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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCA6B4 it is the complementary color #03594B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCA6B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCA6B4 shade: #FFA6AF, #FFB8C2, #FFCAD5, #FFDCE8 and #FFEEFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCA6B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCA6B4 shade: #FCA6B4, #EB94A1, #DA828E, #C9707B and #B85E68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCA6B4 shade: #FBA6B4 and #FBA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCA6B4 shade: #FBA6B4, #FBA6CB, #FBA6E2, #FBA6F9 and #E7A6FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCA6B4 shade matches the following richer shades: #FBA6B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCA6B4 shade: #FBA6B4, #F4ADB9, #ECB5BE, #E5BCC3 and #DEC4C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCA6B4 shade: #FBA6E2, #FBA6CB, #FBA6B4, #FBAEA6 and #FBC5A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCA6B4 shade: #F85671, #FA7E92, #FBA6B4, #FDCED5 and #FEF6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCA6B4 shade: #FCA6B4, #F8FBA6 and #A6D6FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCA6B4 shade: #FCA6B4, #B4FBA6 and #A6B4FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCA6B4 shade: #FCA6B4, #F8FBA6, #A6FBED and #A9A6FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCA6B4 shade: #FCA6B4, #DFFBA6, #A6FBED and #C2A6FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

Complementary color

CMYK 97 / 0 / 16 / 65

HEX #03594B

RGB 3 89 75

HSL 170.23, 0.93%, 0.18%

LAB 33.29, -26.62, 1.64

 

CMYK 0 / 35 / 31 / 0

HEX #FFA6AF

RGB 255 166 175

HSL 353.93, 1%, 0.83%

LAB 77.06, 33.95, 9.06

 

CMYK 0 / 28 / 24 / 0

HEX #FFB8C2

RGB 255 184 194

HSL 351.55, 1%, 0.86%

LAB 81.53, 27.06, 5.18

 

CMYK 0 / 21 / 16 / 0

HEX #FFCAD5

RGB 255 202 213

HSL 347.55, 1%, 0.9%

LAB 86.16, 20.4, 1.72

 

CMYK 0 / 14 / 9 / 0

HEX #FFDCE8

RGB 255 220 232

HSL 339.43, 1%, 0.93%

LAB 90.9, 14.03, -1.39

 

CMYK 0 / 7 / 2 / 0

HEX #FFEEFB

RGB 255 238 251

HSL 314.12, 1%, 0.97%

LAB 95.74, 7.96, -4.2

 

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

CMYK 0 / 37 / 31 / 8

HEX #EB94A1

RGB 235 148 161

HSL 351.03, 0.69%, 0.75%

LAB 70.47, 34.36, 7.03

 

CMYK 0 / 40 / 35 / 15

HEX #DA828E

RGB 218 130 142

HSL 351.82, 0.54%, 0.68%

LAB 64.02, 35.26, 8.22

 

CMYK 0 / 44 / 39 / 21

HEX #C9707B

RGB 201 112 123

HSL 352.58, 0.45%, 0.61%

LAB 57.5, 36.24, 9.57

 

CMYK 0 / 49 / 43 / 28

HEX #B85E68

RGB 184 94 104

HSL 353.33, 0.39%, 0.55%

LAB 50.91, 37.26, 11.13

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 34 / 34 / 2

HEX #FBA6A6

RGB 251 166 166

HSL 0, 0.91%, 0.82%

LAB 76.4, 31.38, 12.97

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 34 / 19 / 2

HEX #FBA6CB

RGB 251 166 203

HSL 333.88, 0.91%, 0.82%

LAB 77.34, 36.39, -5.88

 

CMYK 0 / 34 / 10 / 2

HEX #FBA6E2

RGB 251 166 226

HSL 317.65, 0.91%, 0.82%

LAB 78.04, 39.99, -17.35

 

CMYK 0 / 34 / 1 / 2

HEX #FBA6F9

RGB 251 166 249

HSL 301.41, 0.91%, 0.82%

LAB 78.82, 43.93, -28.59

 

CMYK 8 / 34 / 0 / 2

HEX #E7A6FB

RGB 231 166 251

HSL 285.88, 0.91%, 0.82%

LAB 76.82, 38.19, -32.93

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 29 / 24 / 4

HEX #F4ADB9

RGB 244 173 185

HSL 349.86, 0.76%, 0.82%

LAB 77.65, 27.64, 4.3

 

CMYK 0 / 23 / 19 / 7

HEX #ECB5BE

RGB 236 181 190

HSL 350.18, 0.59%, 0.82%

LAB 78.81, 21.23, 3.16

 

