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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAE9E6 it is the complementary color #051619. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAE9E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAE9E6 shade: #FFE9E1 and #FFFBF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAE9E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAE9E6 shade: #FAE9E6, #E9D7D3, #D8C5C0, #C7B3AD and #B6A19A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAE9E6 shade: #F9E8E5 and #F9E5E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAE9E6 shade: #F9E8E5, #F9EEE5, #F9F3E5, #F9F9E5 and #F5F9E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAE9E6 shade matches the following richer shades: #F9E8E5, #FCE6E2 and #FEE5E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAE9E6 shade: #F9E8E5, #F7EAE7, #F4EBEA, #F2EDEC and #F0EFEF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAE9E6 shade: #F9E5ED, #F9E5E7, #F9E8E5, #F9EDE5 and #F9F3E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAE9E6 shade: #ECABA0, #F3CAC2 and #F9E8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAE9E6 shade: #FAE9E6, #F2F9E5 and #E5EAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAE9E6 shade: #FAE9E6, #E5F9E8 and #E8E5F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAE9E6 shade: #FAE9E6, #F2F9E5, #E5F6F9 and #ECE5F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAE9E6 shade: #FAE9E6, #ECF9E5, #E5F6F9 and #F2E5F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

Complementary color

CMYK 80 / 12 / 0 / 90

HEX #051619

RGB 5 22 25

HSL 189, 0.67%, 0.06%

LAB 6.11, -4.83, -4.08

 

CMYK 0 / 9 / 12 / 0

HEX #FFE9E1

RGB 255 233 225

HSL 16, 1%, 0.94%

LAB 93.87, 6.18, 6.58

 

CMYK 0 / 2 / 4 / 0

HEX #FFFBF4

RGB 255 251 244

HSL 38.18, 1%, 0.98%

LAB 98.74, 0.13, 3.81

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

CMYK 0 / 8 / 9 / 9

HEX #E9D7D3

RGB 233 215 211

HSL 10.91, 0.33%, 0.87%

LAB 87.3, 5.53, 4.2

 

CMYK 0 / 9 / 11 / 15

HEX #D8C5C0

RGB 216 197 192

HSL 12.5, 0.24%, 0.8%

LAB 80.93, 5.83, 4.91

 

CMYK 0 / 10 / 13 / 22

HEX #C7B3AD

RGB 199 179 173

HSL 13.85, 0.19%, 0.73%

LAB 74.44, 6.15, 5.66

 

CMYK 0 / 12 / 15 / 29

HEX #B6A19A

RGB 182 161 154

HSL 15, 0.16%, 0.66%

LAB 67.85, 6.5, 6.44

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 8 / 8 / 2

HEX #F9E5E5

RGB 249 229 229

HSL 0, 0.63%, 0.94%

LAB 92.5, 6.81, 2.45

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 4 / 8 / 2

HEX #F9EEE5

RGB 249 238 229

HSL 27, 0.63%, 0.94%

LAB 94.72, 2.19, 5.66

 

CMYK 0 / 2 / 8 / 2

HEX #F9F3E5

RGB 249 243 229

HSL 42, 0.63%, 0.94%

LAB 95.95, -0.35, 7.45

 

CMYK 0 / 0 / 8 / 2

HEX #F9F9E5

RGB 249 249 229

HSL 60, 0.63%, 0.94%

LAB 97.45, -3.38, 9.59

 

CMYK 2 / 0 / 8 / 2

HEX #F5F9E5

RGB 245 249 229

HSL 72, 0.63%, 0.94%

LAB 97.15, -4.74, 9.13

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 9 / 10 / 1

HEX #FCE6E2

RGB 252 230 226

HSL 9.23, 0.81%, 0.94%

LAB 92.92, 6.84, 4.65

 

CMYK 0 / 10 / 12 / 0

HEX #FEE5E0

RGB 254 229 224

HSL 10, 0.94%, 0.94%

LAB 92.79, 7.73, 5.53

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 5 / 6 / 3

HEX #F7EAE7

RGB 247 234 231

HSL 11.25, 0.5%, 0.94%

LAB 93.62, 3.89, 3.02

 

