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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAE085 it is the complementary color #051F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAE085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAE085 shade: #FFE080, #FFF293, #FFFFA6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAE085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAE085 shade: #FAE085, #E9CE72, #D8BC5F, #C7AA4C and #B69839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAE085 shade: #F9DF84, #F9C084, #F9A084 and #F98484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAE085 shade: #F9DF84, #F4F984, #D4F984, #B5F984 and #95F984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAE085 shade matches the following richer shades: #F9DF84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAE085 shade: #F9DF84, #EFDA8E, #E5D499, #DACEA3 and #D0C8AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAE085 shade: #F99F84, #F9BF84, #F9DE84, #F5F984 and #D6F984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAE085 shade: #F6CB35, #F8D55C, #F9DF84, #FBE9AC and #FDF4D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAE085 shade: #FAE085, #88F984 and #AF84F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAE085 shade: #FAE085, #84F9DE and #DE84F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAE085 shade: #FAE085, #88F984, #849FF9 and #F584F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAE085 shade: #FAE085, #84F9A3, #849FF9 and #F984DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

Complementary color

CMYK 96 / 75 / 0 / 52

HEX #051F7A

RGB 5 31 122

HSL 226.67, 0.92%, 0.25%

LAB 17.54, 30.29, -53.27

 

CMYK 0 / 12 / 50 / 0

HEX #FFE080

RGB 255 224 128

HSL 45.35, 1%, 0.75%

LAB 89.92, -1.2, 50.58

 

CMYK 0 / 5 / 42 / 0

HEX #FFF293

RGB 255 242 147

HSL 52.78, 1%, 0.79%

LAB 94.68, -8.45, 47.3

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

CMYK 0 / 12 / 51 / 9

HEX #E9CE72

RGB 233 206 114

HSL 46.39, 0.73%, 0.68%

LAB 83.27, -2.08, 48.82

 

CMYK 0 / 13 / 56 / 15

HEX #D8BC5F

RGB 216 188 95

HSL 46.12, 0.61%, 0.61%

LAB 76.92, -1.31, 50.03

 

CMYK 0 / 15 / 62 / 22

HEX #C7AA4C

RGB 199 170 76

HSL 45.85, 0.52%, 0.54%

LAB 70.46, -0.41, 51.2

 

CMYK 0 / 16 / 69 / 29

HEX #B69839

RGB 182 152 57

HSL 45.6, 0.52%, 0.47%

LAB 63.91, 0.67, 52.19

 

CMYK 0 / 10 / 47 / 2

HEX #F9DF84

RGB 249 223 132

HSL 46.67, 0.91%, 0.75%

LAB 89.2, -2.72, 47.64

 

CMYK 0 / 23 / 47 / 2

HEX #F9C084

RGB 249 192 132

HSL 30.77, 0.91%, 0.75%

LAB 81.57, 13.27, 38.02

 

CMYK 0 / 36 / 47 / 2

HEX #F9A084

RGB 249 160 132

HSL 14.36, 0.91%, 0.75%

LAB 74.16, 30.07, 28.33

 

CMYK 0 / 47 / 47 / 2

HEX #F98484

RGB 249 132 132

HSL 0, 0.91%, 0.75%

LAB 68.25, 44.44, 20.37

 

CMYK 0 / 10 / 47 / 2

HEX #F9DF84

RGB 249 223 132

HSL 46.67, 0.91%, 0.75%

LAB 89.2, -2.72, 47.64

 

CMYK 2 / 0 / 47 / 2

HEX #F4F984

RGB 244 249 132

HSL 62.56, 0.91%, 0.75%

LAB 95.43, -17.57, 55.16

 

CMYK 15 / 0 / 47 / 2

HEX #D4F984

RGB 212 249 132

HSL 78.97, 0.91%, 0.75%

LAB 93.2, -29.72, 51.93

 

CMYK 27 / 0 / 47 / 2

HEX #B5F984

RGB 181 249 132

HSL 94.87, 0.91%, 0.75%

LAB 91.34, -40.8, 49.23

 

CMYK 40 / 0 / 47 / 2

HEX #95F984

RGB 149 249 132

HSL 111.28, 0.91%, 0.75%

LAB 89.77, -51.11, 46.94

 

CMYK 0 / 10 / 47 / 2

HEX #F9DF84

RGB 249 223 132

HSL 46.67, 0.91%, 0.75%

LAB 89.2, -2.72, 47.64

 

CMYK 0 / 10 / 47 / 2

HEX #F9DF84

RGB 249 223 132

HSL 46.67, 0.91%, 0.75%

LAB 89.2, -2.72, 47.64

 

CMYK 0 / 9 / 41 / 6

HEX #EFDA8E

RGB 239 218 142

HSL 47.01, 0.75%, 0.75%

LAB 87.22, -3.14, 40

 

