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Color name
HEX #FA36C9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA36C9 it is the complementary color #05C936. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA36C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA36C9 shade: #FF36C4, #FF48D7, #FF5AEA, #FF6CFD and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA36C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA36C9 shade: #FA36C9, #E924B6, #D812A3, #C70090 and #B6007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA36C9 shade: #F938C9, #F93895, #F93860 and #F93838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA36C9 shade: #F938C9, #F638F9, #C138F9, #8D38F9 and #5938F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA36C9 shade matches the following richer shades: #F938C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA36C9 shade: #F938C9, #E948C1, #D859B8, #C869B0 and #B77AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA36C9 shade: #C238F9, #F638F9, #F938C9, #F93895 and #F93862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA36C9 shade: #D905A4, #F80FBE, #F938C9, #FA60D4 and #FB88DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA36C9 shade: #FA36C9, #F98F38 and #38F9DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA36C9 shade: #FA36C9, #C9F938 and #38C9F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA36C9 shade: #FA36C9, #F98F38, #38F968 and #38A2F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA36C9 shade: #FA36C9, #F9C938, #38F968 and #3868F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

Complementary color

CMYK 98 / 0 / 73 / 21

HEX #05C936

RGB 5 201 54

HSL 135, 0.95%, 0.4%

LAB 70.92, -69.46, 58.23

 

CMYK 0 / 79 / 23 / 0

HEX #FF36C4

RGB 255 54 196

HSL 317.61, 1%, 0.61%

LAB 59.78, 83.65, -28.46

 

CMYK 0 / 72 / 16 / 0

HEX #FF48D7

RGB 255 72 215

HSL 313.11, 1%, 0.64%

LAB 62.34, 81.06, -35.29

 

CMYK 0 / 65 / 8 / 0

HEX #FF5AEA

RGB 255 90 234

HSL 307.64, 1%, 0.68%

LAB 65.37, 77.59, -41.19

 

CMYK 0 / 58 / 1 / 0

HEX #FF6CFD

RGB 255 108 253

HSL 300.82, 1%, 0.71%

LAB 68.81, 73.45, -46.28

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

CMYK 0 / 85 / 22 / 9

HEX #E924B6

RGB 233 36 182

HSL 315.53, 0.82%, 0.53%

LAB 53.99, 81.21, -29.67

 

CMYK 0 / 92 / 25 / 15

HEX #D812A3

RGB 216 18 163

HSL 316.06, 0.85%, 0.46%

LAB 49.1, 78.27, -26.32

 

CMYK 0 / 100 / 28 / 22

HEX #C70090

RGB 199 0 144

HSL 316.58, 1%, 0.39%

LAB 44.46, 74.42, -22.36

 

CMYK 0 / 100 / 31 / 29

HEX #B6007D

RGB 182 0 125

HSL 318.79, 1%, 0.36%

LAB 40.29, 68.92, -17.38

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 0 / 78 / 40 / 2

HEX #F93895

RGB 249 56 149

HSL 331.09, 0.94%, 0.6%

LAB 57.21, 76.74, -5.16

 

CMYK 0 / 78 / 61 / 2

HEX #F93860

RGB 249 56 96

HSL 347.56, 0.94%, 0.6%

LAB 55.9, 72.71, 24.44

 

CMYK 0 / 78 / 78 / 2

HEX #F93838

RGB 249 56 56

HSL 0, 0.94%, 0.6%

LAB 55.33, 70.92, 46.63

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 1 / 78 / 0 / 2

HEX #F638F9

RGB 246 56 249

HSL 299.07, 0.94%, 0.6%

LAB 61.01, 88.51, -56.5

 

CMYK 22 / 78 / 0 / 2

HEX #C138F9

RGB 193 56 249

HSL 282.59, 0.94%, 0.6%

LAB 52.96, 79.04, -69.87

 

CMYK 43 / 78 / 0 / 2

HEX #8D38F9

RGB 141 56 249

HSL 266.42, 0.94%, 0.6%

LAB 46.08, 70.92, -81.37

 

CMYK 64 / 78 / 0 / 2

HEX #5938F9

RGB 89 56 249

HSL 250.26, 0.94%, 0.6%

LAB 40.88, 64.72, -90.11

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 0 / 69 / 17 / 9

HEX #E948C1

RGB 233 72 193

HSL 314.91, 0.79%, 0.6%

LAB 57.85, 72.93, -30.02

 

CMYK 0 / 59 / 15 / 15

HEX #D859B8

RGB 216 89 184

HSL 315.12, 0.62%, 0.6%

LAB 57.27, 60.55, -25.96

 

