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Color name
HEX #FA92A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA92A1 it is the complementary color #056D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA92A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA92A1 shade: #FF929C, #FFA4AF, #FFB6C2, #FFC8D5 and #FFDAE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA92A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA92A1 shade: #FA92A1, #E9808E, #D86E7B, #C75C68 and #B64A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA92A1 shade: #F993A2 and #F99393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA92A1 shade: #F993A2, #F993BE, #F993D9, #F993F5 and #E393F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA92A1 shade matches the following richer shades: #F993A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA92A1 shade: #F993A2, #F09CA9, #E7A6AF, #DEAFB5 and #D5B8BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA92A1 shade: #F993D9, #F993BE, #F993A3, #F99F93 and #F9BA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA92A1 shade: #F6455E, #F86C80, #F993A2, #FBBBC4 and #FDE2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA92A1 shade: #FA92A1, #F4F993 and #93CCF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA92A1 shade: #FA92A1, #A3F993 and #93A3F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA92A1 shade: #FA92A1, #F4F993, #93F9EA and #9893F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA92A1 shade: #FA92A1, #D6F993, #93F9EA and #B793F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

Complementary color

CMYK 95 / 0 / 14 / 57

HEX #056D5E

RGB 5 109 94

HSL 171.35, 0.91%, 0.22%

LAB 40.86, -30.14, 0.92

 

CMYK 0 / 43 / 39 / 0

HEX #FF929C

RGB 255 146 156

HSL 354.5, 1%, 0.79%

LAB 72.37, 42, 12.86

 

CMYK 0 / 36 / 31 / 0

HEX #FFA4AF

RGB 255 164 175

HSL 352.75, 1%, 0.82%

LAB 76.62, 34.99, 8.43

 

CMYK 0 / 29 / 24 / 0

HEX #FFB6C2

RGB 255 182 194

HSL 350.14, 1%, 0.86%

LAB 81.08, 28.11, 4.52

 

CMYK 0 / 22 / 16 / 0

HEX #FFC8D5

RGB 255 200 213

HSL 345.82, 1%, 0.89%

LAB 85.69, 21.45, 1.04

 

CMYK 0 / 15 / 9 / 0

HEX #FFDAE8

RGB 255 218 232

HSL 337.3, 1%, 0.93%

LAB 90.43, 15.07, -2.08

 

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

CMYK 0 / 45 / 39 / 9

HEX #E9808E

RGB 233 128 142

HSL 352, 0.7%, 0.71%

LAB 65.53, 41.74, 10.63

 

CMYK 0 / 49 / 43 / 15

HEX #D86E7B

RGB 216 110 123

HSL 352.64, 0.58%, 0.64%

LAB 59.14, 42.74, 12.18

 

CMYK 0 / 54 / 48 / 22

HEX #C75C68

RGB 199 92 104

HSL 353.27, 0.49%, 0.57%

LAB 52.73, 43.74, 13.98

 

CMYK 0 / 59 / 53 / 29

HEX #B64A55

RGB 182 74 85

HSL 353.89, 0.43%, 0.5%

LAB 46.31, 44.71, 16.14

 

CMYK 0 / 41 / 35 / 2

HEX #F993A2

RGB 249 147 162

HSL 351.18, 0.89%, 0.78%

LAB 71.97, 40.04, 8.86

 

CMYK 0 / 41 / 41 / 2

HEX #F99393

RGB 249 147 147

HSL 0, 0.89%, 0.78%

LAB 71.63, 38.34, 16.69

 

CMYK 0 / 41 / 35 / 2

HEX #F993A2

RGB 249 147 162

HSL 351.18, 0.89%, 0.78%

LAB 71.97, 40.04, 8.86

 

CMYK 0 / 41 / 24 / 2

HEX #F993BE

RGB 249 147 190

HSL 334.71, 0.89%, 0.78%

LAB 72.71, 43.65, -5.6

 

CMYK 0 / 41 / 13 / 2

HEX #F993D9

RGB 249 147 217

HSL 318.82, 0.89%, 0.78%

LAB 73.56, 47.67, -19.23

 

CMYK 0 / 41 / 2 / 2

HEX #F993F5

RGB 249 147 245

HSL 302.35, 0.89%, 0.78%

LAB 74.57, 52.33, -32.98

 

CMYK 9 / 41 / 0 / 2

HEX #E393F9

RGB 227 147 249

HSL 287.06, 0.89%, 0.78%

LAB 72.25, 46.63, -38.95

 

CMYK 0 / 41 / 35 / 2

HEX #F993A2

RGB 249 147 162

HSL 351.18, 0.89%, 0.78%

LAB 71.97, 40.04, 8.86

 

CMYK 0 / 41 / 35 / 2

HEX #F993A2

RGB 249 147 162

HSL 351.18, 0.89%, 0.78%

LAB 71.97, 40.04, 8.86

 

CMYK 0 / 35 / 30 / 6

HEX #F09CA9

RGB 240 156 169

HSL 350.71, 0.74%, 0.78%

LAB 73, 32.99, 6.31

 

