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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA2399 it is the complementary color #05DC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA2399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA2399 shade: #FF2394, #FF35A7, #FF47BA, #FF59CD and #FF6BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA2399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA2399 shade: #FA2399, #E91186, #D80073, #C70060 and #B6004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA2399 shade: #FA2399, #FA235F, #FA2325 and #FA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA2399 shade: #FA2399, #FA23D3, #E723FA, #AD23FA and #7323FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA2399 shade matches the following richer shades: #FA2399

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA2399 shade: #FA2399, #E83597, #D64795, #C45994 and #B16B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA2399 shade: #E823FA, #FA23D3, #FA2399, #FA2360 and #FA2326

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA2399 shade: #C7046F, #EF0485, #FA2399, #FB4BAC and #FC73BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA2399 shade: #FA2399, #FAAF23 and #23EFFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA2399 shade: #FA2399, #99FA23 and #2399FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA2399 shade: #FA2399, #FAAF23, #23FA84 and #236EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA2399 shade: #FA2399, #FAEF23, #23FA84 and #232DFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

Complementary color

CMYK 98 / 0 / 54 / 14

HEX #05DC66

RGB 5 220 102

HSL 147.07, 0.96%, 0.44%

LAB 77.39, -69.62, 45.16

 

CMYK 0 / 86 / 42 / 0

HEX #FF2394

RGB 255 35 148

HSL 329.18, 1%, 0.57%

LAB 56.68, 82.62, -5.23

 

CMYK 0 / 79 / 35 / 0

HEX #FF35A7

RGB 255 53 167

HSL 326.14, 1%, 0.6%

LAB 58.6, 80.7, -13.52

 

CMYK 0 / 72 / 27 / 0

HEX #FF47BA

RGB 255 71 186

HSL 322.5, 1%, 0.64%

LAB 61.06, 77.73, -20.78

 

CMYK 0 / 65 / 20 / 0

HEX #FF59CD

RGB 255 89 205

HSL 318.07, 1%, 0.67%

LAB 64.01, 73.88, -27.06

 

CMYK 0 / 58 / 12 / 0

HEX #FF6BE0

RGB 255 107 224

HSL 312.57, 1%, 0.71%

LAB 67.39, 69.34, -32.48

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 93 / 42 / 9

HEX #E91186

RGB 233 17 134

HSL 327.5, 0.86%, 0.49%

LAB 51.2, 79.01, -5.44

 

CMYK 0 / 100 / 47 / 15

HEX #D80073

RGB 216 0 115

HSL 328.06, 1%, 0.42%

LAB 46.76, 75.18, -0.78

 

CMYK 0 / 100 / 52 / 22

HEX #C70060

RGB 199 0 96

HSL 331.06, 1%, 0.39%

LAB 42.74, 69.97, 4.81

 

CMYK 0 / 100 / 58 / 29

HEX #B6004D

RGB 182 0 77

HSL 334.62, 1%, 0.36%

LAB 38.69, 64.75, 10.68

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 86 / 62 / 2

HEX #FA235F

RGB 250 35 95

HSL 343.26, 0.96%, 0.56%

LAB 54.4, 77.67, 23.09

 

CMYK 0 / 86 / 85 / 2

HEX #FA2325

RGB 250 35 37

HSL 359.44, 0.96%, 0.56%

LAB 53.66, 75.54, 54.73

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 86 / 16 / 2

HEX #FA23D3

RGB 250 35 211

HSL 310.88, 0.96%, 0.56%

LAB 58.25, 88.31, -39.48

 

CMYK 8 / 86 / 0 / 2

HEX #E723FA

RGB 231 35 250

HSL 294.7, 0.96%, 0.56%

LAB 57.17, 90.43, -63.34

 

CMYK 31 / 86 / 0 / 2

HEX #AD23FA

RGB 173 35 250

HSL 278.51, 0.96%, 0.56%

LAB 48.25, 81.77, -78.22

 

CMYK 54 / 86 / 0 / 2

HEX #7323FA

RGB 115 35 250

HSL 262.33, 0.96%, 0.56%

LAB 40.81, 75.16, -90.71

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 77 / 35 / 9

HEX #E83597

RGB 232 53 151

HSL 327.15, 0.8%, 0.56%

LAB 53.96, 73.57, -11.51

 

