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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA3EE9 it is the complementary color #05C116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA3EE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA3EE9 shade: #FF3EE4, #FF50F7, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA3EE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA3EE9 shade: #FA3EE9, #E92CD6, #D81AC3, #C708B0 and #B6009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA3EE9 shade: #FA3DE8, #FA3DB5, #FA3D83, #FA3D50 and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA3EE9 shade: #FA3DE8, #D83DFA, #A53DFA, #723DFA and #3F3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA3EE9 shade matches the following richer shades: #FA3DE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA3EE9 shade: #FA3DE8, #E94DDB, #D95DCE, #C96DC1 and #B97DB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA3EE9 shade: #A43DFA, #D73DFA, #FA3DEA, #FA3DB7 and #FA3D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA3EE9 shade: #DE05CB, #F814E4, #FA3DE8, #FB65ED and #FC8DF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA3EE9 shade: #FA3EE9, #FA723D and #3DFABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA3EE9 shade: #FA3EE9, #EAFA3D and #3DEAFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA3EE9 shade: #FA3EE9, #FA723D, #3DFA4C and #3DC4FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA3EE9 shade: #FA3EE9, #FAAB3D, #3DFA4C and #3D8BFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

Complementary color

CMYK 97 / 0 / 89 / 24

HEX #05C116

RGB 5 193 22

HSL 125.43, 0.95%, 0.39%

LAB 68.19, -69.12, 64.57

 

CMYK 0 / 76 / 11 / 0

HEX #FF3EE4

RGB 255 62 228

HSL 308.39, 1%, 0.62%

LAB 61.92, 85.71, -43.26

 

CMYK 0 / 69 / 3 / 0

HEX #FF50F7

RGB 255 80 247

HSL 302.74, 1%, 0.66%

LAB 64.73, 83.05, -49.4

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

CMYK 0 / 81 / 8 / 9

HEX #E92CD6

RGB 233 44 214

HSL 306.03, 0.81%, 0.54%

LAB 56.07, 83.75, -44.83

 

CMYK 0 / 88 / 10 / 15

HEX #D81AC3

RGB 216 26 195

HSL 306.63, 0.79%, 0.47%

LAB 51.01, 81.24, -42.11

 

CMYK 0 / 96 / 12 / 22

HEX #C708B0

RGB 199 8 176

HSL 307.23, 0.92%, 0.41%

LAB 46.24, 77.63, -38.73

 

CMYK 0 / 100 / 14 / 29

HEX #B6009D

RGB 182 0 157

HSL 308.24, 1%, 0.36%

LAB 41.81, 72.77, -34.6

 

CMYK 0 / 76 / 7 / 2

HEX #FA3DE8

RGB 250 61 232

HSL 305.71, 0.95%, 0.61%

LAB 61.21, 85.51, -46.67

 

CMYK 0 / 76 / 28 / 2

HEX #FA3DB5

RGB 250 61 181

HSL 321.9, 0.95%, 0.61%

LAB 58.97, 78.94, -21.16

 

CMYK 0 / 76 / 48 / 2

HEX #FA3D83

RGB 250 61 131

HSL 337.78, 0.95%, 0.61%

LAB 57.37, 74.01, 5.72

 

CMYK 0 / 76 / 68 / 2

HEX #FA3D50

RGB 250 61 80

HSL 353.97, 0.95%, 0.61%

LAB 56.33, 70.71, 34.39

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 76 / 7 / 2

HEX #FA3DE8

RGB 250 61 232

HSL 305.71, 0.95%, 0.61%

LAB 61.21, 85.51, -46.67

 

CMYK 14 / 76 / 0 / 2

HEX #D83DFA

RGB 216 61 250

HSL 289.21, 0.95%, 0.61%

LAB 56.92, 81.77, -63.87

 

CMYK 34 / 76 / 0 / 2

HEX #A53DFA

RGB 165 61 250

HSL 273.02, 0.95%, 0.61%

LAB 49.78, 72.91, -75.76

 

CMYK 54 / 76 / 0 / 2

HEX #723DFA

RGB 114 61 250

HSL 256.83, 0.95%, 0.61%

LAB 43.97, 65.52, -85.51

 

CMYK 75 / 76 / 0 / 2

HEX #3F3DFA

RGB 63 61 250

HSL 240.63, 0.95%, 0.61%

LAB 40.08, 60.44, -92.06

 

CMYK 0 / 76 / 7 / 2

HEX #FA3DE8

RGB 250 61 232

HSL 305.71, 0.95%, 0.61%

LAB 61.21, 85.51, -46.67

 

CMYK 0 / 76 / 7 / 2

HEX #FA3DE8

RGB 250 61 232

HSL 305.71, 0.95%, 0.61%

LAB 61.21, 85.51, -46.67

 

