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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAA956 it is the complementary color #0556A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAA956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAA956 shade: #FFA951, #FFBB64, #FFCD77, #FFDF8A and #FFF19D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAA956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAA956 shade: #FAA956, #E99743, #D88530, #C7731D and #B6610A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAA956 shade: #F9A956, #F97D56 and #F95656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAA956 shade: #F9A956, #F9D556, #F2F956, #C6F956 and #9AF956

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAA956 shade matches the following richer shades: #F9A956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAA956 shade: #F9A956, #EBA964, #DDA872, #CFA880 and #C1A88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAA956 shade: #F9565C, #F97C56, #F9A856, #F9D356 and #F4F956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAA956 shade: #F68007, #F8942E, #F9A956, #FBBD7E and #FCD2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAA956 shade: #FAA956, #87F956 and #6756F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAA956 shade: #FAA956, #56F9A8 and #A856F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAA956 shade: #FAA956, #87F956, #56A8F9 and #C856F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAA956 shade: #FAA956, #56F956, #56A8F9 and #F956F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

Complementary color

CMYK 97 / 49 / 0 / 34

HEX #0556A9

RGB 5 86 169

HSL 210.37, 0.94%, 0.34%

LAB 37.03, 11.74, -50.4

 

CMYK 0 / 34 / 68 / 0

HEX #FFA951

RGB 255 169 81

HSL 30.34, 1%, 0.66%

LAB 76.21, 23.97, 56.9

 

CMYK 0 / 27 / 61 / 0

HEX #FFBB64

RGB 255 187 100

HSL 33.68, 1%, 0.7%

LAB 80.58, 15.71, 52.9

 

CMYK 0 / 20 / 53 / 0

HEX #FFCD77

RGB 255 205 119

HSL 37.94, 1%, 0.73%

LAB 85.13, 7.77, 49.11

 

CMYK 0 / 13 / 46 / 0

HEX #FFDF8A

RGB 255 223 138

HSL 43.59, 1%, 0.77%

LAB 89.8, 0.22, 45.56

 

CMYK 0 / 5 / 38 / 0

HEX #FFF19D

RGB 255 241 157

HSL 51.43, 1%, 0.81%

LAB 94.57, -6.92, 42.26

 

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

CMYK 0 / 35 / 71 / 9

HEX #E99743

RGB 233 151 67

HSL 30.36, 0.79%, 0.59%

LAB 69.37, 23.68, 55.2

 

CMYK 0 / 38 / 78 / 15

HEX #D88530

RGB 216 133 48

HSL 30.36, 0.68%, 0.52%

LAB 63, 25.35, 56.35

 

CMYK 0 / 42 / 85 / 22

HEX #C7731D

RGB 199 115 29

HSL 30.35, 0.75%, 0.45%

LAB 56.58, 27.24, 56.95

 

CMYK 0 / 47 / 95 / 29

HEX #B6610A

RGB 182 97 10

HSL 30.35, 0.9%, 0.38%

LAB 50.12, 29.37, 56.28

 

CMYK 0 / 32 / 65 / 2

HEX #F9A956

RGB 249 169 86

HSL 30.55, 0.93%, 0.66%

LAB 75.57, 21.8, 53.67

 

CMYK 0 / 50 / 65 / 2

HEX #F97D56

RGB 249 125 86

HSL 14.36, 0.93%, 0.66%

LAB 66.12, 44.43, 42.81

 

CMYK 0 / 65 / 65 / 2

HEX #F95656

RGB 249 86 86

HSL 0, 0.93%, 0.66%

LAB 59.4, 61.99, 34.7

 

CMYK 0 / 32 / 65 / 2

HEX #F9A956

RGB 249 169 86

HSL 30.55, 0.93%, 0.66%

LAB 75.57, 21.8, 53.67

 

CMYK 0 / 14 / 65 / 2

HEX #F9D556

RGB 249 213 86

HSL 46.75, 0.93%, 0.66%

LAB 86.21, -1.07, 65.24

 

CMYK 3 / 0 / 65 / 2

HEX #F2F956

RGB 242 249 86

HSL 62.58, 0.93%, 0.66%

LAB 94.87, -21.71, 74.05

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 38 / 0 / 65 / 2

HEX #9AF956

RGB 154 249 86

HSL 94.97, 0.93%, 0.66%

LAB 89.53, -54.28, 66.84

 

CMYK 0 / 32 / 65 / 2

HEX #F9A956

RGB 249 169 86

HSL 30.55, 0.93%, 0.66%

LAB 75.57, 21.8, 53.67

 

CMYK 0 / 32 / 65 / 2

HEX #F9A956

RGB 249 169 86

HSL 30.55, 0.93%, 0.66%

LAB 75.57, 21.8, 53.67

 

CMYK 0 / 28 / 57 / 8

HEX #EBA964

RGB 235 169 100

HSL 30.67, 0.77%, 0.66%

LAB 74.16, 17, 44.79

 

