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Color name
HEX #FAE08A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAE08A it is the complementary color #051F75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAE08A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAE08A shade: #FFE085, #FFF298, #FFFFAB, #FFFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAE08A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAE08A shade: #FAE08A, #E9CE77, #D8BC64, #C7AA51 and #B6983E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAE08A shade: #FADF89, #FAC189, #FAA389 and #FA8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAE08A shade: #FADF89, #F5FA89, #D7FA89, #B9FA89 and #9AFA89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAE08A shade matches the following richer shades: #FADF89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAE08A shade: #FADF89, #F0DA93, #E6D59D, #DCD0A7 and #D2CAB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAE08A shade: #FAA389, #FAC189, #FADF89, #F6FA89 and #D8FA89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAE08A shade: #F6CB3A, #F8D561, #FADF89, #FBEAB1 and #FDF4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAE08A shade: #FAE08A, #8DFA89 and #B289FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAE08A shade: #FAE08A, #89FADF and #DF89FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAE08A shade: #FAE08A, #8DFA89, #89A3FA and #F689FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAE08A shade: #FAE08A, #89FAA7, #89A3FA and #FA89DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

Complementary color

CMYK 96 / 74 / 0 / 54

HEX #051F75

RGB 5 31 117

HSL 226.07, 0.92%, 0.24%

LAB 16.97, 28.3, -51

 

CMYK 0 / 12 / 48 / 0

HEX #FFE085

RGB 255 224 133

HSL 44.75, 1%, 0.76%

LAB 89.98, -0.75, 48.24

 

CMYK 0 / 5 / 40 / 0

HEX #FFF298

RGB 255 242 152

HSL 52.43, 1%, 0.8%

LAB 94.75, -7.94, 44.95

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

CMYK 0 / 12 / 49 / 9

HEX #E9CE77

RGB 233 206 119

HSL 45.79, 0.72%, 0.69%

LAB 83.34, -1.64, 46.46

 

CMYK 0 / 13 / 54 / 15

HEX #D8BC64

RGB 216 188 100

HSL 45.52, 0.6%, 0.62%

LAB 76.97, -0.91, 47.69

 

CMYK 0 / 15 / 59 / 22

HEX #C7AA51

RGB 199 170 81

HSL 45.25, 0.51%, 0.55%

LAB 70.51, -0.06, 48.91

 

CMYK 0 / 16 / 66 / 29

HEX #B6983E

RGB 182 152 62

HSL 45, 0.49%, 0.48%

LAB 63.96, 0.96, 50.02

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 0 / 23 / 45 / 2

HEX #FAC189

RGB 250 193 137

HSL 29.73, 0.92%, 0.76%

LAB 81.98, 13.62, 36

 

CMYK 0 / 35 / 45 / 2

HEX #FAA389

RGB 250 163 137

HSL 13.81, 0.92%, 0.76%

LAB 75.03, 29.37, 26.82

 

CMYK 0 / 45 / 45 / 2

HEX #FA8989

RGB 250 137 137

HSL 0, 0.92%, 0.76%

LAB 69.48, 42.78, 19.3

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 2 / 0 / 45 / 2

HEX #F5FA89

RGB 245 250 137

HSL 62.65, 0.92%, 0.76%

LAB 95.83, -17.2, 53.32

 

CMYK 14 / 0 / 45 / 2

HEX #D7FA89

RGB 215 250 137

HSL 78.58, 0.92%, 0.76%

LAB 93.72, -28.56, 50.26

 

CMYK 26 / 0 / 45 / 2

HEX #B9FA89

RGB 185 250 137

HSL 94.51, 0.92%, 0.76%

LAB 91.91, -39.29, 47.61

 

CMYK 38 / 0 / 45 / 2

HEX #9AFA89

RGB 154 250 137

HSL 110.97, 0.92%, 0.76%

LAB 90.34, -49.37, 45.32

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 0 / 9 / 39 / 6

HEX #F0DA93

RGB 240 218 147

HSL 45.81, 0.76%, 0.76%

LAB 87.38, -2.21, 37.7

 

CMYK 0 / 7 / 32 / 10

HEX #E6D59D

RGB 230 213 157

HSL 46.03, 0.59%, 0.76%

LAB 85.43, -2.36, 29.86

 

CMYK 0 / 5 / 24 / 14

HEX #DCD0A7

RGB 220 208 167

HSL 46.42, 0.43%, 0.76%

LAB 83.5, -2.26, 21.89

 

