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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA1DBF it is the complementary color #05E240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA1DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA1DBF shade: #FF1DBA, #FF2FCD, #FF41E0, #FF53F3 and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA1DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA1DBF shade: #FA1DBF, #E90BAC, #D80099, #C70086 and #B60073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA1DBF shade: #FA1EBF, #FA1E84, #FA1E48 and #FA1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA1DBF shade: #FA1EBF, #F91EFA, #BE1EFA, #821EFA and #471EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA1DBF shade matches the following richer shades: #FA1EBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA1DBF shade: #FA1EBF, #E730B6, #D543AE, #C255A5 and #B0689C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA1DBF shade: #BF1EFA, #FA1EFA, #FA1EBF, #FA1E84 and #FA1E4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA1DBF shade: #C2038F, #EA04AD, #FA1EBF, #FB46CA and #FC6ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA1DBF shade: #FA1DBF, #FA841E and #1EFADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA1DBF shade: #FA1DBF, #BFFA1E and #1EBFFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA1DBF shade: #FA1DBF, #FA841E, #1EFA58 and #1E93FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA1DBF shade: #FA1DBF, #FAC71E, #1EFA58 and #1E51FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

Complementary color

CMYK 98 / 0 / 72 / 11

HEX #05E240

RGB 5 226 64

HSL 136.02, 0.96%, 0.45%

LAB 78.92, -75.73, 62.86

 

CMYK 0 / 89 / 27 / 0

HEX #FF1DBA

RGB 255 29 186

HSL 318.32, 1%, 0.56%

LAB 57.74, 87.25, -25.87

 

CMYK 0 / 82 / 20 / 0

HEX #FF2FCD

RGB 255 47 205

HSL 314.42, 1%, 0.59%

LAB 59.62, 86.32, -33.86

 

CMYK 0 / 75 / 12 / 0

HEX #FF41E0

RGB 255 65 224

HSL 309.79, 1%, 0.63%

LAB 62.02, 84.34, -40.86

 

CMYK 0 / 67 / 5 / 0

HEX #FF53F3

RGB 255 83 243

HSL 304.19, 1%, 0.66%

LAB 64.9, 81.44, -46.93

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

CMYK 0 / 95 / 26 / 9

HEX #E90BAC

RGB 233 11 172

HSL 316.49, 0.91%, 0.48%

LAB 52.44, 83.3, -26.21

 

CMYK 0 / 100 / 29 / 15

HEX #D80099

RGB 216 0 153

HSL 317.5, 1%, 0.42%

LAB 48.13, 78.74, -21.85

 

CMYK 0 / 100 / 33 / 22

HEX #C70086

RGB 199 0 134

HSL 319.6, 1%, 0.39%

LAB 44.04, 73.35, -16.9

 

CMYK 0 / 100 / 37 / 29

HEX #B60073

RGB 182 0 115

HSL 322.09, 1%, 0.36%

LAB 39.89, 67.89, -11.75

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 88 / 47 / 2

HEX #FA1E84

RGB 250 30 132

HSL 332.18, 0.96%, 0.55%

LAB 54.99, 80.96, 1.7

 

CMYK 0 / 88 / 71 / 2

HEX #FA1E48

RGB 250 30 72

HSL 348.55, 0.96%, 0.55%

LAB 53.73, 77.41, 35.9

 

CMYK 0 / 88 / 88 / 2

HEX #FA1E1E

RGB 250 30 30

HSL 0, 0.96%, 0.55%

LAB 53.33, 76.26, 57.59

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 88 / 0 / 2

HEX #F91EFA

RGB 249 30 250

HSL 299.73, 0.96%, 0.55%

LAB 59.86, 94.13, -58.86

 

CMYK 24 / 88 / 0 / 2

HEX #BE1EFA

RGB 190 30 250

HSL 283.64, 0.96%, 0.55%

LAB 50.43, 85.08, -74.56

 

CMYK 48 / 88 / 0 / 2

HEX #821EFA

RGB 130 30 250

HSL 267.27, 0.96%, 0.55%

LAB 42.12, 77.87, -88.5

 

CMYK 72 / 88 / 0 / 2

HEX #471EFA

RGB 71 30 250

HSL 251.18, 0.96%, 0.55%

LAB 36.31, 73.49, -98.3

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 79 / 21 / 9

HEX #E730B6

RGB 231 48 182

HSL 316.07, 0.79%, 0.55%

LAB 54.53, 78.19, -28.85

 

CMYK 0 / 69 / 18 / 16

HEX #D543AE

RGB 213 67 174

HSL 316.03, 0.63%, 0.55%

LAB 53.19, 67.16, -26.52

 

