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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA85FA it is the complementary color #057A05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA85FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA85FA shade: #FF85F5, #FF97FF, #FFA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA85FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA85FA shade: #FA85FA, #E973E7, #D861D4, #C74FC1 and #B63DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA85FA shade: #F984F9, #F984DA, #F984BA, #F9849B and #F98484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA85FA shade: #F984F9, #DA84F9, #BA84F9, #9B84F9 and #8484F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA85FA shade matches the following richer shades: #F984F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA85FA shade: #F984F9, #EF8EEF, #E599E5, #DAA3DA and #D0ADD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA85FA shade: #BB84F9, #DA84F9, #F984F9, #F984DA and #F984BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA85FA shade: #F635F6, #F85CF8, #F984F9, #FBACFB and #FDD3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA85FA shade: #FA85FA, #F99C84 and #84F9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA85FA shade: #FA85FA, #F9F984 and #84F9F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA85FA shade: #FA85FA, #F99C84, #84F984 and #84E2F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA85FA shade: #FA85FA, #F9BF84, #84F984 and #84BFF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

Complementary color

CMYK 96 / 0 / 96 / 52

HEX #057A05

RGB 5 122 5

HSL 120, 0.92%, 0.25%

LAB 44.18, -49.32, 47.16

 

CMYK 0 / 48 / 4 / 0

HEX #FF85F5

RGB 255 133 245

HSL 304.92, 1%, 0.76%

LAB 72.65, 60.91, -35.91

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

CMYK 0 / 51 / 1 / 9

HEX #E973E7

RGB 233 115 231

HSL 301.02, 0.73%, 0.68%

LAB 66.02, 60.97, -38.73

 

CMYK 0 / 55 / 2 / 15

HEX #D861D4

RGB 216 97 212

HSL 302.02, 0.6%, 0.61%

LAB 59.8, 61.46, -38

 

CMYK 0 / 60 / 3 / 22

HEX #C74FC1

RGB 199 79 193

HSL 303, 0.52%, 0.55%

LAB 53.58, 61.75, -37.08

 

CMYK 0 / 66 / 4 / 29

HEX #B63DAE

RGB 182 61 174

HSL 303.97, 0.5%, 0.48%

LAB 47.42, 61.71, -35.89

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 0 / 47 / 12 / 2

HEX #F984DA

RGB 249 132 218

HSL 315.9, 0.91%, 0.75%

LAB 70.67, 55.29, -24.18

 

CMYK 0 / 47 / 25 / 2

HEX #F984BA

RGB 249 132 186

HSL 332.31, 0.91%, 0.75%

LAB 69.6, 50.64, -7.98

 

CMYK 0 / 47 / 38 / 2

HEX #F9849B

RGB 249 132 155

HSL 348.21, 0.91%, 0.75%

LAB 68.76, 46.82, 8.18

 

CMYK 0 / 47 / 47 / 2

HEX #F98484

RGB 249 132 132

HSL 0, 0.91%, 0.75%

LAB 68.25, 44.44, 20.37

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 12 / 47 / 0 / 2

HEX #DA84F9

RGB 218 132 249

HSL 284.1, 0.91%, 0.75%

LAB 68.2, 51.85, -45.36

 

CMYK 25 / 47 / 0 / 2

HEX #BA84F9

RGB 186 132 249

HSL 267.69, 0.91%, 0.75%

LAB 64.79, 43.2, -50.97

 

CMYK 38 / 47 / 0 / 2

HEX #9B84F9

RGB 155 132 249

HSL 251.79, 0.91%, 0.75%

LAB 61.92, 35.26, -55.7

 

CMYK 47 / 47 / 0 / 2

HEX #8484F9

RGB 132 132 249

HSL 240, 0.91%, 0.75%

LAB 60.11, 29.86, -58.69

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 0 / 41 / 0 / 6

HEX #EF8EEF

RGB 239 142 239

HSL 300, 0.75%, 0.75%

LAB 72.18, 50.84, -33.5

 

CMYK 0 / 33 / 0 / 10

HEX #E599E5

RGB 229 153 229

HSL 300, 0.59%, 0.75%

LAB 72.96, 40.29, -26.94

 

