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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAEB83 it is the complementary color #05147C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAEB83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAEB83 shade: #FFEB7E, #FFFD91, #FFFFA4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAEB83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAEB83 shade: #FAEB83, #E9D970, #D8C75D, #C7B54A and #B6A337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAEB83 shade: #F9EB84, #F9CB84, #F9AB84, #F98C84 and #F98484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAEB83 shade: #F9EB84, #E9F984, #C9F984, #A9F984 and #8AF984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAEB83 shade matches the following richer shades: #F9EB84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAEB83 shade: #F9EB84, #EFE38E, #E5DB99, #DAD3A3 and #D0CCAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAEB83 shade: #F9AB84, #F9CA84, #F9EA84, #EAF984 and #CAF984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAEB83 shade: #F6DE35, #F8E45C, #F9EB84, #FBF1AC and #FDF7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAEB83 shade: #FAEB83, #84F98C and #BB84F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAEB83 shade: #FAEB83, #84F9EA and #EA84F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAEB83 shade: #FAEB83, #84F98C, #8494F9 and #F984F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAEB83 shade: #FAEB83, #84F9AF, #8494F9 and #F984CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

Complementary color

CMYK 96 / 84 / 0 / 51

HEX #05147C

RGB 5 20 124

HSL 232.44, 0.92%, 0.25%

LAB 15.42, 37.76, -58.06

 

CMYK 0 / 8 / 51 / 0

HEX #FFEB7E

RGB 255 235 126

HSL 50.7, 1%, 0.75%

LAB 92.66, -6.89, 54.83

 

CMYK 0 / 1 / 43 / 0

HEX #FFFD91

RGB 255 253 145

HSL 58.91, 1%, 0.78%

LAB 97.45, -14.05, 51.71

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

CMYK 0 / 7 / 52 / 9

HEX #E9D970

RGB 233 217 112

HSL 52.07, 0.73%, 0.68%

LAB 86.07, -7.85, 53.11

 

CMYK 0 / 8 / 57 / 15

HEX #D8C75D

RGB 216 199 93

HSL 51.71, 0.61%, 0.61%

LAB 79.75, -7.16, 54.24

 

CMYK 0 / 9 / 63 / 22

HEX #C7B54A

RGB 199 181 74

HSL 51.36, 0.53%, 0.54%

LAB 73.34, -6.34, 55.25

 

CMYK 0 / 10 / 70 / 29

HEX #B6A337

RGB 182 163 55

HSL 51.02, 0.54%, 0.46%

LAB 66.84, -5.35, 56.02

 

CMYK 0 / 6 / 47 / 2

HEX #F9EB84

RGB 249 235 132

HSL 52.82, 0.91%, 0.75%

LAB 92.23, -8.74, 51.37

 

CMYK 0 / 18 / 47 / 2

HEX #F9CB84

RGB 249 203 132

HSL 36.41, 0.91%, 0.75%

LAB 84.23, 7.54, 41.42

 

CMYK 0 / 31 / 47 / 2

HEX #F9AB84

RGB 249 171 132

HSL 20, 0.91%, 0.75%

LAB 76.64, 24.3, 31.61

 

CMYK 0 / 44 / 47 / 2

HEX #F98C84

RGB 249 140 132

HSL 4.1, 0.91%, 0.75%

LAB 69.87, 40.41, 22.57

 

CMYK 0 / 47 / 47 / 2

HEX #F98484

RGB 249 132 132

HSL 0, 0.91%, 0.75%

LAB 68.25, 44.44, 20.37

 

CMYK 0 / 6 / 47 / 2

HEX #F9EB84

RGB 249 235 132

HSL 52.82, 0.91%, 0.75%

LAB 92.23, -8.74, 51.37

 

CMYK 6 / 0 / 47 / 2

HEX #E9F984

RGB 233 249 132

HSL 68.21, 0.91%, 0.75%

LAB 94.63, -21.8, 54

 

CMYK 19 / 0 / 47 / 2

HEX #C9F984

RGB 201 249 132

HSL 84.62, 0.91%, 0.75%

LAB 92.5, -33.75, 50.92

 

CMYK 32 / 0 / 47 / 2

HEX #A9F984

RGB 169 249 132

HSL 101.03, 0.91%, 0.75%

LAB 90.71, -44.82, 48.31

 

CMYK 45 / 0 / 47 / 2

HEX #8AF984

RGB 138 249 132

HSL 116.92, 0.91%, 0.75%

LAB 89.31, -54.31, 46.26

 

CMYK 0 / 6 / 47 / 2

HEX #F9EB84

RGB 249 235 132

HSL 52.82, 0.91%, 0.75%

LAB 92.23, -8.74, 51.37

 

CMYK 0 / 6 / 47 / 2

HEX #F9EB84

RGB 249 235 132

HSL 52.82, 0.91%, 0.75%

LAB 92.23, -8.74, 51.37

 

