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Color name
HEX #FA980A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA980A it is the complementary color #0567F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA980A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA980A shade: #FF9805, #FFAA18, #FFBC2B, #FFCE3E and #FFE051

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA980A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA980A shade: #FA980A, #E98600, #D87400, #C76200 and #B65000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA980A shade: #FA980A, #FA570A, #FA160A and #FA0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA980A shade: #FA980A, #FAD80A, #DAFA0A, #99FA0A and #59FA0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA980A shade matches the following richer shades: #FA980A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA980A shade: #FA980A, #E5941E, #D19032, #BD8C46 and #A9895A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA980A shade: #FA160A, #FA560A, #FA960A, #FAD60A and #DEFA0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA980A shade: #AE6803, #D68004, #FA980A, #FAA932 and #FBBA5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA980A shade: #FA980A, #3EFA0A and #360AFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA980A shade: #FA980A, #0AFA96 and #960AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA980A shade: #FA980A, #3EFA0A, #0A6EFA and #C60AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA980A shade: #FA980A, #0AFA1E, #0A6EFA and #FA0AE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

Complementary color

CMYK 98 / 58 / 0 / 4

HEX #0567F5

RGB 5 103 245

HSL 215.5, 0.96%, 0.49%

LAB 47.4, 30.88, -77.28

 

CMYK 0 / 40 / 98 / 0

HEX #FF9805

RGB 255 152 5

HSL 35.28, 1%, 0.51%

LAB 72.05, 30.73, 76.48

 

CMYK 0 / 33 / 91 / 0

HEX #FFAA18

RGB 255 170 24

HSL 37.92, 1%, 0.55%

LAB 76.12, 21.57, 76.51

 

CMYK 0 / 26 / 83 / 0

HEX #FFBC2B

RGB 255 188 43

HSL 41.04, 1%, 0.58%

LAB 80.4, 12.57, 75.32

 

CMYK 0 / 19 / 76 / 0

HEX #FFCE3E

RGB 255 206 62

HSL 44.77, 1%, 0.62%

LAB 84.87, 3.88, 73.29

 

CMYK 0 / 12 / 68 / 0

HEX #FFE051

RGB 255 224 81

HSL 49.31, 1%, 0.66%

LAB 89.47, -4.42, 70.8

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 42 / 100 / 9

HEX #E98600

RGB 233 134 0

HSL 34.51, 1%, 0.46%

LAB 65.26, 30.98, 71.39

 

CMYK 0 / 46 / 100 / 15

HEX #D87400

RGB 216 116 0

HSL 32.22, 1%, 0.42%

LAB 59.06, 33.37, 66.39

 

CMYK 0 / 51 / 100 / 22

HEX #C76200

RGB 199 98 0

HSL 29.55, 1%, 0.39%

LAB 52.82, 35.76, 61.36

 

CMYK 0 / 56 / 100 / 29

HEX #B65000

RGB 182 80 0

HSL 26.37, 1%, 0.36%

LAB 46.56, 38.1, 56.35

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 65 / 96 / 2

HEX #FA570A

RGB 250 87 10

HSL 19.25, 0.96%, 0.51%

LAB 59.12, 59.69, 67.36

 

CMYK 0 / 91 / 96 / 2

HEX #FA160A

RGB 250 22 10

HSL 3, 0.96%, 0.51%

LAB 52.86, 77.15, 64.01

 

CMYK 0 / 96 / 96 / 2

HEX #FA0A0A

RGB 250 10 10

HSL 0, 0.96%, 0.51%

LAB 52.47, 78.28, 63.83

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 14 / 96 / 2

HEX #FAD80A

RGB 250 216 10

HSL 51.5, 0.96%, 0.51%

LAB 86.73, -4.48, 85.94

 

CMYK 13 / 0 / 96 / 2

HEX #DAFA0A

RGB 218 250 10

HSL 68, 0.96%, 0.51%

LAB 93.14, -34.15, 89.61

 

CMYK 39 / 0 / 96 / 2

HEX #99FA0A

RGB 153 250 10

HSL 84.25, 0.96%, 0.51%

LAB 89.47, -58.17, 85.17

 

CMYK 64 / 0 / 96 / 2

HEX #59FA0A

RGB 89 250 10

HSL 100.25, 0.96%, 0.51%

LAB 87.25, -75.54, 82.46

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 35 / 87 / 10

HEX #E5941E

RGB 229 148 30

HSL 35.58, 0.79%, 0.51%

LAB 67.97, 22.3, 67.52

 