CMYK 0 / 48 / 12 / 22

HEX #C869B0

RGB 200 105 176

HSL 315.16, 0.46%, 0.6%

LAB 57.58, 46.98, -21.08

 

CMYK 0 / 33 / 8 / 28

HEX #B77AA8

RGB 183 122 168

HSL 314.75, 0.3%, 0.6%

LAB 58.8, 30.96, -14.81

 

CMYK 22 / 78 / 0 / 2

HEX #C238F9

RGB 194 56 249

HSL 282.9, 0.94%, 0.6%

LAB 53.1, 79.21, -69.63

 

CMYK 1 / 78 / 0 / 2

HEX #F638F9

RGB 246 56 249

HSL 299.07, 0.94%, 0.6%

LAB 61.01, 88.51, -56.5

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 0 / 78 / 40 / 2

HEX #F93895

RGB 249 56 149

HSL 331.09, 0.94%, 0.6%

LAB 57.21, 76.74, -5.16

 

CMYK 0 / 78 / 61 / 2

HEX #F93862

RGB 249 56 98

HSL 346.94, 0.94%, 0.6%

LAB 55.94, 72.83, 23.3

 

CMYK 0 / 98 / 24 / 15

HEX #D905A4

RGB 217 5 164

HSL 315, 0.95%, 0.44%

LAB 48.93, 79.75, -27.16

 

CMYK 0 / 94 / 23 / 3

HEX #F80FBE

RGB 248 15 190

HSL 314.94, 0.94%, 0.52%

LAB 56.1, 87.87, -30.81

 

CMYK 0 / 78 / 19 / 2

HEX #F938C9

RGB 249 56 201

HSL 314.92, 0.94%, 0.6%

LAB 59.15, 82.46, -32.39

 

CMYK 0 / 62 / 15 / 2

HEX #FA60D4

RGB 250 96 212

HSL 314.81, 0.94%, 0.68%

LAB 64.52, 70.83, -30.28

 

CMYK 0 / 46 / 11 / 2

HEX #FB88DF

RGB 251 136 223

HSL 314.61, 0.93%, 0.76%

LAB 71.86, 54.72, -25.1

 

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

CMYK 0 / 43 / 78 / 2

HEX #F98F38

RGB 249 143 56

HSL 27.05, 0.94%, 0.6%

LAB 69.52, 33.94, 60.78

 

CMYK 78 / 0 / 12 / 2

HEX #38F9DC

RGB 56 249 220

HSL 170.98, 0.94%, 0.6%

LAB 88.81, -52.42, 0.69

 

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

CMYK 19 / 0 / 78 / 2

HEX #C9F938

RGB 201 249 56

HSL 74.92, 0.94%, 0.6%

LAB 91.89, -39.29, 80.08

 

CMYK 78 / 19 / 0 / 2

HEX #38C9F9

RGB 56 201 249

HSL 194.92, 0.94%, 0.6%

LAB 75.73, -21.91, -34.34

 

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

CMYK 0 / 43 / 78 / 2

HEX #F98F38

RGB 249 143 56

HSL 27.05, 0.94%, 0.6%

LAB 69.52, 33.94, 60.78

 

CMYK 78 / 0 / 58 / 2

HEX #38F968

RGB 56 249 104

HSL 134.92, 0.94%, 0.6%

LAB 86.8, -74.73, 55.55

 

CMYK 78 / 35 / 0 / 2

HEX #38A2F9

RGB 56 162 249

HSL 207.05, 0.94%, 0.6%

LAB 64.58, -0.77, -51.79

 

CMYK 0 / 78 / 20 / 2

HEX #FA36C9

RGB 250 54 201

HSL 315, 0.95%, 0.6%

LAB 59.14, 83.18, -32.39

 

CMYK 0 / 19 / 78 / 2

HEX #F9C938

RGB 249 201 56

HSL 45.08, 0.94%, 0.6%

LAB 83.02, 3.7, 73.39

 

CMYK 78 / 0 / 58 / 2

HEX #38F968

RGB 56 249 104

HSL 134.92, 0.94%, 0.6%

LAB 86.8, -74.73, 55.55

 

CMYK 78 / 58 / 0 / 2

HEX #3868F9

RGB 56 104 249

HSL 225.08, 0.94%, 0.6%

LAB 48.98, 34.52, -76.88

 

Description

Color code: HEX #FA36C9 | qconv.com Color code: HEX #FA36C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 54 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 54 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 20% 2% C M Y K

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Provide designers and agencies with accurate color values.

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