CMYK 0 / 25 / 0 / 15

HEX #DAA3DA

RGB 218 163 218

HSL 300, 0.43%, 0.75%

LAB 73.65, 29.39, -19.96

 

CMYK 0 / 17 / 0 / 18

HEX #D0ADD0

RGB 208 173 208

HSL 300, 0.27%, 0.75%

LAB 74.73, 18.75, -12.96

 

CMYK 25 / 47 / 0 / 2

HEX #BB84F9

RGB 187 132 249

HSL 268.21, 0.91%, 0.75%

LAB 64.89, 43.46, -50.81

 

CMYK 12 / 47 / 0 / 2

HEX #DA84F9

RGB 218 132 249

HSL 284.1, 0.91%, 0.75%

LAB 68.2, 51.85, -45.36

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 0 / 47 / 12 / 2

HEX #F984DA

RGB 249 132 218

HSL 315.9, 0.91%, 0.75%

LAB 70.67, 55.29, -24.18

 

CMYK 0 / 47 / 25 / 2

HEX #F984BB

RGB 249 132 187

HSL 331.79, 0.91%, 0.75%

LAB 69.63, 50.78, -8.5

 

CMYK 0 / 78 / 0 / 4

HEX #F635F6

RGB 246 53 246

HSL 300, 0.91%, 0.59%

LAB 60.6, 88.79, -55.49

 

CMYK 0 / 63 / 0 / 3

HEX #F85CF8

RGB 248 92 248

HSL 300, 0.92%, 0.67%

LAB 65.27, 77.38, -49.17

 

CMYK 0 / 47 / 0 / 2

HEX #F984F9

RGB 249 132 249

HSL 300, 0.91%, 0.75%

LAB 71.88, 60.4, -39.34

 

CMYK 0 / 31 / 0 / 2

HEX #FBACFB

RGB 251 172 251

HSL 300, 0.91%, 0.83%

LAB 80.17, 41.17, -27.6

 

CMYK 0 / 17 / 0 / 1

HEX #FDD3FD

RGB 253 211 253

HSL 300, 0.91%, 0.91%

LAB 89.19, 21.68, -14.99

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

CMYK 0 / 37 / 47 / 2

HEX #F99C84

RGB 249 156 132

HSL 12.31, 0.91%, 0.75%

LAB 73.27, 32.16, 27.16

 

CMYK 47 / 0 / 19 / 2

HEX #84F9CA

RGB 132 249 202

HSL 155.9, 0.91%, 0.75%

LAB 90.29, -43.88, 12.4

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

CMYK 0 / 0 / 47 / 2

HEX #F9F984

RGB 249 249 132

HSL 60, 0.91%, 0.75%

LAB 95.81, -15.63, 55.71

 

CMYK 47 / 0 / 0 / 2

HEX #84F9F9

RGB 132 249 249

HSL 180, 0.91%, 0.75%

LAB 91.46, -33.1, -10.28

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

CMYK 0 / 37 / 47 / 2

HEX #F99C84

RGB 249 156 132

HSL 12.31, 0.91%, 0.75%

LAB 73.27, 32.16, 27.16

 

CMYK 47 / 0 / 47 / 2

HEX #84F984

RGB 132 249 132

HSL 120, 0.91%, 0.75%

LAB 89.07, -55.97, 45.92

 

CMYK 47 / 9 / 0 / 2

HEX #84E2F9

RGB 132 226 249

HSL 191.79, 0.91%, 0.75%

LAB 85.07, -22, -19.86

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FA

RGB 250 133 250

HSL 300, 0.92%, 0.75%

LAB 72.23, 60.37, -39.33

 

CMYK 0 / 23 / 47 / 2

HEX #F9BF84

RGB 249 191 132

HSL 30.26, 0.91%, 0.75%

LAB 81.33, 13.79, 37.71

 

CMYK 47 / 0 / 47 / 2

HEX #84F984

RGB 132 249 132

HSL 120, 0.91%, 0.75%

LAB 89.07, -55.97, 45.92

 

CMYK 47 / 23 / 0 / 2

HEX #84BFF9

RGB 132 191 249

HSL 209.74, 0.91%, 0.75%

LAB 75.46, -3.8, -34.56

 

Description

Color code: HEX #FA85FA | qconv.com Color code: HEX #FA85FA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 133 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 133 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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