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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAB051 it is the complementary color #054FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAB051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAB051 shade: #FFB04C, #FFC25F, #FFD472, #FFE685 and #FFF898

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAB051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAB051 shade: #FAB051, #E99E3E, #D88C2B, #C77A18 and #B66805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAB051 shade: #F9B051, #F98251, #F95551 and #F95151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAB051 shade: #F9B051, #F9DD51, #E8F951, #BBF951 and #8EF951

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAB051 shade matches the following richer shades: #F9B051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAB051 shade: #F9B051, #EBAE60, #DCAC6E, #CEAA7D and #BFA88B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAB051 shade: #F95451, #F98151, #F9AE51, #F9DA51 and #EBF951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAB051 shade: #F18B07, #F89D29, #F9B051, #FAC279 and #FCD4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAB051 shade: #FAB051, #7BF951 and #6B51F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAB051 shade: #FAB051, #51F9AE and #AE51F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAB051 shade: #FAB051, #7BF951, #519DF9 and #CF51F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAB051 shade: #FAB051, #51F95A, #519DF9 and #F951F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

Complementary color

CMYK 97 / 55 / 0 / 32

HEX #054FAE

RGB 5 79 174

HSL 213.73, 0.94%, 0.35%

LAB 35.36, 18.52, -56.07

 

CMYK 0 / 31 / 70 / 0

HEX #FFB04C

RGB 255 176 76

HSL 33.52, 1%, 0.65%

LAB 77.78, 20.06, 60.8

 

CMYK 0 / 24 / 63 / 0

HEX #FFC25F

RGB 255 194 95

HSL 37.13, 1%, 0.69%

LAB 82.2, 11.74, 57.09

 

CMYK 0 / 17 / 55 / 0

HEX #FFD472

RGB 255 212 114

HSL 41.7, 1%, 0.72%

LAB 86.78, 3.77, 53.49

 

CMYK 0 / 10 / 48 / 0

HEX #FFE685

RGB 255 230 133

HSL 47.7, 1%, 0.76%

LAB 91.48, -3.78, 50.08

 

CMYK 0 / 3 / 40 / 0

HEX #FFF898

RGB 255 248 152

HSL 55.92, 1%, 0.8%

LAB 96.27, -10.91, 46.88

 

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

CMYK 0 / 32 / 73 / 9

HEX #E99E3E

RGB 233 158 62

HSL 33.68, 0.8%, 0.58%

LAB 70.96, 19.73, 59.01

 

CMYK 0 / 35 / 80 / 15

HEX #D88C2B

RGB 216 140 43

HSL 33.64, 0.69%, 0.51%

LAB 64.59, 21.41, 59.8

 

CMYK 0 / 39 / 88 / 22

HEX #C77A18

RGB 199 122 24

HSL 33.6, 0.78%, 0.44%

LAB 58.16, 23.33, 59.8

 

CMYK 0 / 43 / 97 / 29

HEX #B66805

RGB 182 104 5

HSL 33.56, 0.95%, 0.37%

LAB 51.67, 25.5, 58.38

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 48 / 67 / 2

HEX #F98251

RGB 249 130 81

HSL 17.5, 0.93%, 0.65%

LAB 67.05, 41.67, 46.48

 

CMYK 0 / 66 / 67 / 2

HEX #F95551

RGB 249 85 81

HSL 1.43, 0.93%, 0.65%

LAB 59.19, 62.12, 37.25

 

CMYK 0 / 67 / 67 / 2

HEX #F95151

RGB 249 81 81

HSL 0, 0.93%, 0.65%

LAB 58.62, 63.67, 36.56

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 11 / 67 / 2

HEX #F9DD51

RGB 249 221 81

HSL 50, 0.93%, 0.65%

LAB 88.18, -5.39, 69.32

 

CMYK 7 / 0 / 67 / 2

HEX #E8F951

RGB 232 249 81

HSL 66.07, 0.93%, 0.65%

LAB 94.1, -25.97, 74.88

 

CMYK 25 / 0 / 67 / 2

HEX #BBF951

RGB 187 249 81

HSL 82.14, 0.93%, 0.65%

LAB 91.19, -43.24, 70.99

 

CMYK 43 / 0 / 67 / 2

HEX #8EF951

RGB 142 249 81

HSL 98.21, 0.93%, 0.65%

LAB 88.97, -58.42, 67.99

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 26 / 59 / 8

HEX #EBAE60

RGB 235 174 96

HSL 33.67, 0.78%, 0.65%

LAB 75.31, 14.05, 48.15

 

