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Color name
HEX #FA938D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA938D it is the complementary color #056C72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA938D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA938D shade: #FF9388, #FFA59B, #FFB7AE, #FFC9C1 and #FFDBD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA938D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA938D shade: #FA938D, #E9817A, #D86F67, #C75D54 and #B64B41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA938D shade: #FA948E and #FA8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA938D shade: #FA948E, #FAB18E, #FACE8E, #FAEB8E and #EBFA8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA938D shade matches the following richer shades: #FA948E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA938D shade: #FA948E, #F09C97, #E7A5A1, #DDADAA and #D4B6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA938D shade: #FA8EC2, #FA8EA5, #FA938E, #FAB08E and #FACD8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA938D shade: #F7493F, #F86E66, #FA948E, #FBB9B6 and #FDDFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA938D shade: #FA938D, #DFFA8E and #8EB4FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA938D shade: #FA938D, #8EFA93 and #938EFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA938D shade: #FA938D, #DFFA8E, #8EF4FA and #A98EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA938D shade: #FA938D, #BEFA8E, #8EF4FA and #C98EFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

Complementary color

CMYK 96 / 5 / 0 / 55

HEX #056C72

RGB 5 108 114

HSL 183.3, 0.92%, 0.23%

LAB 41.17, -23.17, -10.75

 

CMYK 0 / 42 / 47 / 0

HEX #FF9388

RGB 255 147 136

HSL 5.55, 1%, 0.77%

LAB 72.16, 39.44, 23.61

 

CMYK 0 / 35 / 39 / 0

HEX #FFA59B

RGB 255 165 155

HSL 6, 1%, 0.8%

LAB 76.4, 32.1, 19.03

 

CMYK 0 / 28 / 32 / 0

HEX #FFB7AE

RGB 255 183 174

HSL 6.67, 1%, 0.84%

LAB 80.84, 24.93, 14.96

 

CMYK 0 / 21 / 24 / 0

HEX #FFC9C1

RGB 255 201 193

HSL 7.74, 1%, 0.88%

LAB 85.45, 18.01, 11.32

 

CMYK 0 / 14 / 17 / 0

HEX #FFDBD4

RGB 255 219 212

HSL 9.77, 1%, 0.92%

LAB 90.17, 11.39, 8.05

 

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

CMYK 0 / 45 / 48 / 9

HEX #E9817A

RGB 233 129 122

HSL 3.78, 0.72%, 0.7%

LAB 65.3, 39.16, 21.61

 

CMYK 0 / 49 / 52 / 15

HEX #D86F67

RGB 216 111 103

HSL 4.25, 0.59%, 0.63%

LAB 58.93, 40.32, 23.4

 

CMYK 0 / 53 / 58 / 22

HEX #C75D54

RGB 199 93 84

HSL 4.7, 0.51%, 0.55%

LAB 52.52, 41.52, 25.46

 

CMYK 0 / 59 / 64 / 29

HEX #B64B41

RGB 182 75 65

HSL 5.13, 0.47%, 0.48%

LAB 46.12, 42.73, 27.89

 

CMYK 0 / 41 / 43 / 2

HEX #FA948E

RGB 250 148 142

HSL 3.33, 0.92%, 0.77%

LAB 71.86, 37.67, 19.8

 

CMYK 0 / 43 / 43 / 2

HEX #FA8E8E

RGB 250 142 142

HSL 0, 0.92%, 0.77%

LAB 70.61, 40.74, 18.07

 

CMYK 0 / 41 / 43 / 2

HEX #FA948E

RGB 250 148 142

HSL 3.33, 0.92%, 0.77%

LAB 71.86, 37.67, 19.8

 

CMYK 0 / 29 / 43 / 2

HEX #FAB18E

RGB 250 177 142

HSL 19.44, 0.92%, 0.77%

LAB 78.3, 22.53, 28.52

 

CMYK 0 / 18 / 43 / 2

HEX #FACE8E

RGB 250 206 142

HSL 35.56, 0.92%, 0.77%

LAB 85.21, 7.36, 37.61

 

CMYK 0 / 6 / 43 / 2

HEX #FAEB8E

RGB 250 235 142

HSL 51.67, 0.92%, 0.77%

LAB 92.44, -7.4, 46.83

 

CMYK 6 / 0 / 43 / 2

HEX #EBFA8E

RGB 235 250 142

HSL 68.33, 0.92%, 0.77%

LAB 95.16, -20.54, 49.96

 

CMYK 0 / 41 / 43 / 2

HEX #FA948E

RGB 250 148 142

HSL 3.33, 0.92%, 0.77%

LAB 71.86, 37.67, 19.8

 

CMYK 0 / 41 / 43 / 2

HEX #FA948E

RGB 250 148 142

HSL 3.33, 0.92%, 0.77%

LAB 71.86, 37.67, 19.8

 

CMYK 0 / 35 / 37 / 6

HEX #F09C97

RGB 240 156 151

HSL 3.37, 0.75%, 0.77%

LAB 72.59, 30.77, 15.65

 