CMYK 0 / 67 / 6 / 9

HEX #E94DDB

RGB 233 77 219

HSL 305.38, 0.78%, 0.61%

LAB 59.66, 74.93, -41.99

 

CMYK 0 / 57 / 5 / 15

HEX #D95DCE

RGB 217 93 206

HSL 305.32, 0.62%, 0.61%

LAB 59.01, 62.51, -35.83

 

CMYK 0 / 46 / 4 / 21

HEX #C96DC1

RGB 201 109 193

HSL 305.22, 0.46%, 0.61%

LAB 59.16, 48.14, -28.36

 

CMYK 0 / 32 / 3 / 27

HEX #B97DB4

RGB 185 125 180

HSL 305, 0.3%, 0.61%

LAB 60.14, 32.17, -19.62

 

CMYK 34 / 76 / 0 / 2

HEX #A43DFA

RGB 164 61 250

HSL 272.7, 0.95%, 0.61%

LAB 49.66, 72.75, -75.97

 

CMYK 14 / 76 / 0 / 2

HEX #D73DFA

RGB 215 61 250

HSL 288.89, 0.95%, 0.61%

LAB 56.77, 81.58, -64.11

 

CMYK 0 / 76 / 6 / 2

HEX #FA3DEA

RGB 250 61 234

HSL 305.08, 0.95%, 0.61%

LAB 61.31, 85.8, -47.63

 

CMYK 0 / 76 / 27 / 2

HEX #FA3DB7

RGB 250 61 183

HSL 321.27, 0.95%, 0.61%

LAB 59.05, 79.17, -22.19

 

CMYK 0 / 76 / 47 / 2

HEX #FA3D85

RGB 250 61 133

HSL 337.14, 0.95%, 0.61%

LAB 57.42, 74.17, 4.62

 

CMYK 0 / 98 / 9 / 13

HEX #DE05CB

RGB 222 5 203

HSL 305.25, 0.96%, 0.45%

LAB 51.78, 85.5, -45.44

 

CMYK 0 / 92 / 8 / 3

HEX #F814E4

RGB 248 20 228

HSL 305.26, 0.94%, 0.53%

LAB 58.09, 92.09, -49.38

 

CMYK 0 / 76 / 7 / 2

HEX #FA3DE8

RGB 250 61 232

HSL 305.71, 0.95%, 0.61%

LAB 61.21, 85.51, -46.67

 

CMYK 0 / 60 / 6 / 2

HEX #FB65ED

RGB 251 101 237

HSL 305.6, 0.95%, 0.69%

LAB 66.47, 72.8, -41.18

 

CMYK 0 / 44 / 4 / 1

HEX #FC8DF2

RGB 252 141 242

HSL 305.41, 0.95%, 0.77%

LAB 73.65, 55.68, -32.75

 

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

CMYK 0 / 54 / 76 / 2

HEX #FA723D

RGB 250 114 61

HSL 16.83, 0.95%, 0.61%

LAB 63.91, 48.91, 53.03

 

CMYK 76 / 0 / 24 / 2

HEX #3DFABE

RGB 61 250 190

HSL 160.95, 0.95%, 0.61%

LAB 88.49, -59.51, 15.79

 

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

CMYK 6 / 0 / 76 / 2

HEX #EAFA3D

RGB 234 250 61

HSL 65.08, 0.95%, 0.61%

LAB 94.4, -26.57, 81.77

 

CMYK 76 / 6 / 0 / 2

HEX #3DEAFA

RGB 61 234 250

HSL 185.08, 0.95%, 0.61%

LAB 85.37, -37.12, -20.12

 

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

CMYK 0 / 54 / 76 / 2

HEX #FA723D

RGB 250 114 61

HSL 16.83, 0.95%, 0.61%

LAB 63.91, 48.91, 53.03

 

CMYK 76 / 0 / 70 / 2

HEX #3DFA4C

RGB 61 250 76

HSL 124.76, 0.95%, 0.61%

LAB 86.94, -77.27, 67

 

CMYK 76 / 22 / 0 / 2

HEX #3DC4FA

RGB 61 196 250

HSL 197.14, 0.95%, 0.61%

LAB 74.43, -18.49, -36.88

 

CMYK 0 / 75 / 7 / 2

HEX #FA3EE9

RGB 250 62 233

HSL 305.43, 0.95%, 0.61%

LAB 61.35, 85.39, -47.01

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 76 / 0 / 70 / 2

HEX #3DFA4C

RGB 61 250 76

HSL 124.76, 0.95%, 0.61%

LAB 86.94, -77.27, 67

 

CMYK 76 / 44 / 0 / 2

HEX #3D8BFA

RGB 61 139 250

HSL 215.24, 0.95%, 0.61%

LAB 58.38, 13.73, -62.22

 

Description

Color code: HEX #FA3EE9 | qconv.com Color code: HEX #FA3EE9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 62 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 62 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 7 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 7% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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