CMYK 0 / 31 / 76 / 18

HEX #D19032

RGB 209 144 50

HSL 35.47, 0.63%, 0.51%

LAB 64.75, 16.51, 56.92

 

CMYK 0 / 26 / 63 / 26

HEX #BD8C46

RGB 189 140 70

HSL 35.29, 0.47%, 0.51%

LAB 61.67, 11.12, 43.89

 

CMYK 0 / 19 / 47 / 34

HEX #A9895A

RGB 169 137 90

HSL 35.7, 0.31%, 0.51%

LAB 59.03, 5.88, 29.72

 

CMYK 0 / 91 / 96 / 2

HEX #FA160A

RGB 250 22 10

HSL 3, 0.96%, 0.51%

LAB 52.86, 77.15, 64.01

 

CMYK 0 / 66 / 96 / 2

HEX #FA560A

RGB 250 86 10

HSL 19, 0.96%, 0.51%

LAB 58.98, 60.09, 67.27

 

CMYK 0 / 40 / 96 / 2

HEX #FA960A

RGB 250 150 10

HSL 35, 0.96%, 0.51%

LAB 70.98, 29.75, 74.85

 

CMYK 0 / 14 / 96 / 2

HEX #FAD60A

RGB 250 214 10

HSL 51, 0.96%, 0.51%

LAB 86.23, -3.47, 85.57

 

CMYK 11 / 0 / 96 / 2

HEX #DEFA0A

RGB 222 250 10

HSL 67, 0.96%, 0.51%

LAB 93.42, -32.55, 89.93

 

CMYK 0 / 40 / 98 / 32

HEX #AE6803

RGB 174 104 3

HSL 35.44, 0.97%, 0.35%

LAB 50.58, 21.98, 57.54

 

CMYK 0 / 40 / 98 / 16

HEX #D68004

RGB 214 128 4

HSL 35.43, 0.96%, 0.43%

LAB 61.43, 26.23, 67.09

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 0 / 32 / 80 / 2

HEX #FAA932

RGB 250 169 50

HSL 35.7, 0.95%, 0.59%

LAB 75.41, 20.6, 68.57

 

CMYK 0 / 26 / 64 / 2

HEX #FBBA5A

RGB 251 186 90

HSL 35.78, 0.95%, 0.67%

LAB 79.82, 13.95, 56.61

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 75 / 0 / 96 / 2

HEX #3EFA0A

RGB 62 250 10

HSL 107, 0.96%, 0.51%

LAB 86.71, -80.19, 81.8

 

CMYK 78 / 96 / 0 / 2

HEX #360AFA

RGB 54 10 250

HSL 251, 0.96%, 0.51%

LAB 33.78, 77.19, -102.54

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 96 / 0 / 40 / 2

HEX #0AFA96

RGB 10 250 150

HSL 155, 0.96%, 0.51%

LAB 87.31, -71.18, 34.41

 

CMYK 40 / 96 / 0 / 2

HEX #960AFA

RGB 150 10 250

HSL 275, 0.96%, 0.51%

LAB 43.66, 83.06, -85.87

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 75 / 0 / 96 / 2

HEX #3EFA0A

RGB 62 250 10

HSL 107, 0.96%, 0.51%

LAB 86.71, -80.19, 81.8

 

CMYK 96 / 56 / 0 / 2

HEX #0A6EFA

RGB 10 110 250

HSL 215, 0.96%, 0.51%

LAB 49.64, 28.45, -76.4

 

CMYK 21 / 96 / 0 / 2

HEX #C60AFA

RGB 198 10 250

HSL 287, 0.96%, 0.51%

LAB 50.83, 88.65, -73.84

 

CMYK 0 / 39 / 96 / 2

HEX #FA980A

RGB 250 152 10

HSL 35.5, 0.96%, 0.51%

LAB 71.42, 28.71, 75.14

 

CMYK 96 / 0 / 88 / 2

HEX #0AFA1E

RGB 10 250 30

HSL 125, 0.96%, 0.51%

LAB 86.27, -84, 78.78

 

CMYK 96 / 56 / 0 / 2

HEX #0A6EFA

RGB 10 110 250

HSL 215, 0.96%, 0.51%

LAB 49.64, 28.45, -76.4

 

CMYK 0 / 96 / 8 / 2

HEX #FA0AE6

RGB 250 10 230

HSL 305, 0.96%, 0.51%

LAB 58.28, 93.48, -50.19

 

Description

Color code: HEX #FA980A | qconv.com Color code: HEX #FA980A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 152 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 152 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 96% 2% C M Y K

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Provide designers and agencies with accurate color values.

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