CMYK 0 / 29 / 30 / 9

HEX #E7A5A1

RGB 231 165 161

HSL 3.43, 0.59%, 0.77%

LAB 73.85, 23.85, 11.79

 

CMYK 0 / 22 / 23 / 13

HEX #DDADAA

RGB 221 173 170

HSL 3.53, 0.43%, 0.77%

LAB 74.93, 17.06, 8.25

 

CMYK 0 / 14 / 15 / 17

HEX #D4B6B4

RGB 212 182 180

HSL 3.75, 0.27%, 0.77%

LAB 76.53, 10.43, 4.99

 

CMYK 0 / 43 / 22 / 2

HEX #FA8EC2

RGB 250 142 194

HSL 331.11, 0.92%, 0.77%

LAB 71.94, 47.09, -8.96

 

CMYK 0 / 43 / 34 / 2

HEX #FA8EA5

RGB 250 142 165

HSL 347.22, 0.92%, 0.77%

LAB 71.14, 43.3, 6.01

 

CMYK 0 / 41 / 43 / 2

HEX #FA938E

RGB 250 147 142

HSL 2.78, 0.92%, 0.77%

LAB 71.65, 38.19, 19.51

 

CMYK 0 / 30 / 43 / 2

HEX #FAB08E

RGB 250 176 142

HSL 18.89, 0.92%, 0.77%

LAB 78.07, 23.05, 28.21

 

CMYK 0 / 18 / 43 / 2

HEX #FACD8E

RGB 250 205 142

HSL 35, 0.92%, 0.77%

LAB 84.97, 7.88, 37.29

 

CMYK 0 / 70 / 74 / 3

HEX #F7493F

RGB 247 73 63

HSL 3.26, 0.92%, 0.61%

LAB 56.98, 65.19, 44.52

 

CMYK 0 / 56 / 59 / 3

HEX #F86E66

RGB 248 110 102

HSL 3.29, 0.91%, 0.69%

LAB 63.4, 52.27, 30.7

 

CMYK 0 / 41 / 43 / 2

HEX #FA948E

RGB 250 148 142

HSL 3.33, 0.92%, 0.77%

LAB 71.86, 37.67, 19.8

 

CMYK 0 / 26 / 27 / 2

HEX #FBB9B6

RGB 251 185 182

HSL 2.61, 0.9%, 0.85%

LAB 81.06, 23.44, 10.91

 

CMYK 0 / 12 / 13 / 1

HEX #FDDFDD

RGB 253 223 221

HSL 3.75, 0.89%, 0.93%

LAB 91.18, 10, 4.76

 

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

CMYK 11 / 0 / 43 / 2

HEX #DFFA8E

RGB 223 250 142

HSL 75, 0.92%, 0.77%

LAB 94.32, -25.05, 48.74

 

CMYK 43 / 28 / 0 / 2

HEX #8EB4FA

RGB 142 180 250

HSL 218.89, 0.92%, 0.77%

LAB 73.09, 4.93, -38.73

 

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

CMYK 43 / 0 / 41 / 2

HEX #8EFA93

RGB 142 250 147

HSL 122.78, 0.92%, 0.77%

LAB 89.97, -51.49, 39.88

 

CMYK 41 / 43 / 0 / 2

HEX #938EFA

RGB 147 142 250

HSL 242.78, 0.92%, 0.77%

LAB 63.71, 27.83, -53.44

 

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

CMYK 11 / 0 / 43 / 2

HEX #DFFA8E

RGB 223 250 142

HSL 75, 0.92%, 0.77%

LAB 94.32, -25.05, 48.74

 

CMYK 43 / 2 / 0 / 2

HEX #8EF4FA

RGB 142 244 250

HSL 183.33, 0.92%, 0.77%

LAB 90.48, -28.26, -12.21

 

CMYK 32 / 43 / 0 / 2

HEX #A98EFA

RGB 169 142 250

HSL 255, 0.92%, 0.77%

LAB 65.5, 33.4, -50.49

 

CMYK 0 / 41 / 44 / 2

HEX #FA938D

RGB 250 147 141

HSL 3.3, 0.92%, 0.77%

LAB 71.63, 38.08, 20.03

 

CMYK 24 / 0 / 43 / 2

HEX #BEFA8E

RGB 190 250 142

HSL 93.33, 0.92%, 0.77%

LAB 92.25, -36.97, 45.71

 

CMYK 43 / 2 / 0 / 2

HEX #8EF4FA

RGB 142 244 250

HSL 183.33, 0.92%, 0.77%

LAB 90.48, -28.26, -12.21

 

CMYK 20 / 43 / 0 / 2

HEX #C98EFA

RGB 201 142 250

HSL 272.78, 0.92%, 0.77%

LAB 68.51, 42.08, -45.55

 

Description

Color code: HEX #FA938D | qconv.com Color code: HEX #FA938D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 147 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 147 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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