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Color name
HEX #FA90FD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA90FD it is the complementary color #056F02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA90FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA90FD shade: #FF90F8, #FFA2FF, #FFB4FF, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA90FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA90FD shade: #FA90FD, #E97EEA, #D86CD7, #C75AC4 and #B648B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA90FD shade: #F991FC, #FC91E2, #FC91C5, #FC91A8 and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA90FD shade: #F991FC, #DC91FC, #BF91FC, #A291FC and #9191FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA90FD shade matches the following richer shades: #F991FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA90FD shade: #F991FC, #F19AF3, #E8A3EA, #E0ACE1 and #D7B5D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA90FD shade: #BF91FC, #DC91FC, #F991FC, #FC91E3 and #FC91C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA90FD shade: #F540FB, #F768FB, #F991FC, #FBB9FD and #FDE1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA90FD shade: #FA90FD, #FCA291 and #91FCCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA90FD shade: #FA90FD, #FCF991 and #91FCF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA90FD shade: #FA90FD, #FCA291, #94FC91 and #91EAFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA90FD shade: #FA90FD, #FCC391, #94FC91 and #91CAFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

Complementary color

CMYK 95 / 0 / 98 / 56

HEX #056F02

RGB 5 111 2

HSL 118.35, 0.96%, 0.22%

LAB 40.26, -46.11, 44.62

 

CMYK 0 / 44 / 3 / 0

HEX #FF90F8

RGB 255 144 248

HSL 303.78, 1%, 0.78%

LAB 74.81, 56.09, -34.18

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

CMYK 0 / 46 / 0 / 8

HEX #E97EEA

RGB 233 126 234

HSL 299.44, 0.72%, 0.71%

LAB 68.16, 56.21, -37.06

 

CMYK 0 / 50 / 0 / 15

HEX #D86CD7

RGB 216 108 215

HSL 300.56, 0.58%, 0.64%

LAB 61.85, 56.84, -36.48

 

CMYK 0 / 55 / 2 / 22

HEX #C75AC4

RGB 199 90 196

HSL 301.65, 0.49%, 0.57%

LAB 55.52, 57.36, -35.76

 

CMYK 0 / 60 / 3 / 29

HEX #B648B1

RGB 182 72 177

HSL 302.73, 0.43%, 0.5%

LAB 49.2, 57.68, -34.85

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 0 / 42 / 10 / 1

HEX #FC91E2

RGB 252 145 226

HSL 314.58, 0.95%, 0.78%

LAB 73.83, 51.05, -23.73

 

CMYK 0 / 42 / 22 / 1

HEX #FC91C5

RGB 252 145 197

HSL 330.84, 0.95%, 0.78%

LAB 72.88, 46.66, -9.19

 

CMYK 0 / 42 / 33 / 1

HEX #FC91A8

RGB 252 145 168

HSL 347.1, 0.95%, 0.78%

LAB 72.08, 42.84, 5.72

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 13 / 42 / 0 / 1

HEX #DC91FC

RGB 220 145 252

HSL 282.06, 0.95%, 0.78%

LAB 71.21, 46.26, -42.27

 

CMYK 24 / 42 / 0 / 1

HEX #BF91FC

RGB 191 145 252

HSL 265.79, 0.95%, 0.78%

LAB 68.28, 38.13, -47.07

 

CMYK 36 / 42 / 0 / 1

HEX #A291FC

RGB 162 145 252

HSL 249.53, 0.95%, 0.78%

LAB 65.72, 30.4, -51.28

 

CMYK 42 / 42 / 0 / 1

HEX #9191FC

RGB 145 145 252

HSL 240, 0.95%, 0.78%

LAB 64.4, 26.17, -53.45

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 1 / 37 / 0 / 5

HEX #F19AF3

RGB 241 154 243

HSL 298.65, 0.79%, 0.78%

LAB 75, 46.01, -31.31

 

CMYK 1 / 30 / 0 / 8

HEX #E8A3EA

RGB 232 163 234

HSL 298.31, 0.63%, 0.78%

LAB 75.63, 36.86, -25.54

 

