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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB0C08 it is the complementary color #04F3F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB0C08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB0C08 shade: #FF0C03, #FF1E16, #FF3029, #FF423C and #FF544F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB0C08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB0C08 shade: #FB0C08, #EA0000, #D90000, #C80000 and #B70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB0C08 shade: #FB0C08 and #FB0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB0C08 shade: #FB0C08, #FB4E08, #FB8F08, #FBD008 and #E4FB08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB0C08 shade matches the following richer shades: #FB0C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB0C08 shade: #FB0C08, #E7201D, #D23331, #BE4745 and #AA5B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB0C08 shade: #FB088A, #FB0849, #FB0808, #FB4908 and #FB8A08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB0C08 shade: #AE0502, #D70603, #FB0C08, #FB3431 and #FC5C5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB0C08 shade: #FB0C08, #CAFB08 and #0869FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB0C08 shade: #FB0C08, #08FB08 and #0808FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB0C08 shade: #FB0C08, #CAFB08, #08FBFB and #3908FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB0C08 shade: #FB0C08, #82FB08, #08FBFB and #8208FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

Complementary color

CMYK 98 / 2 / 0 / 3

HEX #04F3F7

RGB 4 243 247

HSL 180.99, 0.97%, 0.49%

LAB 87.41, -45.11, -15.53

 

CMYK 0 / 95 / 99 / 0

HEX #FF0C03

RGB 255 12 3

HSL 2.14, 1%, 0.51%

LAB 53.52, 79.31, 66.57

 

CMYK 0 / 88 / 91 / 0

HEX #FF1E16

RGB 255 30 22

HSL 2.06, 1%, 0.54%

LAB 54.29, 77.42, 61.82

 

CMYK 0 / 81 / 84 / 0

HEX #FF3029

RGB 255 48 41

HSL 1.96, 1%, 0.58%

LAB 55.62, 74.23, 54.9

 

CMYK 0 / 74 / 76 / 0

HEX #FF423C

RGB 255 66 60

HSL 1.85, 1%, 0.62%

LAB 57.54, 69.81, 47.16

 

CMYK 0 / 67 / 69 / 0

HEX #FF544F

RGB 255 84 79

HSL 1.7, 1%, 0.65%

LAB 60.04, 64.31, 39.62

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 100 / 100 / 8

HEX #EA0000

RGB 234 0 0

HSL 0, 1%, 0.46%

LAB 48.87, 75.07, 62.99

 

CMYK 0 / 100 / 100 / 15

HEX #D90000

RGB 217 0 0

HSL 0, 1%, 0.43%

LAB 45.29, 70.92, 59.51

 

CMYK 0 / 100 / 100 / 22

HEX #C80000

RGB 200 0 0

HSL 0, 1%, 0.39%

LAB 41.66, 66.71, 55.98

 

CMYK 0 / 100 / 100 / 28

HEX #B70000

RGB 183 0 0

HSL 0, 1%, 0.36%

LAB 37.96, 62.44, 52.38

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 97 / 97 / 2

HEX #FB0808

RGB 251 8 8

HSL 0, 0.97%, 0.51%

LAB 52.62, 78.65, 64.49

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 69 / 97 / 2

HEX #FB4E08

RGB 251 78 8

HSL 17.28, 0.97%, 0.51%

LAB 58.01, 63.47, 67.2

 

CMYK 0 / 43 / 97 / 2

HEX #FB8F08

RGB 251 143 8

HSL 33.33, 0.97%, 0.51%

LAB 69.59, 33.75, 74.24

 

CMYK 0 / 17 / 97 / 2

HEX #FBD008

RGB 251 208 8

HSL 49.38, 0.97%, 0.51%

LAB 84.81, -0.01, 84.76

 

CMYK 9 / 0 / 97 / 2

HEX #E4FB08

RGB 228 251 8

HSL 65.68, 0.97%, 0.51%

LAB 94.1, -30.61, 90.78

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 86 / 87 / 9

HEX #E7201D

RGB 231 32 29

HSL 0.89, 0.81%, 0.51%

LAB 49.63, 70.98, 53.55

 

CMYK 0 / 76 / 77 / 18

HEX #D23331

RGB 210 51 49

HSL 0.75, 0.64%, 0.51%

LAB 47.35, 60.86, 39.79

 

