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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA6F7D it is the complementary color #059082. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA6F7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA6F7D shade: #FF6F78, #FF818B, #FF939E, #FFA5B1 and #FFB7C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA6F7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA6F7D shade: #FA6F7D, #E95D6A, #D84B57, #C73944 and #B62731

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA6F7D shade: #F9707E and #F97070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA6F7D shade: #F9707E, #F970A3, #F970C8, #F970ED and #E170F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA6F7D shade matches the following richer shades: #F9707E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA6F7D shade: #F9707E, #ED7C87, #E18891, #D5949A and #C9A0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA6F7D shade: #F970C9, #F970A5, #F97080, #F98470 and #F9A970

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA6F7D shade: #F62036, #F8485A, #F9707E, #FB98A2 and #FCBFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA6F7D shade: #FA6F7D, #EEF970 and #70B7F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA6F7D shade: #FA6F7D, #80F970 and #7080F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA6F7D shade: #FA6F7D, #EEF970, #70F9E9 and #7B70F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA6F7D shade: #FA6F7D, #C5F970, #70F9E9 and #A570F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

Complementary color

CMYK 97 / 0 / 10 / 44

HEX #059082

RGB 5 144 130

HSL 173.96, 0.93%, 0.29%

LAB 53.59, -35.49, -1.74

 

CMYK 0 / 56 / 53 / 0

HEX #FF6F78

RGB 255 111 120

HSL 356.25, 1%, 0.72%

LAB 64.95, 55.55, 22.79

 

CMYK 0 / 49 / 45 / 0

HEX #FF818B

RGB 255 129 139

HSL 355.24, 1%, 0.75%

LAB 68.62, 48.72, 17.1

 

CMYK 0 / 42 / 38 / 0

HEX #FF939E

RGB 255 147 158

HSL 353.89, 1%, 0.79%

LAB 72.63, 41.72, 12.11

 

CMYK 0 / 35 / 31 / 0

HEX #FFA5B1

RGB 255 165 177

HSL 352, 1%, 0.82%

LAB 76.89, 34.72, 7.72

 

CMYK 0 / 28 / 23 / 0

HEX #FFB7C4

RGB 255 183 196

HSL 349.17, 1%, 0.86%

LAB 81.35, 27.87, 3.84

 

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

CMYK 0 / 60 / 55 / 9

HEX #E95D6A

RGB 233 93 106

HSL 354.43, 0.76%, 0.64%

LAB 58.22, 55.16, 21.17

 

CMYK 0 / 65 / 60 / 15

HEX #D84B57

RGB 216 75 87

HSL 354.89, 0.64%, 0.57%

LAB 52.2, 55.89, 23.81

 

CMYK 0 / 71 / 66 / 22

HEX #C73944

RGB 199 57 68

HSL 355.35, 0.56%, 0.5%

LAB 46.29, 56.32, 26.96

 

CMYK 0 / 79 / 73 / 29

HEX #B62731

RGB 182 39 49

HSL 355.8, 0.65%, 0.43%

LAB 40.6, 56.23, 30.75

 

CMYK 0 / 55 / 49 / 2

HEX #F9707E

RGB 249 112 126

HSL 353.87, 0.92%, 0.71%

LAB 64.35, 53.56, 18.41

 

CMYK 0 / 55 / 55 / 2

HEX #F97070

RGB 249 112 112

HSL 0, 0.92%, 0.71%

LAB 64.08, 52.41, 25.99

 

CMYK 0 / 55 / 49 / 2

HEX #F9707E

RGB 249 112 126

HSL 353.87, 0.92%, 0.71%

LAB 64.35, 53.56, 18.41

 

CMYK 0 / 55 / 35 / 2

HEX #F970A3

RGB 249 112 163

HSL 337.66, 0.92%, 0.71%

LAB 65.26, 57.3, -1.42

 

CMYK 0 / 55 / 20 / 2

HEX #F970C8

RGB 249 112 200

HSL 321.46, 0.92%, 0.71%

LAB 66.44, 62.02, -20.6

 

CMYK 0 / 55 / 5 / 2

HEX #F970ED

RGB 249 112 237

HSL 305.26, 0.92%, 0.71%

LAB 67.9, 67.61, -38.95

 

CMYK 10 / 55 / 0 / 2

HEX #E170F9

RGB 225 112 249

HSL 289.49, 0.92%, 0.71%

LAB 65.31, 63.51, -49.87

 

CMYK 0 / 55 / 49 / 2

HEX #F9707E

RGB 249 112 126

HSL 353.87, 0.92%, 0.71%

LAB 64.35, 53.56, 18.41

 

CMYK 0 / 55 / 49 / 2

HEX #F9707E

RGB 249 112 126

HSL 353.87, 0.92%, 0.71%

LAB 64.35, 53.56, 18.41

 

CMYK 0 / 48 / 43 / 7

HEX #ED7C87

RGB 237 124 135

HSL 354.16, 0.76%, 0.71%

LAB 65.1, 44.44, 14.07

 