CMYK 0 / 24 / 48 / 13

HEX #DDA872

RGB 221 168 114

HSL 30.28, 0.61%, 0.66%

LAB 72.62, 13, 35.34

 

CMYK 0 / 19 / 38 / 19

HEX #CFA880

RGB 207 168 128

HSL 30.38, 0.45%, 0.66%

LAB 71.44, 8.81, 26.06

 

CMYK 0 / 13 / 26 / 24

HEX #C1A88E

RGB 193 168 142

HSL 30.59, 0.29%, 0.66%

LAB 70.38, 5.08, 16.79

 

CMYK 0 / 65 / 63 / 2

HEX #F9565C

RGB 249 86 92

HSL 357.79, 0.93%, 0.66%

LAB 59.5, 62.33, 31.41

 

CMYK 0 / 50 / 65 / 2

HEX #F97C56

RGB 249 124 86

HSL 13.99, 0.93%, 0.66%

LAB 65.92, 44.92, 42.58

 

CMYK 0 / 33 / 65 / 2

HEX #F9A856

RGB 249 168 86

HSL 30.18, 0.93%, 0.66%

LAB 75.34, 22.33, 53.41

 

CMYK 0 / 15 / 65 / 2

HEX #F9D356

RGB 249 211 86

HSL 46.01, 0.93%, 0.66%

LAB 85.71, -0.05, 64.7

 

CMYK 2 / 0 / 65 / 2

HEX #F4F956

RGB 244 249 86

HSL 61.84, 0.93%, 0.66%

LAB 95.02, -20.91, 74.26

 

CMYK 0 / 48 / 97 / 4

HEX #F68007

RGB 246 128 7

HSL 30.38, 0.94%, 0.5%

LAB 65.78, 39.37, 71.59

 

CMYK 0 / 40 / 81 / 3

HEX #F8942E

RGB 248 148 46

HSL 30.3, 0.94%, 0.58%

LAB 70.41, 30.62, 65.43

 

CMYK 0 / 32 / 65 / 2

HEX #F9A956

RGB 249 169 86

HSL 30.55, 0.93%, 0.66%

LAB 75.57, 21.8, 53.67

 

CMYK 0 / 25 / 50 / 2

HEX #FBBD7E

RGB 251 189 126

HSL 30.24, 0.94%, 0.74%

LAB 80.97, 15.08, 40.37

 

CMYK 0 / 17 / 34 / 1

HEX #FCD2A6

RGB 252 210 166

HSL 30.7, 0.93%, 0.82%

LAB 86.77, 8.71, 27.33

 

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

CMYK 46 / 0 / 65 / 2

HEX #87F956

RGB 135 249 86

HSL 101.96, 0.93%, 0.66%

LAB 88.72, -60.11, 65.73

 

CMYK 59 / 65 / 0 / 2

HEX #6756F9

RGB 103 86 249

HSL 246.26, 0.93%, 0.66%

LAB 47.47, 51.09, -79.25

 

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

CMYK 65 / 0 / 33 / 2

HEX #56F9A8

RGB 86 249 168

HSL 150.18, 0.93%, 0.66%

LAB 88.24, -60.23, 26.78

 

CMYK 33 / 65 / 0 / 2

HEX #A856F9

RGB 168 86 249

HSL 270.18, 0.93%, 0.66%

LAB 53.84, 62.66, -68.61

 

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

CMYK 46 / 0 / 65 / 2

HEX #87F956

RGB 135 249 86

HSL 101.96, 0.93%, 0.66%

LAB 88.72, -60.11, 65.73

 

CMYK 65 / 33 / 0 / 2

HEX #56A8F9

RGB 86 168 249

HSL 209.82, 0.93%, 0.66%

LAB 67.14, -0.21, -47.68

 

CMYK 20 / 65 / 0 / 2

HEX #C856F9

RGB 200 86 249

HSL 281.96, 0.93%, 0.66%

LAB 57.82, 69.31, -61.98

 

CMYK 0 / 32 / 66 / 2

HEX #FAA956

RGB 250 169 86

HSL 30.37, 0.94%, 0.66%

LAB 75.68, 22.21, 53.82

 

CMYK 65 / 0 / 65 / 2

HEX #56F956

RGB 86 249 86

HSL 120, 0.93%, 0.66%

LAB 87.19, -72.01, 63.63

 

CMYK 65 / 33 / 0 / 2

HEX #56A8F9

RGB 86 168 249

HSL 209.82, 0.93%, 0.66%

LAB 67.14, -0.21, -47.68

 

CMYK 0 / 65 / 0 / 2

HEX #F956F9

RGB 249 86 249

HSL 300, 0.93%, 0.66%

LAB 64.67, 79.99, -50.66

 

Description

Color code: HEX #FAA956 | qconv.com Color code: HEX #FAA956 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 169 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 169 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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