CMYK 0 / 7 / 33 / 10

HEX #E5D499

RGB 229 212 153

HSL 46.58, 0.59%, 0.75%

LAB 85.02, -2.72, 31.37

 

CMYK 0 / 6 / 25 / 15

HEX #DACEA3

RGB 218 206 163

HSL 46.91, 0.43%, 0.75%

LAB 82.75, -2.53, 22.93

 

CMYK 0 / 4 / 17 / 18

HEX #D0C8AD

RGB 208 200 173

HSL 46.29, 0.27%, 0.75%

LAB 80.59, -1.69, 14.51

 

CMYK 0 / 36 / 47 / 2

HEX #F99F84

RGB 249 159 132

HSL 13.85, 0.91%, 0.75%

LAB 73.93, 30.59, 28.04

 

CMYK 0 / 23 / 47 / 2

HEX #F9BF84

RGB 249 191 132

HSL 30.26, 0.91%, 0.75%

LAB 81.33, 13.79, 37.71

 

CMYK 0 / 11 / 47 / 2

HEX #F9DE84

RGB 249 222 132

HSL 46.15, 0.91%, 0.75%

LAB 88.95, -2.21, 47.32

 

CMYK 2 / 0 / 47 / 2

HEX #F5F984

RGB 245 249 132

HSL 62.05, 0.91%, 0.75%

LAB 95.51, -17.18, 55.27

 

CMYK 14 / 0 / 47 / 2

HEX #D6F984

RGB 214 249 132

HSL 77.95, 0.91%, 0.75%

LAB 93.33, -28.98, 52.12

 

CMYK 0 / 17 / 78 / 4

HEX #F6CB35

RGB 246 203 53

HSL 46.63, 0.91%, 0.59%

LAB 83.21, 1.29, 74.42

 

CMYK 0 / 14 / 63 / 3

HEX #F8D55C

RGB 248 213 92

HSL 46.54, 0.92%, 0.67%

LAB 86.17, -1.13, 62.62

 

CMYK 0 / 10 / 47 / 2

HEX #F9DF84

RGB 249 223 132

HSL 46.67, 0.91%, 0.75%

LAB 89.2, -2.72, 47.64

 

CMYK 0 / 7 / 31 / 2

HEX #FBE9AC

RGB 251 233 172

HSL 46.33, 0.91%, 0.83%

LAB 92.47, -2.72, 31.91

 

CMYK 0 / 4 / 17 / 1

HEX #FDF4D3

RGB 253 244 211

HSL 47.14, 0.91%, 0.91%

LAB 96.12, -2.26, 16.99

 

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

CMYK 45 / 0 / 47 / 2

HEX #88F984

RGB 136 249 132

HSL 117.95, 0.91%, 0.75%

LAB 89.23, -54.87, 46.15

 

CMYK 30 / 47 / 0 / 2

HEX #AF84F9

RGB 175 132 249

HSL 262.05, 0.91%, 0.75%

LAB 63.72, 40.31, -52.74

 

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

CMYK 47 / 0 / 11 / 2

HEX #84F9DE

RGB 132 249 222

HSL 166.15, 0.91%, 0.75%

LAB 90.75, -39.52, 2.7

 

CMYK 11 / 47 / 0 / 2

HEX #DE84F9

RGB 222 132 249

HSL 286.15, 0.91%, 0.75%

LAB 68.66, 52.94, -44.61

 

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

CMYK 45 / 0 / 47 / 2

HEX #88F984

RGB 136 249 132

HSL 117.95, 0.91%, 0.75%

LAB 89.23, -54.87, 46.15

 

CMYK 47 / 36 / 0 / 2

HEX #849FF9

RGB 132 159 249

HSL 226.15, 0.91%, 0.75%

LAB 66.93, 14.12, -47.87

 

CMYK 2 / 47 / 0 / 2

HEX #F584F9

RGB 245 132 249

HSL 297.95, 0.91%, 0.75%

LAB 71.39, 59.29, -40.14

 

CMYK 0 / 10 / 47 / 2

HEX #FAE085

RGB 250 224 133

HSL 46.67, 0.92%, 0.75%

LAB 89.55, -2.74, 47.6

 

CMYK 47 / 0 / 35 / 2

HEX #84F9A3

RGB 132 249 163

HSL 135.9, 0.91%, 0.75%

LAB 89.53, -51.25, 31.29

 

CMYK 47 / 36 / 0 / 2

HEX #849FF9

RGB 132 159 249

HSL 226.15, 0.91%, 0.75%

LAB 66.93, 14.12, -47.87

 

CMYK 0 / 47 / 12 / 2

HEX #F984DA

RGB 249 132 218

HSL 315.9, 0.91%, 0.75%

LAB 70.67, 55.29, -24.18

 

Description

Color code: HEX #FAE085 | qconv.com Color code: HEX #FAE085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 224 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 224 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 47% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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