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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAF750 it is the complementary color #0508AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAF750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAF750 shade: #FFF74B, #FFFF5E, #FFFF71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAF750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAF750 shade: #FAF750, #E9E53D, #D8D32A, #C7C117 and #B6AF04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAF750 shade: #F9F651, #F9C951, #F99C51, #F96E51 and #F95151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAF750 shade: #F9F651, #CFF951, #A2F951, #74F951 and #51F95C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAF750 shade matches the following richer shades: #F9F651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAF750 shade: #F9F651, #EBE860, #DCDA6E, #CECC7D and #BFBE8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAF750 shade: #F99A51, #F9C751, #F9F451, #D2F951 and #A5F951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAF750 shade: #F1ED07, #F8F429, #F9F651, #FAF879 and #FCFAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAF750 shade: #FAF750, #51F96D and #B051F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAF750 shade: #FAF750, #51F9F4 and #F451F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAF750 shade: #FAF750, #51F96D, #5157F9 and #F951DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAF750 shade: #FAF750, #51F9A0, #5157F9 and #F951AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

Complementary color

CMYK 97 / 95 / 0 / 31

HEX #0508AF

RGB 5 8 175

HSL 238.94, 0.94%, 0.35%

LAB 21.21, 57.69, -80.01

 

CMYK 0 / 3 / 71 / 0

HEX #FFF74B

RGB 255 247 75

HSL 57.33, 1%, 0.65%

LAB 95.28, -16.05, 78.74

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

CMYK 0 / 2 / 74 / 9

HEX #E9E53D

RGB 233 229 61

HSL 58.6, 0.8%, 0.58%

LAB 88.78, -16.92, 76.57

 

CMYK 0 / 2 / 81 / 15

HEX #D8D32A

RGB 216 211 42

HSL 58.28, 0.69%, 0.51%

LAB 82.57, -15.85, 75.98

 

CMYK 0 / 3 / 88 / 22

HEX #C7C117

RGB 199 193 23

HSL 57.95, 0.79%, 0.44%

LAB 76.28, -14.58, 74.39

 

CMYK 0 / 4 / 98 / 29

HEX #B6AF04

RGB 182 175 4

HSL 57.64, 0.96%, 0.36%

LAB 69.9, -13.12, 71.47

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 0 / 19 / 67 / 2

HEX #F9C951

RGB 249 201 81

HSL 42.86, 0.93%, 0.65%

LAB 83.18, 4.81, 64.14

 

CMYK 0 / 37 / 67 / 2

HEX #F99C51

RGB 249 156 81

HSL 26.79, 0.93%, 0.65%

LAB 72.57, 28.33, 52.7

 

CMYK 0 / 56 / 67 / 2

HEX #F96E51

RGB 249 110 81

HSL 10.36, 0.93%, 0.65%

LAB 63.25, 51.34, 42.07

 

CMYK 0 / 67 / 67 / 2

HEX #F95151

RGB 249 81 81

HSL 0, 0.93%, 0.65%

LAB 58.62, 63.67, 36.56

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 17 / 0 / 67 / 2

HEX #CFF951

RGB 207 249 81

HSL 75, 0.93%, 0.65%

LAB 92.4, -35.75, 72.61

 

CMYK 35 / 0 / 67 / 2

HEX #A2F951

RGB 162 249 81

HSL 91.07, 0.93%, 0.65%

LAB 89.87, -52.02, 69.21

 

CMYK 53 / 0 / 67 / 2

HEX #74F951

RGB 116 249 81

HSL 107.5, 0.93%, 0.65%

LAB 88, -65.73, 66.67

 

CMYK 67 / 0 / 63 / 2

HEX #51F95C

RGB 81 249 92

HSL 123.93, 0.93%, 0.65%

LAB 87.13, -72.35, 61.13

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 0 / 1 / 59 / 8

HEX #EBE860

RGB 235 232 96

HSL 58.71, 0.78%, 0.65%

LAB 89.96, -15.7, 64.73

 

CMYK 0 / 1 / 50 / 14

HEX #DCDA6E

RGB 220 218 110

HSL 58.91, 0.61%, 0.65%

LAB 85.24, -13.76, 52.81

 

CMYK 0 / 1 / 39 / 19

HEX #CECC7D

RGB 206 204 125

HSL 58.52, 0.45%, 0.65%

LAB 80.62, -10.84, 39.58

 

