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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAC357 it is the complementary color #053CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAC357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAC357 shade: #FFC352, #FFD565, #FFE778, #FFF98B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAC357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAC357 shade: #FAC357, #E9B144, #D89F31, #C78D1E and #B67B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAC357 shade: #F9C256, #F99656, #F96A56 and #F95656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAC357 shade: #F9C256, #F9EE56, #D8F956, #ACF956 and #80F956

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAC357 shade matches the following richer shades: #F9C256

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAC357 shade: #F9C256, #EBBE64, #DDB972, #CFB580 and #C1B08E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAC357 shade: #F96956, #F99556, #F9C056, #F9EC56 and #DBF956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAC357 shade: #F6A507, #F8B42E, #F9C256, #FBD17E and #FCDFA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAC357 shade: #FAC357, #6FF956 and #7F56F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAC357 shade: #FAC357, #56F9C0 and #C056F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAC357 shade: #FAC357, #6FF956, #568FF9 and #E156F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAC357 shade: #FAC357, #56F96F, #568FF9 and #F956E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

Complementary color

CMYK 97 / 64 / 0 / 34

HEX #053CA8

RGB 5 60 168

HSL 219.75, 0.94%, 0.34%

LAB 29.64, 29.01, -61.82

 

CMYK 0 / 24 / 68 / 0

HEX #FFC352

RGB 255 195 82

HSL 39.19, 1%, 0.66%

LAB 82.32, 10.47, 62.99

 

CMYK 0 / 16 / 60 / 0

HEX #FFD565

RGB 255 213 101

HSL 43.64, 1%, 0.7%

LAB 86.89, 2.33, 59.63

 

CMYK 0 / 9 / 53 / 0

HEX #FFE778

RGB 255 231 120

HSL 49.33, 1%, 0.74%

LAB 91.58, -5.39, 56.35

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98B

RGB 255 249 139

HSL 56.9, 1%, 0.77%

LAB 96.36, -12.66, 53.2

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

CMYK 0 / 24 / 71 / 9

HEX #E9B144

RGB 233 177 68

HSL 39.64, 0.79%, 0.59%

LAB 75.57, 9.94, 61.17

 

CMYK 0 / 26 / 77 / 15

HEX #D89F31

RGB 216 159 49

HSL 39.52, 0.68%, 0.52%

LAB 69.2, 11.4, 61.83

 

CMYK 0 / 29 / 85 / 22

HEX #C78D1E

RGB 199 141 30

HSL 39.41, 0.74%, 0.45%

LAB 62.75, 13.1, 61.79

 

CMYK 0 / 32 / 94 / 29

HEX #B67B0B

RGB 182 123 11

HSL 39.3, 0.89%, 0.38%

LAB 56.22, 15.07, 60.44

 

CMYK 0 / 22 / 65 / 2

HEX #F9C256

RGB 249 194 86

HSL 39.75, 0.93%, 0.66%

LAB 81.51, 8.71, 60.2

 

CMYK 0 / 40 / 65 / 2

HEX #F99656

RGB 249 150 86

HSL 23.56, 0.93%, 0.66%

LAB 71.3, 31.74, 48.83

 

CMYK 0 / 57 / 65 / 2

HEX #F96A56

RGB 249 106 86

HSL 7.36, 0.93%, 0.66%

LAB 62.61, 53.45, 38.61

 

CMYK 0 / 65 / 65 / 2

HEX #F95656

RGB 249 86 86

HSL 0, 0.93%, 0.66%

LAB 59.4, 61.99, 34.7

 

CMYK 0 / 22 / 65 / 2

HEX #F9C256

RGB 249 194 86

HSL 39.75, 0.93%, 0.66%

LAB 81.51, 8.71, 60.2

 

CMYK 0 / 4 / 65 / 2

HEX #F9EE56

RGB 249 238 86

HSL 55.95, 0.93%, 0.66%

LAB 92.56, -13.56, 71.86

 

CMYK 13 / 0 / 65 / 2

HEX #D8F956

RGB 216 249 86

HSL 72.15, 0.93%, 0.66%

LAB 93.02, -31.97, 71.58

 

CMYK 31 / 0 / 65 / 2

HEX #ACF956

RGB 172 249 86

HSL 88.34, 0.93%, 0.66%

LAB 90.41, -48.24, 68.04

 

CMYK 49 / 0 / 65 / 2

HEX #80F956

RGB 128 249 86

HSL 104.54, 0.93%, 0.66%

LAB 88.45, -62.11, 65.36

 

CMYK 0 / 22 / 65 / 2

HEX #F9C256

RGB 249 194 86

HSL 39.75, 0.93%, 0.66%

LAB 81.51, 8.71, 60.2

 

CMYK 0 / 22 / 65 / 2

HEX #F9C256

RGB 249 194 86

HSL 39.75, 0.93%, 0.66%

LAB 81.51, 8.71, 60.2

 

