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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FADBB3 it is the complementary color #05244C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FADBB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FADBB3 shade: #FFDBAE, #FFEDC1, #FFFFD4, #FFFFE7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FADBB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FADBB3 shade: #FADBB3, #E9C9A0, #D8B78D, #C7A57A and #B69367

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FADBB3 shade: #FADAB2, #FAC7B2, #FAB4B2 and #FAB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FADBB3 shade: #FADAB2, #FAEEB2, #F2FAB2, #DFFAB2 and #CCFAB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FADBB3 shade matches the following richer shades: #FADAB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FADBB3 shade: #FADAB2, #F3D9B8, #ECD9BF, #E6D8C6 and #DFD7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FADBB3 shade: #FAB3B2, #FAC6B2, #FAD9B2, #FAECB2 and #F4FAB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FADBB3 shade: #F5B664, #F7C88B, #FADAB2 and #FCEDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FADBB3 shade: #FADBB3, #C4FAB2 and #BDB2FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FADBB3 shade: #FADBB3, #B2FAD9 and #D9B2FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FADBB3 shade: #FADBB3, #C4FAB2, #B2D2FA and #E8B2FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FADBB3 shade: #FADBB3, #B2FAB5, #B2D2FA and #FAB2F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

Complementary color

CMYK 93 / 53 / 0 / 70

HEX #05244C

RGB 5 36 76

HSL 213.8, 0.88%, 0.16%

LAB 14.49, 6.57, -27.87

 

CMYK 0 / 14 / 32 / 0

HEX #FFDBAE

RGB 255 219 174

HSL 33.33, 1%, 0.84%

LAB 89.38, 6.18, 26.77

 

CMYK 0 / 7 / 24 / 0

HEX #FFEDC1

RGB 255 237 193

HSL 42.58, 1%, 0.88%

LAB 94.17, -0.55, 23.55

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

CMYK 0 / 14 / 31 / 9

HEX #E9C9A0

RGB 233 201 160

HSL 33.7, 0.62%, 0.77%

LAB 82.72, 5.39, 24.68

 

CMYK 0 / 15 / 35 / 15

HEX #D8B78D

RGB 216 183 141

HSL 33.6, 0.49%, 0.7%

LAB 76.31, 5.91, 25.78

 

CMYK 0 / 17 / 39 / 22

HEX #C7A57A

RGB 199 165 122

HSL 33.51, 0.41%, 0.63%

LAB 69.79, 6.51, 26.96

 

CMYK 0 / 19 / 43 / 29

HEX #B69367

RGB 182 147 103

HSL 33.42, 0.35%, 0.56%

LAB 63.17, 7.21, 28.23

 

CMYK 0 / 13 / 29 / 2

HEX #FADAB2

RGB 250 218 178

HSL 33.33, 0.88%, 0.84%

LAB 88.77, 5.31, 23.79

 

CMYK 0 / 20 / 29 / 2

HEX #FAC7B2

RGB 250 199 178

HSL 17.5, 0.88%, 0.84%

LAB 84.17, 15.19, 17.41

 

CMYK 0 / 28 / 29 / 2

HEX #FAB4B2

RGB 250 180 178

HSL 1.67, 0.88%, 0.84%

LAB 79.72, 25.17, 11.14

 

CMYK 0 / 29 / 29 / 2

HEX #FAB2B2

RGB 250 178 178

HSL 0, 0.88%, 0.84%

LAB 79.26, 26.23, 10.49

 

CMYK 0 / 13 / 29 / 2

HEX #FADAB2

RGB 250 218 178

HSL 33.33, 0.88%, 0.84%

LAB 88.77, 5.31, 23.79

 

CMYK 0 / 5 / 29 / 2

HEX #FAEEB2

RGB 250 238 178

HSL 50, 0.88%, 0.84%

LAB 93.75, -4.87, 30.57

 

CMYK 3 / 0 / 29 / 2

HEX #F2FAB2

RGB 242 250 178

HSL 66.67, 0.88%, 0.84%

LAB 96.19, -13.78, 33.74

 

CMYK 11 / 0 / 29 / 2

HEX #DFFAB2

RGB 223 250 178

HSL 82.5, 0.88%, 0.84%

LAB 94.85, -20.65, 31.72

 

CMYK 18 / 0 / 29 / 2

HEX #CCFAB2

RGB 204 250 178

HSL 98.33, 0.88%, 0.84%

LAB 93.63, -27.3, 29.86

 

CMYK 0 / 13 / 29 / 2

HEX #FADAB2

RGB 250 218 178

HSL 33.33, 0.88%, 0.84%

LAB 88.77, 5.31, 23.79

 

CMYK 0 / 13 / 29 / 2

HEX #FADAB2

RGB 250 218 178

HSL 33.33, 0.88%, 0.84%

LAB 88.77, 5.31, 23.79

 