CMYK 0 / 63 / 64 / 25

HEX #BE4745

RGB 190 71 69

HSL 0.99, 0.48%, 0.51%

LAB 46.82, 47.7, 26.69

 

CMYK 0 / 46 / 48 / 33

HEX #AA5B59

RGB 170 91 89

HSL 1.48, 0.32%, 0.51%

LAB 47.94, 31.95, 15.66

 

CMYK 0 / 97 / 45 / 2

HEX #FB088A

RGB 251 8 138

HSL 327.9, 0.97%, 0.51%

LAB 54.57, 83.94, -2.48

 

CMYK 0 / 97 / 71 / 2

HEX #FB0849

RGB 251 8 73

HSL 343.95, 0.97%, 0.51%

LAB 53.13, 80.05, 34.65

 

CMYK 0 / 97 / 97 / 2

HEX #FB0808

RGB 251 8 8

HSL 0, 0.97%, 0.51%

LAB 52.62, 78.65, 64.49

 

CMYK 0 / 71 / 97 / 2

HEX #FB4908

RGB 251 73 8

HSL 16.05, 0.97%, 0.51%

LAB 57.36, 65.27, 66.84

 

CMYK 0 / 45 / 97 / 2

HEX #FB8A08

RGB 251 138 8

HSL 32.1, 0.97%, 0.51%

LAB 68.54, 36.31, 73.55

 

CMYK 0 / 97 / 99 / 32

HEX #AE0502

RGB 174 5 2

HSL 1.05, 0.98%, 0.35%

LAB 36.2, 59.57, 49.64

 

CMYK 0 / 97 / 99 / 16

HEX #D70603

RGB 215 6 3

HSL 0.85, 0.97%, 0.43%

LAB 45.06, 69.93, 58.2

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 0 / 79 / 80 / 2

HEX #FB3431

RGB 251 52 49

HSL 0.89, 0.96%, 0.59%

LAB 55.26, 72.35, 50.35

 

CMYK 0 / 63 / 64 / 1

HEX #FC5C5A

RGB 252 92 90

HSL 0.74, 0.96%, 0.67%

LAB 60.86, 60.75, 34.36

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 20 / 0 / 97 / 2

HEX #CAFB08

RGB 202 251 8

HSL 72.1, 0.97%, 0.51%

LAB 92.38, -40.9, 88.72

 

CMYK 97 / 58 / 0 / 2

HEX #0869FB

RGB 8 105 251

HSL 216.05, 0.97%, 0.51%

LAB 48.41, 31.97, -78.97

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 97 / 0 / 97 / 2

HEX #08FB08

RGB 8 251 8

HSL 120, 0.97%, 0.51%

LAB 86.54, -84.81, 81.61

 

CMYK 97 / 97 / 0 / 2

HEX #0808FB

RGB 8 8 251

HSL 240, 0.97%, 0.51%

LAB 32.24, 77.07, -105.72

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 20 / 0 / 97 / 2

HEX #CAFB08

RGB 202 251 8

HSL 72.1, 0.97%, 0.51%

LAB 92.38, -40.9, 88.72

 

CMYK 97 / 0 / 0 / 2

HEX #08FBFB

RGB 8 251 251

HSL 180, 0.97%, 0.51%

LAB 89.86, -47.35, -13.93

 

CMYK 77 / 97 / 0 / 2

HEX #3908FB

RGB 57 8 251

HSL 252.1, 0.97%, 0.51%

LAB 34, 77.79, -102.73

 

CMYK 0 / 95 / 97 / 2

HEX #FB0C08

RGB 251 12 8

HSL 0.99, 0.97%, 0.51%

LAB 52.72, 78.37, 64.54

 

CMYK 48 / 0 / 97 / 2

HEX #82FB08

RGB 130 251 8

HSL 89.88, 0.97%, 0.51%

LAB 88.81, -65.71, 84.39

 

CMYK 97 / 0 / 0 / 2

HEX #08FBFB

RGB 8 251 251

HSL 180, 0.97%, 0.51%

LAB 89.86, -47.35, -13.93

 

CMYK 48 / 97 / 0 / 2

HEX #8208FB

RGB 130 8 251

HSL 270.12, 0.97%, 0.51%

LAB 41.03, 81.66, -90.85

 

Description

Color code: HEX #FB0C08 | qconv.com Color code: HEX #FB0C08 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 12 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 12 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 97 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 97% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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