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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB0D98 it is the complementary color #04F267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB0D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB0D98 shade: #FF0D93, #FF1FA6, #FF31B9, #FF43CC and #FF55DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB0D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB0D98 shade: #FB0D98, #EA0085, #D90072, #C8005F and #B7004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB0D98 shade: #FB0D98, #FB0D58, #FB0D18 and #FB0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB0D98 shade: #FB0D98, #FB0DD8, #DE0DFB, #9E0DFB and #5D0DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB0D98 shade matches the following richer shades: #FB0D98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB0D98 shade: #FB0D98, #E72195, #D33591, #BF498E and #AC5D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB0D98 shade: #DB0DFB, #FB0DDB, #FB0D9C, #FB0D5D and #FB0D1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB0D98 shade: #B3026A, #DC0382, #FB0D98, #FB36A9 and #FC5FBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB0D98 shade: #FB0D98, #FB9C0D and #0DFBFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB0D98 shade: #FB0D98, #9CFB0D and #0D9CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB0D98 shade: #FB0D98, #FB9C0D, #0DFB6C and #0D6CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB0D98 shade: #FB0D98, #FBE30D, #0DFB6C and #0D25FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

Complementary color

CMYK 98 / 0 / 57 / 5

HEX #04F267

RGB 4 242 103

HSL 144.96, 0.97%, 0.48%

LAB 84.23, -76.22, 52.88

 

CMYK 0 / 95 / 42 / 0

HEX #FF0D93

RGB 255 13 147

HSL 326.78, 1%, 0.53%

LAB 55.74, 85.18, -6.03

 

CMYK 0 / 88 / 35 / 0

HEX #FF1FA6

RGB 255 31 166

HSL 323.84, 1%, 0.56%

LAB 57.07, 84.91, -15.25

 

CMYK 0 / 81 / 27 / 0

HEX #FF31B9

RGB 255 49 185

HSL 320.39, 1%, 0.6%

LAB 58.94, 83.55, -23.45

 

CMYK 0 / 74 / 20 / 0

HEX #FF43CC

RGB 255 67 204

HSL 316.28, 1%, 0.63%

LAB 61.34, 81.14, -30.62

 

CMYK 0 / 67 / 13 / 0

HEX #FF55DF

RGB 255 85 223

HSL 311.29, 1%, 0.67%

LAB 64.23, 77.81, -36.84

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 100 / 43 / 8

HEX #EA0085

RGB 234 0 133

HSL 325.9, 1%, 0.46%

LAB 50.9, 80.5, -5.26

 

CMYK 0 / 100 / 47 / 15

HEX #D90072

RGB 217 0 114

HSL 328.48, 1%, 0.43%

LAB 46.93, 75.32, 0.11

 

CMYK 0 / 100 / 53 / 22

HEX #C8005F

RGB 200 0 95

HSL 331.5, 1%, 0.39%

LAB 42.92, 70.12, 5.72

 

CMYK 0 / 100 / 58 / 28

HEX #B7004C

RGB 183 0 76

HSL 335.08, 1%, 0.36%

LAB 38.88, 64.92, 11.62

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 95 / 65 / 2

HEX #FB0D58

RGB 251 13 88

HSL 341.09, 0.97%, 0.52%

LAB 53.49, 80.35, 26.15

 

CMYK 0 / 95 / 90 / 2

HEX #FB0D18

RGB 251 13 24

HSL 357.23, 0.97%, 0.52%

LAB 52.8, 78.43, 59.74

 

CMYK 0 / 95 / 95 / 2

HEX #FB0D0D

RGB 251 13 13

HSL 0, 0.97%, 0.52%

LAB 52.76, 78.32, 63.32

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 95 / 14 / 2

HEX #FB0DD8

RGB 251 13 216

HSL 308.82, 0.97%, 0.52%

LAB 57.8, 91.66, -43.02

 

CMYK 12 / 95 / 0 / 2

HEX #DE0DFB

RGB 222 13 251

HSL 292.69, 0.97%, 0.52%

LAB 54.85, 91.91, -67.71

 

CMYK 37 / 95 / 0 / 2

HEX #9E0DFB

RGB 158 13 251

HSL 276.55, 0.97%, 0.52%

LAB 44.97, 83.78, -84.23

 

CMYK 63 / 95 / 0 / 2

HEX #5D0DFB

RGB 93 13 251

HSL 260.17, 0.97%, 0.52%

LAB 37.08, 78.54, -97.53

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 86 / 35 / 9

HEX #E72195

RGB 231 33 149

HSL 324.85, 0.8%, 0.52%

LAB 52.11, 77.7, -13.12

 