CMYK 0 / 22 / 50 / 14

HEX #DCAC6E

RGB 220 172 110

HSL 33.82, 0.61%, 0.65%

LAB 73.45, 10.08, 38.44

 

CMYK 0 / 17 / 39 / 19

HEX #CEAA7D

RGB 206 170 125

HSL 33.33, 0.45%, 0.65%

LAB 71.79, 6.99, 28.13

 

CMYK 0 / 12 / 27 / 25

HEX #BFA88B

RGB 191 168 139

HSL 33.46, 0.29%, 0.65%

LAB 70.14, 3.87, 18.06

 

CMYK 0 / 66 / 67 / 2

HEX #F95451

RGB 249 84 81

HSL 1.07, 0.93%, 0.65%

LAB 59.04, 62.51, 37.07

 

CMYK 0 / 48 / 67 / 2

HEX #F98151

RGB 249 129 81

HSL 17.14, 0.93%, 0.65%

LAB 66.85, 42.17, 46.25

 

CMYK 0 / 30 / 67 / 2

HEX #F9AE51

RGB 249 174 81

HSL 33.21, 0.93%, 0.65%

LAB 76.68, 18.89, 57.21

 

CMYK 0 / 12 / 67 / 2

HEX #F9DA51

RGB 249 218 81

HSL 48.93, 0.93%, 0.65%

LAB 87.43, -3.88, 68.54

 

CMYK 6 / 0 / 67 / 2

HEX #EBF951

RGB 235 249 81

HSL 65, 0.93%, 0.65%

LAB 94.32, -24.78, 75.17

 

CMYK 0 / 42 / 97 / 5

HEX #F18B07

RGB 241 139 7

HSL 33.85, 0.94%, 0.49%

LAB 67.41, 31.73, 72.3

 

CMYK 0 / 37 / 83 / 3

HEX #F89D29

RGB 248 157 41

HSL 33.62, 0.94%, 0.57%

LAB 72.38, 25.79, 68.83

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 22 / 52 / 2

HEX #FAC279

RGB 250 194 121

HSL 33.95, 0.93%, 0.73%

LAB 81.99, 11.63, 44.17

 

CMYK 0 / 16 / 36 / 1

HEX #FCD4A1

RGB 252 212 161

HSL 33.63, 0.94%, 0.81%

LAB 87.17, 7.09, 30.46

 

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

CMYK 51 / 0 / 67 / 2

HEX #7BF951

RGB 123 249 81

HSL 105, 0.93%, 0.65%

LAB 88.24, -63.89, 66.99

 

CMYK 57 / 67 / 0 / 2

HEX #6B51F9

RGB 107 81 249

HSL 249.29, 0.93%, 0.65%

LAB 46.78, 54.42, -80.36

 

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

CMYK 67 / 0 / 30 / 2

HEX #51F9AE

RGB 81 249 174

HSL 153.21, 0.93%, 0.65%

LAB 88.24, -59.86, 23.71

 

CMYK 30 / 67 / 0 / 2

HEX #AE51F9

RGB 174 81 249

HSL 273.21, 0.93%, 0.65%

LAB 53.73, 66.14, -68.74

 

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

CMYK 51 / 0 / 67 / 2

HEX #7BF951

RGB 123 249 81

HSL 105, 0.93%, 0.65%

LAB 88.24, -63.89, 66.99

 

CMYK 67 / 37 / 0 / 2

HEX #519DF9

RGB 81 157 249

HSL 212.86, 0.93%, 0.65%

LAB 63.92, 5.33, -52.79

 

CMYK 17 / 67 / 0 / 2

HEX #CF51F9

RGB 207 81 249

HSL 285, 0.93%, 0.65%

LAB 58.03, 72.83, -61.6

 

CMYK 0 / 30 / 68 / 2

HEX #FAB051

RGB 250 176 81

HSL 33.73, 0.94%, 0.65%

LAB 77.26, 18.26, 57.87

 

CMYK 67 / 0 / 64 / 2

HEX #51F95A

RGB 81 249 90

HSL 123.21, 0.93%, 0.65%

LAB 87.11, -72.55, 61.92

 

CMYK 67 / 37 / 0 / 2

HEX #519DF9

RGB 81 157 249

HSL 212.86, 0.93%, 0.65%

LAB 63.92, 5.33, -52.79

 

CMYK 0 / 67 / 3 / 2

HEX #F951F1

RGB 249 81 241

HSL 302.86, 0.93%, 0.65%

LAB 63.65, 80.49, -47.84

 

Description

Color code: HEX #FAB051 | qconv.com Color code: HEX #FAB051 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 176 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 176 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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