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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA0EEE it is the complementary color #05F111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA0EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA0EEE shade: #FF0EE9, #FF20FC, #FF32FF, #FF44FF and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA0EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA0EEE shade: #FA0EEE, #E900DB, #D800C8, #C700B5 and #B600A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA0EEE shade: #FA0FEE, #FA0FAE, #FA0F6F, #FA0F30 and #FA0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA0EEE shade: #FA0FEE, #C60FFA, #870FFA, #470FFA and #0F0FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA0EEE shade matches the following richer shades: #FA0FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA0EEE shade: #FA0FEE, #E622DC, #D236CA, #BE4AB8 and #AA5EA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA0EEE shade: #880FFA, #C70FFA, #FA0FEE, #FA0FAF and #FA0F71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA0EEE shade: #B303AA, #DB04D0, #FA0FEE, #FA37F0 and #FB5FF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA0EEE shade: #FA0EEE, #FA490F and #0FFAA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA0EEE shade: #FA0EEE, #EEFA0F and #0FEEFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA0EEE shade: #FA0EEE, #FA490F, #0FFA1A and #0FBFFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA0EEE shade: #FA0EEE, #FA900F, #0FFA1A and #0F78FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

Complementary color

CMYK 98 / 0 / 93 / 5

HEX #05F111

RGB 5 241 17

HSL 123.05, 0.96%, 0.48%

LAB 83.43, -82.14, 78.23

 

CMYK 0 / 95 / 9 / 0

HEX #FF0EE9

RGB 255 14 233

HSL 305.48, 1%, 0.53%

LAB 59.4, 94.45, -50.05

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FC

RGB 255 32 252

HSL 300.81, 1%, 0.56%

LAB 61.06, 95.14, -57.99

 

CMYK 0 / 80 / 0 / 0

HEX #FF32FF

RGB 255 50 255

HSL 300, 1%, 0.6%

LAB 62.31, 92.42, -57.67

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

CMYK 0 / 100 / 6 / 9

HEX #E900DB

RGB 233 0 219

HSL 303.61, 1%, 0.46%

LAB 54.49, 89.84, -50.18

 

CMYK 0 / 100 / 7 / 15

HEX #D800C8

RGB 216 0 200

HSL 304.44, 1%, 0.42%

LAB 50.42, 84.46, -45.94

 

CMYK 0 / 100 / 9 / 22

HEX #C700B5

RGB 199 0 181

HSL 305.43, 1%, 0.39%

LAB 46.28, 78.99, -41.62

 

CMYK 0 / 100 / 11 / 29

HEX #B600A2

RGB 182 0 162

HSL 306.59, 1%, 0.36%

LAB 42.08, 73.44, -37.18

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 0 / 94 / 30 / 2

HEX #FA0FAE

RGB 250 15 174

HSL 319.4, 0.96%, 0.52%

LAB 55.81, 86.53, -21.94

 

CMYK 0 / 94 / 56 / 2

HEX #FA0F6F

RGB 250 15 111

HSL 335.49, 0.96%, 0.52%

LAB 53.83, 81.25, 12.68

 

CMYK 0 / 94 / 81 / 2

HEX #FA0F30

RGB 250 15 48

HSL 351.57, 0.96%, 0.52%

LAB 52.82, 78.47, 48.44

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 21 / 94 / 0 / 2

HEX #C60FFA

RGB 198 15 250

HSL 286.72, 0.96%, 0.52%

LAB 50.98, 88.22, -73.61

 

CMYK 46 / 94 / 0 / 2

HEX #870FFA

RGB 135 15 250

HSL 270.64, 0.96%, 0.52%

LAB 41.84, 81.07, -88.94

 

CMYK 72 / 94 / 0 / 2

HEX #470FFA

RGB 71 15 250

HSL 254.3, 0.96%, 0.52%

LAB 35.17, 76.96, -100.2

 

CMYK 94 / 94 / 0 / 2

HEX #0F0FFA

RGB 15 15 250

HSL 240, 0.96%, 0.52%

LAB 32.58, 75.72, -104.58

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 0 / 85 / 4 / 10

HEX #E622DC

RGB 230 34 220

HSL 303.06, 0.8%, 0.52%

LAB 55.21, 85.97, -49.63

 

CMYK 0 / 74 / 4 / 18

HEX #D236CA

RGB 210 54 202

HSL 303.08, 0.63%, 0.52%

LAB 52.51, 74.82, -43.83

 