CMYK 0 / 75 / 31 / 17

HEX #D33591

RGB 211 53 145

HSL 325.06, 0.64%, 0.52%

LAB 50.02, 67.71, -14.24

 

CMYK 0 / 62 / 26 / 25

HEX #BF498E

RGB 191 73 142

HSL 324.92, 0.48%, 0.52%

LAB 49.25, 54.41, -13.94

 

CMYK 0 / 46 / 19 / 33

HEX #AC5D8B

RGB 172 93 139

HSL 325.06, 0.32%, 0.52%

LAB 50.05, 38.14, -11.21

 

CMYK 13 / 95 / 0 / 2

HEX #DB0DFB

RGB 219 13 251

HSL 291.93, 0.97%, 0.52%

LAB 54.36, 91.48, -68.53

 

CMYK 0 / 95 / 13 / 2

HEX #FB0DDB

RGB 251 13 219

HSL 308.07, 0.97%, 0.52%

LAB 57.95, 92.04, -44.48

 

CMYK 0 / 95 / 38 / 2

HEX #FB0D9C

RGB 251 13 156

HSL 323.95, 0.97%, 0.52%

LAB 55.28, 85.14, -12.14

 

CMYK 0 / 95 / 63 / 2

HEX #FB0D5D

RGB 251 13 93

HSL 339.83, 0.97%, 0.52%

LAB 53.59, 80.6, 23.26

 

CMYK 0 / 95 / 88 / 2

HEX #FB0D1D

RGB 251 13 29

HSL 355.97, 0.97%, 0.52%

LAB 52.82, 78.5, 57.74

 

CMYK 0 / 99 / 41 / 30

HEX #B3026A

RGB 179 2 106

HSL 324.75, 0.98%, 0.35%

LAB 39.02, 66.16, -7.46

 

CMYK 0 / 99 / 41 / 14

HEX #DC0382

RGB 220 3 130

HSL 324.88, 0.97%, 0.44%

LAB 48.12, 77.06, -7.87

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 78 / 33 / 2

HEX #FB36A9

RGB 251 54 169

HSL 324.97, 0.96%, 0.6%

LAB 58.05, 79.73, -15.59

 

CMYK 0 / 62 / 26 / 1

HEX #FC5FBB

RGB 252 95 187

HSL 324.84, 0.96%, 0.68%

LAB 63.73, 68.42, -17.33

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 38 / 95 / 2

HEX #FB9C0D

RGB 251 156 13

HSL 36.05, 0.97%, 0.52%

LAB 72.44, 27.07, 75.51

 

CMYK 95 / 0 / 0 / 2

HEX #0DFBFB

RGB 13 251 251

HSL 180, 0.97%, 0.52%

LAB 89.88, -47.24, -13.91

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 38 / 0 / 95 / 2

HEX #9CFB0D

RGB 156 251 13

HSL 83.95, 0.97%, 0.52%

LAB 89.9, -57.53, 85.33

 

CMYK 95 / 38 / 0 / 2

HEX #0D9CFB

RGB 13 156 251

HSL 203.95, 0.97%, 0.52%

LAB 62.36, 0.64, -56.45

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 38 / 95 / 2

HEX #FB9C0D

RGB 251 156 13

HSL 36.05, 0.97%, 0.52%

LAB 72.44, 27.07, 75.51

 

CMYK 95 / 0 / 57 / 2

HEX #0DFB6C

RGB 13 251 108

HSL 143.95, 0.97%, 0.52%

LAB 87.08, -78, 54.02

 

CMYK 95 / 57 / 0 / 2

HEX #0D6CFB

RGB 13 108 251

HSL 216.05, 0.97%, 0.52%

LAB 49.22, 30.18, -77.64

 

CMYK 0 / 95 / 39 / 2

HEX #FB0D98

RGB 251 13 152

HSL 324.96, 0.97%, 0.52%

LAB 55.14, 84.78, -9.98

 

CMYK 0 / 10 / 95 / 2

HEX #FBE30D

RGB 251 227 13

HSL 53.95, 0.97%, 0.52%

LAB 89.62, -9.53, 87.83

 

CMYK 95 / 0 / 57 / 2

HEX #0DFB6C

RGB 13 251 108

HSL 143.95, 0.97%, 0.52%

LAB 87.08, -78, 54.02

 

CMYK 95 / 85 / 0 / 2

HEX #0D25FB

RGB 13 37 251

HSL 233.95, 0.97%, 0.52%

LAB 34.75, 69.66, -101.52

 

Description

Color code: HEX #FB0D98 | qconv.com Color code: HEX #FB0D98 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 13 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 13 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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