CMYK 0 / 56 / 15 / 24

HEX #C255A5

RGB 194 85 165

HSL 315.96, 0.47%, 0.55%

LAB 52.6, 53.18, -22.4

 

CMYK 0 / 41 / 11 / 31

HEX #B0689C

RGB 176 104 156

HSL 316.67, 0.31%, 0.55%

LAB 53.53, 36.37, -15.93

 

CMYK 24 / 88 / 0 / 2

HEX #BF1EFA

RGB 191 30 250

HSL 283.91, 0.96%, 0.55%

LAB 50.58, 85.22, -74.3

 

CMYK 0 / 88 / 0 / 2

HEX #FA1EFA

RGB 250 30 250

HSL 300, 0.96%, 0.55%

LAB 60.03, 94.29, -58.58

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 88 / 47 / 2

HEX #FA1E84

RGB 250 30 132

HSL 332.18, 0.96%, 0.55%

LAB 54.99, 80.96, 1.7

 

CMYK 0 / 88 / 70 / 2

HEX #FA1E4A

RGB 250 30 74

HSL 348, 0.96%, 0.55%

LAB 53.76, 77.49, 34.77

 

CMYK 0 / 98 / 26 / 24

HEX #C2038F

RGB 194 3 143

HSL 316.02, 0.97%, 0.39%

LAB 43.53, 73.04, -23.26

 

CMYK 0 / 98 / 26 / 8

HEX #EA04AD

RGB 234 4 173

HSL 315.91, 0.97%, 0.47%

LAB 52.5, 84.1, -26.69

 

CMYK 0 / 88 / 24 / 2

HEX #FA1EBF

RGB 250 30 191

HSL 316.09, 0.96%, 0.55%

LAB 57.09, 86.68, -29.83

 

CMYK 0 / 72 / 20 / 2

HEX #FB46CA

RGB 251 70 202

HSL 316.24, 0.96%, 0.63%

LAB 60.92, 79.06, -30.19

 

CMYK 0 / 56 / 15 / 1

HEX #FC6ED6

RGB 252 110 214

HSL 316.06, 0.96%, 0.71%

LAB 67.05, 65.77, -27.47

 

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

CMYK 0 / 47 / 88 / 2

HEX #FA841E

RGB 250 132 30

HSL 27.82, 0.96%, 0.55%

LAB 67.22, 39.23, 68.1

 

CMYK 88 / 0 / 12 / 2

HEX #1EFADD

RGB 30 250 221

HSL 172.09, 0.96%, 0.55%

LAB 88.86, -54.44, 0.21

 

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

CMYK 24 / 0 / 88 / 2

HEX #BFFA1E

RGB 191 250 30

HSL 76.09, 0.96%, 0.55%

LAB 91.48, -44.34, 85.25

 

CMYK 88 / 24 / 0 / 2

HEX #1EBFFA

RGB 30 191 250

HSL 196.09, 0.96%, 0.55%

LAB 72.52, -18.39, -39.89

 

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

CMYK 0 / 47 / 88 / 2

HEX #FA841E

RGB 250 132 30

HSL 27.82, 0.96%, 0.55%

LAB 67.22, 39.23, 68.1

 

CMYK 88 / 0 / 65 / 2

HEX #1EFA58

RGB 30 250 88

HSL 135.82, 0.96%, 0.55%

LAB 86.68, -79.21, 62.04

 

CMYK 88 / 41 / 0 / 2

HEX #1E93FA

RGB 30 147 250

HSL 208.09, 0.96%, 0.55%

LAB 59.93, 6.3, -59.77

 

CMYK 0 / 88 / 24 / 2

HEX #FA1DBF

RGB 250 29 191

HSL 316.02, 0.96%, 0.55%

LAB 57.04, 86.82, -29.91

 

CMYK 0 / 20 / 88 / 2

HEX #FAC71E

RGB 250 199 30

HSL 46.09, 0.96%, 0.55%

LAB 82.52, 4.46, 79.97

 

CMYK 88 / 0 / 65 / 2

HEX #1EFA58

RGB 30 250 88

HSL 135.82, 0.96%, 0.55%

LAB 86.68, -79.21, 62.04

 

CMYK 88 / 68 / 0 / 2

HEX #1E51FA

RGB 30 81 250

HSL 226.09, 0.96%, 0.55%

LAB 42.86, 47.29, -87.51

 

Description

Color code: HEX #FA1DBF | qconv.com Color code: HEX #FA1DBF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 29 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 29 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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