CMYK 0 / 19 / 57 / 8

HEX #EBBE64

RGB 235 190 100

HSL 40, 0.77%, 0.66%

LAB 79.28, 5.92, 50.86

 

CMYK 0 / 16 / 48 / 13

HEX #DDB972

RGB 221 185 114

HSL 39.81, 0.61%, 0.66%

LAB 76.85, 3.96, 40.68

 

CMYK 0 / 13 / 38 / 19

HEX #CFB580

RGB 207 181 128

HSL 40.25, 0.45%, 0.66%

LAB 74.74, 1.86, 30.45

 

CMYK 0 / 9 / 26 / 24

HEX #C1B08E

RGB 193 176 142

HSL 40, 0.29%, 0.66%

LAB 72.46, 0.77, 19.66

 

CMYK 0 / 58 / 65 / 2

HEX #F96956

RGB 249 105 86

HSL 6.99, 0.93%, 0.66%

LAB 62.44, 53.9, 38.4

 

CMYK 0 / 40 / 65 / 2

HEX #F99556

RGB 249 149 86

HSL 23.19, 0.93%, 0.66%

LAB 71.08, 32.26, 48.58

 

CMYK 0 / 23 / 65 / 2

HEX #F9C056

RGB 249 192 86

HSL 39.02, 0.93%, 0.66%

LAB 81.02, 9.76, 59.68

 

CMYK 0 / 5 / 65 / 2

HEX #F9EC56

RGB 249 236 86

HSL 55.21, 0.93%, 0.66%

LAB 92.04, -12.58, 71.33

 

CMYK 12 / 0 / 65 / 2

HEX #DBF956

RGB 219 249 86

HSL 71.04, 0.93%, 0.66%

LAB 93.23, -30.81, 71.85

 

CMYK 0 / 33 / 97 / 4

HEX #F6A507

RGB 246 165 7

HSL 39.67, 0.94%, 0.5%

LAB 73.88, 20.21, 76.94

 

CMYK 0 / 27 / 81 / 3

HEX #F8B42E

RGB 248 180 46

HSL 39.8, 0.94%, 0.58%

LAB 77.75, 13.87, 71.87

 

CMYK 0 / 22 / 65 / 2

HEX #F9C256

RGB 249 194 86

HSL 39.75, 0.93%, 0.66%

LAB 81.51, 8.71, 60.2

 

CMYK 0 / 17 / 50 / 2

HEX #FBD17E

RGB 251 209 126

HSL 39.84, 0.94%, 0.74%

LAB 85.81, 4.69, 46.43

 

CMYK 0 / 12 / 34 / 1

HEX #FCDFA6

RGB 252 223 166

HSL 39.77, 0.93%, 0.82%

LAB 89.96, 2.02, 31.63

 

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

CMYK 55 / 0 / 65 / 2

HEX #6FF956

RGB 111 249 86

HSL 110.8, 0.93%, 0.66%

LAB 87.87, -66.56, 64.57

 

CMYK 49 / 65 / 0 / 2

HEX #7F56F9

RGB 127 86 249

HSL 255.09, 0.93%, 0.66%

LAB 49.5, 54.95, -75.84

 

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

CMYK 65 / 0 / 23 / 2

HEX #56F9C0

RGB 86 249 192

HSL 159.02, 0.93%, 0.66%

LAB 88.7, -55.28, 15.13

 

CMYK 23 / 65 / 0 / 2

HEX #C056F9

RGB 192 86 249

HSL 279.02, 0.93%, 0.66%

LAB 56.78, 67.61, -63.7

 

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

CMYK 55 / 0 / 65 / 2

HEX #6FF956

RGB 111 249 86

HSL 110.8, 0.93%, 0.66%

LAB 87.87, -66.56, 64.57

 

CMYK 65 / 43 / 0 / 2

HEX #568FF9

RGB 86 143 249

HSL 219.02, 0.93%, 0.66%

LAB 60.3, 14.38, -58.54

 

CMYK 10 / 65 / 0 / 2

HEX #E156F9

RGB 225 86 249

HSL 291.17, 0.93%, 0.66%

LAB 61.22, 74.71, -56.35

 

CMYK 0 / 22 / 65 / 2

HEX #FAC357

RGB 250 195 87

HSL 39.75, 0.94%, 0.66%

LAB 81.86, 8.67, 60.17

 

CMYK 65 / 0 / 55 / 2

HEX #56F96F

RGB 86 249 111

HSL 129.2, 0.93%, 0.66%

LAB 87.43, -69.29, 53.32

 

CMYK 65 / 43 / 0 / 2

HEX #568FF9

RGB 86 143 249

HSL 219.02, 0.93%, 0.66%

LAB 60.3, 14.38, -58.54

 

CMYK 0 / 65 / 10 / 2

HEX #F956E1

RGB 249 86 225

HSL 308.83, 0.93%, 0.66%

LAB 63.53, 76.31, -39.11

 

Description

Color code: HEX #FAC357 | qconv.com Color code: HEX #FAC357 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 195 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 195 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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