CMYK 0 / 11 / 24 / 5

HEX #F3D9B8

RGB 243 217 184

HSL 33.56, 0.71%, 0.84%

LAB 88.04, 4.02, 19.55

 

CMYK 0 / 8 / 19 / 7

HEX #ECD9BF

RGB 236 217 191

HSL 34.67, 0.54%, 0.84%

LAB 87.59, 2.44, 15.18

 

CMYK 0 / 6 / 14 / 10

HEX #E6D8C6

RGB 230 216 198

HSL 33.75, 0.39%, 0.84%

LAB 87, 1.86, 10.59

 

CMYK 0 / 4 / 9 / 13

HEX #DFD7CC

RGB 223 215 204

HSL 34.74, 0.23%, 0.84%

LAB 86.33, 0.86, 6.39

 

CMYK 0 / 28 / 29 / 2

HEX #FAB3B2

RGB 250 179 178

HSL 0.83, 0.88%, 0.84%

LAB 79.49, 25.7, 10.81

 

CMYK 0 / 21 / 29 / 2

HEX #FAC6B2

RGB 250 198 178

HSL 16.67, 0.88%, 0.84%

LAB 83.93, 15.71, 17.08

 

CMYK 0 / 13 / 29 / 2

HEX #FAD9B2

RGB 250 217 178

HSL 32.5, 0.88%, 0.84%

LAB 88.53, 5.83, 23.45

 

CMYK 0 / 6 / 29 / 2

HEX #FAECB2

RGB 250 236 178

HSL 48.33, 0.88%, 0.84%

LAB 93.25, -3.86, 29.89

 

CMYK 2 / 0 / 29 / 2

HEX #F4FAB2

RGB 244 250 178

HSL 65, 0.88%, 0.84%

LAB 96.34, -13.05, 33.96

 

CMYK 0 / 26 / 59 / 4

HEX #F5B664

RGB 245 182 100

HSL 33.93, 0.88%, 0.68%

LAB 78.34, 14.24, 50.01

 

CMYK 0 / 19 / 44 / 3

HEX #F7C88B

RGB 247 200 139

HSL 33.89, 0.87%, 0.76%

LAB 83.41, 8.99, 36.76

 

CMYK 0 / 13 / 29 / 2

HEX #FADAB2

RGB 250 218 178

HSL 33.33, 0.88%, 0.84%

LAB 88.77, 5.31, 23.79

 

CMYK 0 / 6 / 14 / 1

HEX #FCEDD9

RGB 252 237 217

HSL 34.29, 0.85%, 0.92%

LAB 94.43, 1.84, 11.5

 

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

CMYK 22 / 0 / 29 / 2

HEX #C4FAB2

RGB 196 250 178

HSL 105, 0.88%, 0.84%

LAB 93.15, -30.01, 29.13

 

CMYK 24 / 29 / 0 / 2

HEX #BDB2FA

RGB 189 178 250

HSL 249.17, 0.88%, 0.84%

LAB 75.8, 18.84, -34.27

 

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

CMYK 29 / 0 / 13 / 2

HEX #B2FAD9

RGB 178 250 217

HSL 152.5, 0.88%, 0.84%

LAB 92.95, -28.92, 8.73

 

CMYK 13 / 29 / 0 / 2

HEX #D9B2FA

RGB 217 178 250

HSL 272.5, 0.88%, 0.84%

LAB 78.17, 27.26, -30.42

 

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

CMYK 22 / 0 / 29 / 2

HEX #C4FAB2

RGB 196 250 178

HSL 105, 0.88%, 0.84%

LAB 93.15, -30.01, 29.13

 

CMYK 29 / 16 / 0 / 2

HEX #B2D2FA

RGB 178 210 250

HSL 213.33, 0.88%, 0.84%

LAB 83.16, -1.7, -23.06

 

CMYK 7 / 29 / 0 / 2

HEX #E8B2FA

RGB 232 178 250

HSL 285, 0.88%, 0.84%

LAB 79.56, 31.9, -28.17

 

CMYK 0 / 12 / 28 / 2

HEX #FADBB3

RGB 250 219 179

HSL 33.8, 0.88%, 0.84%

LAB 89.04, 4.93, 23.64

 

CMYK 29 / 0 / 28 / 2

HEX #B2FAB5

RGB 178 250 181

HSL 122.5, 0.88%, 0.84%

LAB 92.21, -35.4, 26.16

 

CMYK 29 / 16 / 0 / 2

HEX #B2D2FA

RGB 178 210 250

HSL 213.33, 0.88%, 0.84%

LAB 83.16, -1.7, -23.06

 

CMYK 0 / 29 / 2 / 2

HEX #FAB2F6

RGB 250 178 246

HSL 303.33, 0.88%, 0.84%

LAB 81.19, 36.82, -23.37

 

Description

Color code: HEX #FADBB3 | qconv.com Color code: HEX #FADBB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 219 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 219 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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