CMYK 0 / 24 / 0 / 12

HEX #E0ACE1

RGB 224 172 225

HSL 298.87, 0.47%, 0.78%

LAB 76.55, 27.8, -19.33

 

CMYK 0 / 16 / 0 / 15

HEX #D7B5D8

RGB 215 181 216

HSL 298.29, 0.31%, 0.78%

LAB 77.55, 18.27, -13.02

 

CMYK 24 / 42 / 0 / 1

HEX #BF91FC

RGB 191 145 252

HSL 265.79, 0.95%, 0.78%

LAB 68.28, 38.13, -47.07

 

CMYK 13 / 42 / 0 / 1

HEX #DC91FC

RGB 220 145 252

HSL 282.06, 0.95%, 0.78%

LAB 71.21, 46.26, -42.27

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 0 / 42 / 10 / 1

HEX #FC91E3

RGB 252 145 227

HSL 314.02, 0.95%, 0.78%

LAB 73.86, 51.21, -24.22

 

CMYK 0 / 42 / 21 / 1

HEX #FC91C6

RGB 252 145 198

HSL 330.28, 0.95%, 0.78%

LAB 72.91, 46.8, -9.7

 

CMYK 2 / 75 / 0 / 2

HEX #F540FB

RGB 245 64 251

HSL 298.07, 0.96%, 0.62%

LAB 61.69, 86.52, -56.53

 

CMYK 2 / 59 / 0 / 2

HEX #F768FB

RGB 247 104 251

HSL 298.37, 0.95%, 0.7%

LAB 67.01, 72.84, -48.09

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 1 / 27 / 0 / 1

HEX #FBB9FD

RGB 251 185 253

HSL 298.24, 0.94%, 0.86%

LAB 83.07, 34.72, -24.24

 

CMYK 0 / 11 / 0 / 0

HEX #FDE1FE

RGB 253 225 254

HSL 297.93, 0.94%, 0.94%

LAB 92.53, 14.55, -10.53

 

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

CMYK 0 / 36 / 42 / 1

HEX #FCA291

RGB 252 162 145

HSL 9.53, 0.95%, 0.78%

LAB 75.19, 31.47, 22.75

 

CMYK 42 / 0 / 18 / 1

HEX #91FCCE

RGB 145 252 206

HSL 154.21, 0.95%, 0.78%

LAB 91.73, -41.16, 12.46

 

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 42 / 0 / 1 / 1

HEX #91FCF9

RGB 145 252 249

HSL 178.32, 0.95%, 0.78%

LAB 92.79, -31.61, -8.25

 

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

CMYK 0 / 36 / 42 / 1

HEX #FCA291

RGB 252 162 145

HSL 9.53, 0.95%, 0.78%

LAB 75.19, 31.47, 22.75

 

CMYK 41 / 0 / 42 / 1

HEX #94FC91

RGB 148 252 145

HSL 118.32, 0.95%, 0.78%

LAB 90.76, -50.89, 41.93

 

CMYK 42 / 7 / 0 / 1

HEX #91EAFC

RGB 145 234 252

HSL 190.09, 0.95%, 0.78%

LAB 87.92, -22.19, -17.09

 

CMYK 1 / 43 / 0 / 1

HEX #FA90FD

RGB 250 144 253

HSL 298.35, 0.96%, 0.78%

LAB 74.42, 55.52, -37.55

 

CMYK 0 / 23 / 42 / 1

HEX #FCC391

RGB 252 195 145

HSL 28.04, 0.95%, 0.78%

LAB 82.79, 14.17, 32.94

 

CMYK 41 / 0 / 42 / 1

HEX #94FC91

RGB 148 252 145

HSL 118.32, 0.95%, 0.78%

LAB 90.76, -50.89, 41.93

 

CMYK 42 / 20 / 0 / 1

HEX #91CAFC

RGB 145 202 252

HSL 208.04, 0.95%, 0.78%

LAB 79.21, -5.76, -30.33

 

Description

Color code: HEX #FA90FD | qconv.com Color code: HEX #FA90FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 144 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 144 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 43 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 43% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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