CMYK 0 / 28 / 24 / 9

HEX #E7A6AF

RGB 231 166 175

HSL 351.69, 0.58%, 0.78%

LAB 74.42, 25.23, 4.92

 

CMYK 0 / 21 / 18 / 13

HEX #DEAFB5

RGB 222 175 181

HSL 352.34, 0.42%, 0.78%

LAB 75.78, 18, 3.48

 

CMYK 0 / 14 / 12 / 16

HEX #D5B8BC

RGB 213 184 188

HSL 351.72, 0.26%, 0.78%

LAB 77.32, 11.02, 1.8

 

CMYK 0 / 41 / 13 / 2

HEX #F993D9

RGB 249 147 217

HSL 318.82, 0.89%, 0.78%

LAB 73.56, 47.67, -19.23

 

CMYK 0 / 41 / 24 / 2

HEX #F993BE

RGB 249 147 190

HSL 334.71, 0.89%, 0.78%

LAB 72.71, 43.65, -5.6

 

CMYK 0 / 41 / 35 / 2

HEX #F993A3

RGB 249 147 163

HSL 350.59, 0.89%, 0.78%

LAB 71.99, 40.16, 8.33

 

CMYK 0 / 36 / 41 / 2

HEX #F99F93

RGB 249 159 147

HSL 7.06, 0.89%, 0.78%

LAB 74.22, 32.12, 20.27

 

CMYK 0 / 25 / 41 / 2

HEX #F9BA93

RGB 249 186 147

HSL 22.94, 0.89%, 0.78%

LAB 80.38, 17.93, 28.64

 

CMYK 0 / 72 / 62 / 4

HEX #F6455E

RGB 246 69 94

HSL 351.53, 0.91%, 0.62%

LAB 56.74, 67.77, 26.61

 

CMYK 0 / 56 / 48 / 3

HEX #F86C80

RGB 248 108 128

HSL 351.43, 0.91%, 0.7%

LAB 63.54, 55.24, 16.13

 

CMYK 0 / 41 / 35 / 2

HEX #F993A2

RGB 249 147 162

HSL 351.18, 0.89%, 0.78%

LAB 71.97, 40.04, 8.86

 

CMYK 0 / 25 / 22 / 2

HEX #FBBBC4

RGB 251 187 196

HSL 351.56, 0.89%, 0.86%

LAB 81.86, 24.33, 4.52

 

CMYK 0 / 11 / 9 / 1

HEX #FDE2E6

RGB 253 226 230

HSL 351.11, 0.87%, 0.94%

LAB 92.13, 9.9, 1.43

 

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

CMYK 2 / 0 / 41 / 2

HEX #F4F993

RGB 244 249 147

HSL 62.94, 0.89%, 0.78%

LAB 95.62, -16.12, 48.29

 

CMYK 41 / 18 / 0 / 2

HEX #93CCF9

RGB 147 204 249

HSL 206.47, 0.89%, 0.78%

LAB 79.74, -7.12, -27.9

 

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

CMYK 35 / 0 / 41 / 2

HEX #A3F993

RGB 163 249 147

HSL 110.59, 0.89%, 0.78%

LAB 90.62, -44.81, 40.9

 

CMYK 41 / 35 / 0 / 2

HEX #93A3F9

RGB 147 163 249

HSL 230.59, 0.89%, 0.78%

LAB 68.92, 15.48, -44.67

 

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

CMYK 2 / 0 / 41 / 2

HEX #F4F993

RGB 244 249 147

HSL 62.94, 0.89%, 0.78%

LAB 95.62, -16.12, 48.29

 

CMYK 41 / 0 / 6 / 2

HEX #93F9EA

RGB 147 249 234

HSL 171.18, 0.89%, 0.78%

LAB 91.64, -33.24, -2.16

 

CMYK 39 / 41 / 0 / 2

HEX #9893F9

RGB 152 147 249

HSL 242.94, 0.89%, 0.78%

LAB 65.26, 25.91, -50.41

 

CMYK 0 / 42 / 36 / 2

HEX #FA92A1

RGB 250 146 161

HSL 351.35, 0.91%, 0.78%

LAB 71.86, 40.79, 9.27

 

CMYK 14 / 0 / 41 / 2

HEX #D6F993

RGB 214 249 147

HSL 80.59, 0.89%, 0.78%

LAB 93.52, -27.35, 45.2

 

CMYK 41 / 0 / 6 / 2

HEX #93F9EA

RGB 147 249 234

HSL 171.18, 0.89%, 0.78%

LAB 91.64, -33.24, -2.16

 

CMYK 27 / 41 / 0 / 2

HEX #B793F9

RGB 183 147 249

HSL 261.18, 0.89%, 0.78%

LAB 67.85, 34.12, -46.15

 

Description

Color code: HEX #FA92A1 | qconv.com Color code: HEX #FA92A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 146 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 146 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 36 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 36% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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