CMYK 0 / 4 / 4 / 4

HEX #F4EBEA

RGB 244 235 234

HSL 6, 0.31%, 0.94%

LAB 93.71, 2.86, 1.55

 

CMYK 0 / 2 / 2 / 5

HEX #F2EDEC

RGB 242 237 236

HSL 10, 0.19%, 0.94%

LAB 94.1, 1.5, 1.07

 

CMYK 0 / 0 / 0 / 6

HEX #F0EFEF

RGB 240 239 239

HSL 0, 0.03%, 0.94%

LAB 94.52, 0.34, 0.11

 

CMYK 0 / 8 / 5 / 2

HEX #F9E5ED

RGB 249 229 237

HSL 336, 0.63%, 0.94%

LAB 92.7, 8.15, -1.43

 

CMYK 0 / 8 / 7 / 2

HEX #F9E5E7

RGB 249 229 231

HSL 354, 0.63%, 0.94%

LAB 92.55, 7.14, 1.48

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 5 / 8 / 2

HEX #F9EDE5

RGB 249 237 229

HSL 24, 0.63%, 0.94%

LAB 94.47, 2.7, 5.3

 

CMYK 0 / 2 / 8 / 2

HEX #F9F3E5

RGB 249 243 229

HSL 42, 0.63%, 0.94%

LAB 95.95, -0.35, 7.45

 

CMYK 0 / 28 / 32 / 7

HEX #ECABA0

RGB 236 171 160

HSL 8.68, 0.67%, 0.78%

LAB 75.76, 22.4, 15.1

 

CMYK 0 / 17 / 20 / 5

HEX #F3CAC2

RGB 243 202 194

HSL 9.8, 0.67%, 0.86%

LAB 84.58, 13.25, 9.41

 

CMYK 0 / 7 / 8 / 2

HEX #F9E8E5

RGB 249 232 229

HSL 9, 0.63%, 0.94%

LAB 93.24, 5.27, 3.52

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

CMYK 3 / 0 / 8 / 2

HEX #F2F9E5

RGB 242 249 229

HSL 81, 0.63%, 0.94%

LAB 96.94, -5.76, 8.79

 

CMYK 8 / 6 / 0 / 2

HEX #E5EAF9

RGB 229 234 249

HSL 225, 0.63%, 0.94%

LAB 92.73, 1.14, -7.83

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

CMYK 8 / 0 / 7 / 2

HEX #E5F9E8

RGB 229 249 232

HSL 129, 0.63%, 0.94%

LAB 96.09, -9.6, 5.91

 

CMYK 7 / 8 / 0 / 2

HEX #E8E5F9

RGB 232 229 249

HSL 249, 0.63%, 0.94%

LAB 91.7, 4.69, -9.32

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

CMYK 3 / 0 / 8 / 2

HEX #F2F9E5

RGB 242 249 229

HSL 81, 0.63%, 0.94%

LAB 96.94, -5.76, 8.79

 

CMYK 8 / 1 / 0 / 2

HEX #E5F6F9

RGB 229 246 249

HSL 189, 0.63%, 0.94%

LAB 95.75, -4.99, -3.36

 

CMYK 5 / 8 / 0 / 2

HEX #ECE5F9

RGB 236 229 249

HSL 261, 0.63%, 0.94%

LAB 92, 5.98, -8.84

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E6

RGB 250 233 230

HSL 9, 0.67%, 0.94%

LAB 93.59, 5.26, 3.52

 

CMYK 5 / 0 / 8 / 2

HEX #ECF9E5

RGB 236 249 229

HSL 99, 0.63%, 0.94%

LAB 96.51, -7.79, 8.12

 

CMYK 8 / 1 / 0 / 2

HEX #E5F6F9

RGB 229 246 249

HSL 189, 0.63%, 0.94%

LAB 95.75, -4.99, -3.36

 

CMYK 3 / 8 / 0 / 2

HEX #F2E5F9

RGB 242 229 249

HSL 279, 0.63%, 0.94%

LAB 92.47, 7.95, -8.1

 

Description

Color code: HEX #FAE9E6 | qconv.com Color code: HEX #FAE9E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 233 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 233 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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