CMYK 0 / 1 / 27 / 25

HEX #BFBE8B

RGB 191 190 139

HSL 58.85, 0.29%, 0.65%

LAB 75.93, -7.81, 25.96

 

CMYK 0 / 38 / 67 / 2

HEX #F99A51

RGB 249 154 81

HSL 26.07, 0.93%, 0.65%

LAB 72.12, 29.37, 52.21

 

CMYK 0 / 20 / 67 / 2

HEX #F9C751

RGB 249 199 81

HSL 42.14, 0.93%, 0.65%

LAB 82.69, 5.84, 63.62

 

CMYK 0 / 2 / 67 / 2

HEX #F9F451

RGB 249 244 81

HSL 58.21, 0.93%, 0.65%

LAB 94.07, -16.75, 75.27

 

CMYK 16 / 0 / 67 / 2

HEX #D2F951

RGB 210 249 81

HSL 73.93, 0.93%, 0.65%

LAB 92.6, -34.59, 72.87

 

CMYK 34 / 0 / 67 / 2

HEX #A5F951

RGB 165 249 81

HSL 90, 0.93%, 0.65%

LAB 90.02, -51, 69.41

 

CMYK 0 / 2 / 97 / 5

HEX #F1ED07

RGB 241 237 7

HSL 58.97, 0.94%, 0.49%

LAB 91.36, -18.67, 89.23

 

CMYK 0 / 2 / 83 / 3

HEX #F8F429

RGB 248 244 41

HSL 58.84, 0.94%, 0.57%

LAB 93.8, -18.64, 86.71

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 0 / 1 / 52 / 2

HEX #FAF879

RGB 250 248 121

HSL 59.07, 0.93%, 0.73%

LAB 95.51, -15.68, 60.4

 

CMYK 0 / 1 / 36 / 1

HEX #FCFAA1

RGB 252 250 161

HSL 58.68, 0.94%, 0.81%

LAB 96.67, -12.08, 42.95

 

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

CMYK 67 / 0 / 56 / 2

HEX #51F96D

RGB 81 249 109

HSL 130, 0.93%, 0.65%

LAB 87.29, -70.44, 54.03

 

CMYK 29 / 67 / 0 / 2

HEX #B051F9

RGB 176 81 249

HSL 273.93, 0.93%, 0.65%

LAB 53.98, 66.53, -68.33

 

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

CMYK 67 / 0 / 2 / 2

HEX #51F9F4

RGB 81 249 244

HSL 178.21, 0.93%, 0.65%

LAB 89.87, -43.27, -10.19

 

CMYK 2 / 67 / 0 / 2

HEX #F451F9

RGB 244 81 249

HSL 298.21, 0.93%, 0.65%

LAB 63.31, 80.66, -52.86

 

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

CMYK 67 / 0 / 56 / 2

HEX #51F96D

RGB 81 249 109

HSL 130, 0.93%, 0.65%

LAB 87.29, -70.44, 54.03

 

CMYK 67 / 65 / 0 / 2

HEX #5157F9

RGB 81 87 249

HSL 237.86, 0.93%, 0.65%

LAB 46.18, 47.56, -81.41

 

CMYK 0 / 67 / 11 / 2

HEX #F951DD

RGB 249 81 221

HSL 310, 0.93%, 0.65%

LAB 62.71, 77.52, -38.15

 

CMYK 0 / 1 / 68 / 2

HEX #FAF750

RGB 250 247 80

HSL 58.94, 0.94%, 0.65%

LAB 94.92, -17.84, 76.5

 

CMYK 67 / 0 / 36 / 2

HEX #51F9A0

RGB 81 249 160

HSL 148.21, 0.93%, 0.65%

LAB 87.99, -62.57, 30.46

 

CMYK 67 / 65 / 0 / 2

HEX #5157F9

RGB 81 87 249

HSL 237.86, 0.93%, 0.65%

LAB 46.18, 47.56, -81.41

 

CMYK 0 / 67 / 31 / 2

HEX #F951AB

RGB 249 81 171

HSL 327.86, 0.93%, 0.65%

LAB 60.75, 71.08, -12.7

 

Description

Color code: HEX #FAF750 | qconv.com Color code: HEX #FAF750 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 247 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 247 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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