CMYK 0 / 5 / 41 / 6

HEX #EFE38E

RGB 239 227 142

HSL 52.58, 0.75%, 0.75%

LAB 89.51, -7.69, 42.93

 

CMYK 0 / 4 / 33 / 10

HEX #E5DB99

RGB 229 219 153

HSL 52.11, 0.59%, 0.75%

LAB 86.81, -6.29, 33.74

 

CMYK 0 / 3 / 25 / 15

HEX #DAD3A3

RGB 218 211 163

HSL 52.36, 0.43%, 0.75%

LAB 84.04, -5.11, 24.69

 

CMYK 0 / 2 / 17 / 18

HEX #D0CCAD

RGB 208 204 173

HSL 53.14, 0.27%, 0.75%

LAB 81.63, -3.78, 15.97

 

CMYK 0 / 31 / 47 / 2

HEX #F9AB84

RGB 249 171 132

HSL 20, 0.91%, 0.75%

LAB 76.64, 24.3, 31.61

 

CMYK 0 / 19 / 47 / 2

HEX #F9CA84

RGB 249 202 132

HSL 35.9, 0.91%, 0.75%

LAB 83.99, 8.06, 41.11

 

CMYK 0 / 6 / 47 / 2

HEX #F9EA84

RGB 249 234 132

HSL 52.31, 0.91%, 0.75%

LAB 91.98, -8.24, 51.06

 

CMYK 6 / 0 / 47 / 2

HEX #EAF984

RGB 234 249 132

HSL 67.69, 0.91%, 0.75%

LAB 94.7, -21.42, 54.1

 

CMYK 19 / 0 / 47 / 2

HEX #CAF984

RGB 202 249 132

HSL 84.1, 0.91%, 0.75%

LAB 92.56, -33.39, 51.01

 

CMYK 0 / 10 / 78 / 4

HEX #F6DE35

RGB 246 222 53

HSL 52.54, 0.91%, 0.59%

LAB 88.01, -8.34, 78.7

 

CMYK 0 / 8 / 63 / 3

HEX #F8E45C

RGB 248 228 92

HSL 52.31, 0.92%, 0.67%

LAB 89.96, -8.68, 66.71

 

CMYK 0 / 6 / 47 / 2

HEX #F9EB84

RGB 249 235 132

HSL 52.82, 0.91%, 0.75%

LAB 92.23, -8.74, 51.37

 

CMYK 0 / 4 / 31 / 2

HEX #FBF1AC

RGB 251 241 172

HSL 52.41, 0.91%, 0.83%

LAB 94.48, -6.73, 34.6

 

CMYK 0 / 2 / 17 / 1

HEX #FDF7D3

RGB 253 247 211

HSL 51.43, 0.91%, 0.91%

LAB 96.86, -3.77, 18.04

 

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

CMYK 47 / 0 / 44 / 2

HEX #84F98C

RGB 132 249 140

HSL 124.1, 0.91%, 0.75%

LAB 89.18, -54.85, 42.21

 

CMYK 25 / 47 / 0 / 2

HEX #BB84F9

RGB 187 132 249

HSL 268.21, 0.91%, 0.75%

LAB 64.89, 43.46, -50.81

 

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

CMYK 47 / 0 / 6 / 2

HEX #84F9EA

RGB 132 249 234

HSL 172.31, 0.91%, 0.75%

LAB 91.05, -36.74, -3.09

 

CMYK 6 / 47 / 0 / 2

HEX #EA84F9

RGB 234 132 249

HSL 292.31, 0.91%, 0.75%

LAB 70.06, 56.25, -42.31

 

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

CMYK 47 / 0 / 44 / 2

HEX #84F98C

RGB 132 249 140

HSL 124.1, 0.91%, 0.75%

LAB 89.18, -54.85, 42.21

 

CMYK 47 / 41 / 0 / 2

HEX #8494F9

RGB 132 148 249

HSL 231.79, 0.91%, 0.75%

LAB 64.1, 20.5, -52.35

 

CMYK 0 / 47 / 3 / 2

HEX #F984F2

RGB 249 132 242

HSL 303.59, 0.91%, 0.75%

LAB 71.59, 59.2, -35.96

 

CMYK 0 / 6 / 48 / 2

HEX #FAEB83

RGB 250 235 131

HSL 52.44, 0.92%, 0.75%

LAB 92.3, -8.44, 51.95

 

CMYK 47 / 0 / 30 / 2

HEX #84F9AF

RGB 132 249 175

HSL 142.05, 0.91%, 0.75%

LAB 89.74, -49.15, 25.5

 

CMYK 47 / 41 / 0 / 2

HEX #8494F9

RGB 132 148 249

HSL 231.79, 0.91%, 0.75%

LAB 64.1, 20.5, -52.35

 

CMYK 0 / 47 / 17 / 2

HEX #F984CE

RGB 249 132 206

HSL 322.05, 0.91%, 0.75%

LAB 70.24, 53.47, -18.17

 

Description

Color code: HEX #FAEB83 | qconv.com Color code: HEX #FAEB83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 235 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 235 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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