CMYK 0 / 61 / 3 / 25

HEX #BE4AB8

RGB 190 74 184

HSL 303.1, 0.47%, 0.52%

LAB 51.04, 60.07, -35.95

 

CMYK 0 / 45 / 2 / 33

HEX #AA5EA6

RGB 170 94 166

HSL 303.16, 0.31%, 0.52%

LAB 51.04, 41.58, -25.66

 

CMYK 46 / 94 / 0 / 2

HEX #880FFA

RGB 136 15 250

HSL 270.89, 0.96%, 0.52%

LAB 41.97, 81.17, -88.72

 

CMYK 20 / 94 / 0 / 2

HEX #C70FFA

RGB 199 15 250

HSL 286.98, 0.96%, 0.52%

LAB 51.14, 88.35, -73.34

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 0 / 94 / 30 / 2

HEX #FA0FAF

RGB 250 15 175

HSL 319.15, 0.96%, 0.52%

LAB 55.85, 86.63, -22.46

 

CMYK 0 / 94 / 55 / 2

HEX #FA0F71

RGB 250 15 113

HSL 334.98, 0.96%, 0.52%

LAB 53.88, 81.38, 11.53

 

CMYK 0 / 98 / 5 / 30

HEX #B303AA

RGB 179 3 170

HSL 303.07, 0.97%, 0.36%

LAB 42.08, 73.73, -42.01

 

CMYK 0 / 98 / 5 / 14

HEX #DB04D0

RGB 219 4 208

HSL 303.07, 0.96%, 0.44%

LAB 51.5, 85.75, -48.8

 

CMYK 0 / 94 / 5 / 2

HEX #FA0FEE

RGB 250 15 238

HSL 303.06, 0.96%, 0.52%

LAB 58.82, 94.21, -53.81

 

CMYK 0 / 78 / 4 / 2

HEX #FA37F0

RGB 250 55 240

HSL 303.08, 0.95%, 0.6%

LAB 61.09, 88.18, -51.34

 

CMYK 0 / 62 / 3 / 2

HEX #FB5FF3

RGB 251 95 243

HSL 303.08, 0.95%, 0.68%

LAB 65.88, 76.13, -45.42

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

CMYK 0 / 71 / 94 / 2

HEX #FA490F

RGB 250 73 15

HSL 14.81, 0.96%, 0.52%

LAB 57.2, 65.02, 65.17

 

CMYK 94 / 0 / 33 / 2

HEX #0FFAA7

RGB 15 250 167

HSL 158.81, 0.96%, 0.52%

LAB 87.61, -67.72, 26.29

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

CMYK 5 / 0 / 94 / 2

HEX #EEFA0F

RGB 238 250 15

HSL 63.06, 0.96%, 0.52%

LAB 94.56, -26.03, 90.89

 

CMYK 94 / 5 / 0 / 2

HEX #0FEEFA

RGB 15 238 250

HSL 183.06, 0.96%, 0.52%

LAB 86.08, -41.77, -19.09

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

CMYK 0 / 71 / 94 / 2

HEX #FA490F

RGB 250 73 15

HSL 14.81, 0.96%, 0.52%

LAB 57.2, 65.02, 65.17

 

CMYK 94 / 0 / 90 / 2

HEX #0FFA1A

RGB 15 250 26

HSL 122.81, 0.96%, 0.52%

LAB 86.28, -83.95, 79.44

 

CMYK 94 / 24 / 0 / 2

HEX #0FBFFA

RGB 15 191 250

HSL 195.06, 0.96%, 0.52%

LAB 72.41, -19.02, -40.08

 

CMYK 0 / 94 / 5 / 2

HEX #FA0EEE

RGB 250 14 238

HSL 303.05, 0.96%, 0.52%

LAB 58.8, 94.28, -53.86

 

CMYK 0 / 42 / 94 / 2

HEX #FA900F

RGB 250 144 15

HSL 32.94, 0.96%, 0.52%

LAB 69.69, 32.9, 73.25

 

CMYK 94 / 0 / 90 / 2

HEX #0FFA1A

RGB 15 250 26

HSL 122.81, 0.96%, 0.52%

LAB 86.28, -83.95, 79.44

 

CMYK 94 / 52 / 0 / 2

HEX #0F78FA

RGB 15 120 250

HSL 213.19, 0.96%, 0.52%

LAB 52.33, 22.25, -72.03

 

Description

Color code: HEX #FA0EEE | qconv.com Color code: HEX #FA0EEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 14 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 14 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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