CMYK 0 / 40 / 36 / 12

HEX #E18891

RGB 225 136 145

HSL 353.93, 0.6%, 0.71%

LAB 66.26, 35.03, 9.83

 

CMYK 0 / 31 / 28 / 16

HEX #D5949A

RGB 213 148 154

HSL 354.46, 0.44%, 0.71%

LAB 67.77, 25.32, 6.74

 

CMYK 0 / 20 / 18 / 21

HEX #C9A0A4

RGB 201 160 164

HSL 354.15, 0.28%, 0.71%

LAB 69.64, 15.77, 3.7

 

CMYK 0 / 55 / 19 / 2

HEX #F970C9

RGB 249 112 201

HSL 321.02, 0.92%, 0.71%

LAB 66.48, 62.16, -21.1

 

CMYK 0 / 55 / 34 / 2

HEX #F970A5

RGB 249 112 165

HSL 336.79, 0.92%, 0.71%

LAB 65.31, 57.53, -2.47

 

CMYK 0 / 55 / 49 / 2

HEX #F97080

RGB 249 112 128

HSL 352.99, 0.92%, 0.71%

LAB 64.39, 53.74, 17.33

 

CMYK 0 / 47 / 55 / 2

HEX #F98470

RGB 249 132 112

HSL 8.76, 0.92%, 0.71%

LAB 67.88, 42.72, 30.97

 

CMYK 0 / 32 / 55 / 2

HEX #F9A970

RGB 249 169 112

HSL 24.96, 0.92%, 0.71%

LAB 75.88, 23.6, 41.12

 

CMYK 0 / 87 / 78 / 4

HEX #F62036

RGB 246 32 54

HSL 353.83, 0.92%, 0.55%

LAB 52.83, 75.46, 44.94

 

CMYK 0 / 71 / 64 / 3

HEX #F8485A

RGB 248 72 90

HSL 353.86, 0.93%, 0.63%

LAB 57.39, 67.1, 29.86

 

CMYK 0 / 55 / 49 / 2

HEX #F9707E

RGB 249 112 126

HSL 353.87, 0.92%, 0.71%

LAB 64.35, 53.56, 18.41

 

CMYK 0 / 39 / 35 / 2

HEX #FB98A2

RGB 251 152 162

HSL 353.94, 0.93%, 0.79%

LAB 73.27, 38.18, 10.74

 

CMYK 0 / 24 / 21 / 1

HEX #FCBFC6

RGB 252 191 198

HSL 353.11, 0.91%, 0.87%

LAB 82.93, 22.88, 5.01

 

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

CMYK 4 / 0 / 55 / 2

HEX #EEF970

RGB 238 249 112

HSL 64.82, 0.92%, 0.71%

LAB 94.78, -21.58, 63.3

 

CMYK 55 / 27 / 0 / 2

HEX #70B7F9

RGB 112 183 249

HSL 208.91, 0.92%, 0.71%

LAB 72.33, -3.82, -39.49

 

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

CMYK 49 / 0 / 55 / 2

HEX #80F970

RGB 128 249 112

HSL 112.99, 0.92%, 0.71%

LAB 88.69, -59.54, 54.68

 

CMYK 55 / 49 / 0 / 2

HEX #7080F9

RGB 112 128 249

HSL 232.99, 0.92%, 0.71%

LAB 57.77, 28.03, -62.52

 

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

CMYK 4 / 0 / 55 / 2

HEX #EEF970

RGB 238 249 112

HSL 64.82, 0.92%, 0.71%

LAB 94.78, -21.58, 63.3

 

CMYK 55 / 0 / 6 / 2

HEX #70F9E9

RGB 112 249 233

HSL 172.99, 0.92%, 0.71%

LAB 90.36, -41.11, -3.66

 

CMYK 51 / 55 / 0 / 2

HEX #7B70F9

RGB 123 112 249

HSL 244.82, 0.92%, 0.71%

LAB 54.7, 39.67, -67.43

 

CMYK 0 / 56 / 50 / 2

HEX #FA6F7D

RGB 250 111 125

HSL 353.96, 0.93%, 0.71%

LAB 64.3, 54.27, 18.94

 

CMYK 21 / 0 / 55 / 2

HEX #C5F970

RGB 197 249 112

HSL 82.77, 0.92%, 0.71%

LAB 92.04, -37.18, 59.44

 

CMYK 55 / 0 / 6 / 2

HEX #70F9E9

RGB 112 249 233

HSL 172.99, 0.92%, 0.71%

LAB 90.36, -41.11, -3.66

 

CMYK 34 / 55 / 0 / 2

HEX #A570F9

RGB 165 112 249

HSL 263.21, 0.92%, 0.71%

LAB 58.44, 48.8, -61.21

 

Description

Color code: HEX #FA6F7D | qconv.com Color code: HEX #FA6F7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 111 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 111 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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