / 0 / 2

HEX #1235FB

RGB 18 53 251

HSL 230.99, 0.97%, 0.53%

LAB 37.19, 62.76, -97.46

 

CMYK 0 / 93 / 62 / 2

HEX #FB1260

RGB 251 18 96

HSL 339.91, 0.97%, 0.53%

LAB 53.8, 80.31, 21.73

 

CMYK 14 / 0 / 93 / 2

HEX #D8FB12

RGB 216 251 18

HSL 69.01, 0.97%, 0.53%

LAB 93.29, -35.31, 88.96

 

CMYK 93 / 0 / 32 / 2

HEX #12FBAA

RGB 18 251 170

HSL 159.14, 0.97%, 0.53%

LAB 87.98, -67.35, 25.27

 

CMYK 79 / 93 / 0 / 2

HEX #3512FB

RGB 53 18 251

HSL 249.01, 0.97%, 0.53%

LAB 34.3, 76.03, -102.23

 

Description

Color code: HEX #FB1260 | qconv.com Color code: HEX #FB1260 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 18 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 18 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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