CMYK 0 / 18 / 15 / 10

HEX #E5BCC3

RGB 229 188 195

HSL 349.76, 0.44%, 0.82%

LAB 79.93, 15.76, 2

 

CMYK 0 / 12 / 10 / 13

HEX #DEC4C8

RGB 222 196 200

HSL 350.77, 0.28%, 0.82%

LAB 81.39, 9.82, 1.36

 

CMYK 0 / 34 / 10 / 2

HEX #FBA6E2

RGB 251 166 226

HSL 317.65, 0.91%, 0.82%

LAB 78.04, 39.99, -17.35

 

CMYK 0 / 34 / 19 / 2

HEX #FBA6CB

RGB 251 166 203

HSL 333.88, 0.91%, 0.82%

LAB 77.34, 36.39, -5.88

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 31 / 34 / 2

HEX #FBAEA6

RGB 251 174 166

HSL 5.65, 0.91%, 0.82%

LAB 78.19, 27.18, 15.49

 

CMYK 0 / 22 / 34 / 2

HEX #FBC5A6

RGB 251 197 166

HSL 21.88, 0.91%, 0.82%

LAB 83.54, 15.1, 22.92

 

CMYK 0 / 65 / 54 / 3

HEX #F85671

RGB 248 86 113

HSL 350, 0.92%, 0.65%

LAB 59.71, 63.41, 19.53

 

CMYK 0 / 50 / 42 / 2

HEX #FA7E92

RGB 250 126 146

HSL 350.32, 0.93%, 0.74%

LAB 67.52, 49.14, 11.51

 

CMYK 0 / 34 / 28 / 2

HEX #FBA6B4

RGB 251 166 180

HSL 350.12, 0.91%, 0.82%

LAB 76.73, 33.15, 5.79

 

CMYK 0 / 19 / 16 / 1

HEX #FDCED5

RGB 253 206 213

HSL 351.06, 0.92%, 0.9%

LAB 86.91, 17.6, 2.79

 

CMYK 0 / 3 / 3 / 0

HEX #FEF6F7

RGB 254 246 247

HSL 352.5, 0.8%, 0.98%

LAB 97.51, 2.84, 0.46

 

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

CMYK 1 / 0 / 34 / 2

HEX #F8FBA6

RGB 248 251 166

HSL 62.12, 0.91%, 0.82%

LAB 96.7, -13.51, 40.47

 

CMYK 34 / 15 / 0 / 2

HEX #A6D6FB

RGB 166 214 251

HSL 206.12, 0.91%, 0.82%

LAB 83.53, -6.9, -23.09

 

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

CMYK 28 / 0 / 34 / 2

HEX #B4FBA6

RGB 180 251 166

HSL 110.12, 0.91%, 0.82%

LAB 92.33, -37.55, 33.91

 

CMYK 34 / 28 / 0 / 2

HEX #A6B4FB

RGB 166 180 251

HSL 230.12, 0.91%, 0.82%

LAB 74.64, 11.46, -36.73

 

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

CMYK 1 / 0 / 34 / 2

HEX #F8FBA6

RGB 248 251 166

HSL 62.12, 0.91%, 0.82%

LAB 96.7, -13.51, 40.47

 

CMYK 34 / 0 / 6 / 2

HEX #A6FBED

RGB 166 251 237

HSL 170.12, 0.91%, 0.82%

LAB 93.11, -28.63, -1.46

 

CMYK 33 / 34 / 0 / 2

HEX #A9A6FB

RGB 169 166 251

HSL 242.12, 0.91%, 0.82%

LAB 71.33, 20.11, -41.87

 

CMYK 0 / 34 / 29 / 1

HEX #FCA6B4

RGB 252 166 180

HSL 350.23, 0.93%, 0.82%

LAB 76.84, 33.51, 5.97

 

CMYK 11 / 0 / 34 / 2

HEX #DFFBA6

RGB 223 251 166

HSL 79.76, 0.91%, 0.82%

LAB 94.92, -22.72, 37.81

 

CMYK 34 / 0 / 6 / 2

HEX #A6FBED

RGB 166 251 237

HSL 170.12, 0.91%, 0.82%

LAB 93.11, -28.63, -1.46

 

CMYK 23 / 34 / 0 / 2

HEX #C2A6FB

RGB 194 166 251

HSL 259.76, 0.91%, 0.82%

LAB 73.35, 27.16, -38.57

 

Description

Color code: HEX #FCA6B4 | qconv.com Color code: HEX #FCA6B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 166 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 166 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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