CMYK 0 / 67 / 30 / 16

HEX #D64795

RGB 214 71 149

HSL 327.27, 0.64%, 0.56%

LAB 52.92, 62.71, -12.2

 

CMYK 0 / 55 / 24 / 23

HEX #C45994

RGB 196 89 148

HSL 326.92, 0.48%, 0.56%

LAB 52.97, 49.4, -11.81

 

CMYK 0 / 40 / 18 / 31

HEX #B16B92

RGB 177 107 146

HSL 326.57, 0.31%, 0.56%

LAB 53.96, 33.41, -9.41

 

CMYK 7 / 86 / 0 / 2

HEX #E823FA

RGB 232 35 250

HSL 294.98, 0.96%, 0.56%

LAB 57.33, 90.59, -63.08

 

CMYK 0 / 86 / 16 / 2

HEX #FA23D3

RGB 250 35 211

HSL 310.88, 0.96%, 0.56%

LAB 58.25, 88.31, -39.48

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 86 / 62 / 2

HEX #FA2360

RGB 250 35 96

HSL 342.98, 0.96%, 0.56%

LAB 54.42, 77.72, 22.52

 

CMYK 0 / 86 / 85 / 2

HEX #FA2326

RGB 250 35 38

HSL 359.16, 0.96%, 0.56%

LAB 53.67, 75.56, 54.26

 

CMYK 0 / 98 / 44 / 22

HEX #C7046F

RGB 199 4 111

HSL 327.08, 0.96%, 0.4%

LAB 43.33, 70.79, -3.75

 

CMYK 0 / 98 / 44 / 6

HEX #EF0485

RGB 239 4 133

HSL 327.06, 0.97%, 0.48%

LAB 51.99, 81.26, -3.55

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 70 / 31 / 2

HEX #FB4BAC

RGB 251 75 172

HSL 326.93, 0.96%, 0.64%

LAB 60.36, 73.82, -13.84

 

CMYK 0 / 54 / 25 / 1

HEX #FC73BE

RGB 252 115 190

HSL 327.15, 0.96%, 0.72%

LAB 67.03, 60.19, -14.03

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 30 / 86 / 2

HEX #FAAF23

RGB 250 175 35

HSL 39.07, 0.96%, 0.56%

LAB 76.74, 17.05, 74.25

 

CMYK 86 / 4 / 0 / 2

HEX #23EFFA

RGB 35 239 250

HSL 183.07, 0.96%, 0.56%

LAB 86.5, -41.4, -18.45

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 39 / 0 / 86 / 2

HEX #99FA23

RGB 153 250 35

HSL 87.07, 0.96%, 0.56%

LAB 89.52, -57.68, 81.93

 

CMYK 86 / 39 / 0 / 2

HEX #2399FA

RGB 35 153 250

HSL 207.07, 0.96%, 0.56%

LAB 61.69, 3.04, -56.96

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 30 / 86 / 2

HEX #FAAF23

RGB 250 175 35

HSL 39.07, 0.96%, 0.56%

LAB 76.74, 17.05, 74.25

 

CMYK 86 / 0 / 47 / 2

HEX #23FA84

RGB 35 250 132

HSL 147.07, 0.96%, 0.56%

LAB 87.19, -73.1, 43.08

 

CMYK 86 / 56 / 0 / 2

HEX #236EFA

RGB 35 110 250

HSL 219.07, 0.96%, 0.56%

LAB 49.99, 29.48, -75.82

 

CMYK 0 / 86 / 39 / 2

HEX #FA2399

RGB 250 35 153

HSL 327.07, 0.96%, 0.56%

LAB 55.91, 81.95, -9.43

 

CMYK 0 / 4 / 86 / 2

HEX #FAEF23

RGB 250 239 35

HSL 56.93, 0.96%, 0.56%

LAB 92.65, -15.53, 87.04

 

CMYK 86 / 0 / 47 / 2

HEX #23FA84

RGB 35 250 132

HSL 147.07, 0.96%, 0.56%

LAB 87.19, -73.1, 43.08

 

CMYK 86 / 82 / 0 / 2

HEX #232DFA

RGB 35 45 250

HSL 237.21, 0.96%, 0.56%

LAB 36.25, 66.58, -98.46

 

Description

Color code: HEX #FA2399 | qconv.com Color code: HEX #FA2399 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 35 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 35 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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