CMYK 0 / 4 / 16 / 18

HEX #D2CAB1

RGB 210 202 177

HSL 45.45, 0.27%, 0.76%

LAB 81.36, -1.38, 13.48

 

CMYK 0 / 35 / 45 / 2

HEX #FAA389

RGB 250 163 137

HSL 13.81, 0.92%, 0.76%

LAB 75.03, 29.37, 26.82

 

CMYK 0 / 23 / 45 / 2

HEX #FAC189

RGB 250 193 137

HSL 29.73, 0.92%, 0.76%

LAB 81.98, 13.62, 36

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 2 / 0 / 45 / 2

HEX #F6FA89

RGB 246 250 137

HSL 62.12, 0.92%, 0.76%

LAB 95.9, -16.82, 53.43

 

CMYK 14 / 0 / 45 / 2

HEX #D8FA89

RGB 216 250 137

HSL 78.05, 0.92%, 0.76%

LAB 93.79, -28.19, 50.36

 

CMYK 0 / 17 / 76 / 4

HEX #F6CB3A

RGB 246 203 58

HSL 46.28, 0.91%, 0.6%

LAB 83.24, 1.47, 72.82

 

CMYK 0 / 14 / 61 / 3

HEX #F8D561

RGB 248 213 97

HSL 46.09, 0.92%, 0.68%

LAB 86.21, -0.81, 60.48

 

CMYK 0 / 11 / 45 / 2

HEX #FADF89

RGB 250 223 137

HSL 45.66, 0.92%, 0.76%

LAB 89.35, -1.85, 45.39

 

CMYK 0 / 7 / 29 / 2

HEX #FBEAB1

RGB 251 234 177

HSL 46.22, 0.9%, 0.84%

LAB 92.81, -2.6, 29.82

 

CMYK 0 / 4 / 15 / 1

HEX #FDF4D8

RGB 253 244 216

HSL 45.41, 0.9%, 0.92%

LAB 96.22, -1.51, 14.57

 

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

CMYK 44 / 0 / 45 / 2

HEX #8DFA89

RGB 141 250 137

HSL 117.88, 0.92%, 0.76%

LAB 89.79, -53.19, 44.49

 

CMYK 29 / 45 / 0 / 2

HEX #B289FA

RGB 178 137 250

HSL 261.77, 0.92%, 0.76%

LAB 65.17, 38.57, -50.97

 

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

CMYK 45 / 0 / 11 / 2

HEX #89FADF

RGB 137 250 223

HSL 165.66, 0.92%, 0.76%

LAB 91.24, -38.59, 2.93

 

CMYK 11 / 45 / 0 / 2

HEX #DF89FA

RGB 223 137 250

HSL 285.66, 0.92%, 0.76%

LAB 69.81, 50.86, -43.34

 

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

CMYK 44 / 0 / 45 / 2

HEX #8DFA89

RGB 141 250 137

HSL 117.88, 0.92%, 0.76%

LAB 89.79, -53.19, 44.49

 

CMYK 45 / 35 / 0 / 2

HEX #89A3FA

RGB 137 163 250

HSL 226.19, 0.92%, 0.76%

LAB 68.33, 13.3, -46.2

 

CMYK 2 / 45 / 0 / 2

HEX #F689FA

RGB 246 137 250

HSL 297.88, 0.92%, 0.76%

LAB 72.49, 57.31, -38.97

 

CMYK 0 / 10 / 45 / 2

HEX #FAE08A

RGB 250 224 138

HSL 46.07, 0.92%, 0.76%

LAB 89.61, -2.26, 45.23

 

CMYK 45 / 0 / 33 / 2

HEX #89FAA7

RGB 137 250 167

HSL 135.93, 0.92%, 0.76%

LAB 90.08, -49.68, 30.04

 

CMYK 45 / 35 / 0 / 2

HEX #89A3FA

RGB 137 163 250

HSL 226.19, 0.92%, 0.76%

LAB 68.33, 13.3, -46.2

 

CMYK 0 / 45 / 12 / 2

HEX #FA89DC

RGB 250 137 220

HSL 315.93, 0.92%, 0.76%

LAB 71.81, 53.46, -23.53

 

Description

Color code: HEX #FAE08A | qconv.com Color code: HEX #FAE08A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 224 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 224 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 45 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 45% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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