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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9E553 it is the complementary color #061AAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9E553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9E553 shade: #FEE54E, #FFF761, #FFFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9E553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9E553 shade: #F9E553, #E8D340, #D7C12D, #C6AF1A and #B59D07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9E553 shade: #F8E452, #F8B752, #F88B52, #F85E52 and #F85252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9E553 shade: #F8E452, #DFF852, #B3F852, #86F852 and #59F852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9E553 shade matches the following richer shades: #F8E452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9E553 shade: #F8E452, #EAD961, #DBCE6F, #CDC37E and #BEB88C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9E553 shade: #F88A52, #F8B652, #F8E252, #E2F852 and #B6F852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9E553 shade: #F0D408, #F7DE2A, #F8E452, #FAEA7A and #FBF0A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9E553 shade: #F9E553, #52F85D and #A052F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9E553 shade: #F9E553, #52F8E2 and #E252F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9E553 shade: #F9E553, #52F85D, #5268F8 and #F852ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9E553 shade: #F9E553, #52F88F, #5268F8 and #F852BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

Complementary color

CMYK 97 / 85 / 0 / 33

HEX #061AAC

RGB 6 26 172

HSL 232.77, 0.93%, 0.35%

LAB 22.85, 50.67, -75.47

 

CMYK 0 / 10 / 69 / 0

HEX #FEE54E

RGB 254 229 78

HSL 51.48, 0.99%, 0.65%

LAB 90.62, -7.48, 73.07

 

CMYK 0 / 3 / 62 / 0

HEX #FFF761

RGB 255 247 97

HSL 56.96, 1%, 0.69%

LAB 95.43, -14.89, 70.68

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

CMYK 0 / 9 / 72 / 9

HEX #E8D340

RGB 232 211 64

HSL 52.5, 0.79%, 0.58%

LAB 84.03, -8.27, 71.04

 

CMYK 0 / 10 / 79 / 16

HEX #D7C12D

RGB 215 193 45

HSL 52.24, 0.68%, 0.51%

LAB 77.74, -7.09, 70.9

 

CMYK 0 / 12 / 87 / 22

HEX #C6AF1A

RGB 198 175 26

HSL 51.98, 0.77%, 0.44%

LAB 71.38, -5.71, 69.84

 

CMYK 0 / 13 / 96 / 29

HEX #B59D07

RGB 181 157 7

HSL 51.72, 0.93%, 0.37%

LAB 64.93, -4.08, 67.37

 

CMYK 0 / 8 / 67 / 3

HEX #F8E452

RGB 248 228 82

HSL 52.77, 0.92%, 0.65%

LAB 89.88, -9.25, 70.64

 

CMYK 0 / 26 / 67 / 3

HEX #F8B752

RGB 248 183 82

HSL 36.51, 0.92%, 0.65%

LAB 78.71, 13.81, 58.92

 

CMYK 0 / 44 / 67 / 3

HEX #F88B52

RGB 248 139 82

HSL 20.6, 0.92%, 0.65%

LAB 68.77, 36.78, 47.91

 

CMYK 0 / 62 / 67 / 3

HEX #F85E52

RGB 248 94 82

HSL 4.34, 0.92%, 0.65%

LAB 60.4, 58.17, 38.11

 

CMYK 0 / 67 / 67 / 3

HEX #F85252

RGB 248 82 82

HSL 0, 0.92%, 0.65%

LAB 58.6, 63.02, 35.94

 

CMYK 0 / 8 / 67 / 3

HEX #F8E452

RGB 248 228 82

HSL 52.77, 0.92%, 0.65%

LAB 89.88, -9.25, 70.64

 

CMYK 10 / 0 / 67 / 3

HEX #DFF852

RGB 223 248 82

HSL 69.04, 0.92%, 0.65%

LAB 93.2, -29.01, 73.4

 

CMYK 28 / 0 / 67 / 3

HEX #B3F852

RGB 179 248 82

HSL 84.94, 0.92%, 0.65%

LAB 90.47, -45.63, 69.73

 

CMYK 46 / 0 / 67 / 3

HEX #86F852

RGB 134 248 82

HSL 101.2, 0.92%, 0.65%

LAB 88.36, -60.35, 66.87

 

CMYK 64 / 0 / 67 / 3

HEX #59F852

RGB 89 248 82

HSL 117.47, 0.92%, 0.65%

LAB 86.93, -71.46, 64.92

 

CMYK 0 / 8 / 67 / 3

HEX #F8E452

RGB 248 228 82

HSL 52.77, 0.92%, 0.65%

LAB 89.88, -9.25, 70.64

 

CMYK 0 / 8 / 67 / 3

HEX #F8E452

RGB 248 228 82

HSL 52.77, 0.92%, 0.65%

LAB 89.88, -9.25, 70.64

 

CMYK 0 / 7 / 59 / 8

HEX #EAD961

RGB 234 217 97

HSL 52.55, 0.77%, 0.65%

LAB 86, -8.59, 59.9

 

CMYK 0 / 6 / 49 / 14

HEX #DBCE6F

RGB 219 206 111

HSL 52.78, 0.6%, 0.65%

LAB 82.03, -8.03, 48.48

 

CMYK 0 / 5 / 39 / 20

HEX #CDC37E

RGB 205 195 126

HSL 52.41, 0.44%, 0.65%

LAB 78.18, -6.51, 35.93

 

CMYK 0 / 3 / 26 / 25

HEX #BEB88C

RGB 190 184 140

HSL 52.8, 0.28%, 0.65%

LAB 74.27, -4.92, 23.17

 

CMYK 0 / 44 / 67 / 3

HEX #F88A52

RGB 248 138 82

HSL 20.24, 0.92%, 0.65%

LAB 68.56, 37.3, 47.67

 

CMYK 0 / 27 / 67 / 3

HEX #F8B652

RGB 248 182 82

HSL 36.14, 0.92%, 0.65%

LAB 78.47, 14.34, 58.67

 

CMYK 0 / 9 / 67 / 3

HEX #F8E252

RGB 248 226 82

HSL 52.05, 0.92%, 0.65%

LAB 89.37, -8.26, 70.12

 

CMYK 9 / 0 / 67 / 3

HEX #E2F852

RGB 226 248 82

HSL 67.95, 0.92%, 0.65%

LAB 93.41, -27.83, 73.68

 

CMYK 27 / 0 / 67 / 3

HEX #B6F852

RGB 182 248 82

HSL 83.86, 0.92%, 0.65%

LAB 90.64, -44.56, 69.96

 

CMYK 0 / 12 / 97 / 6

HEX #F0D408

RGB 240 212 8

HSL 52.76, 0.94%, 0.49%

LAB 84.81, -6.74, 84.3

 

CMYK 0 / 10 / 83 / 3

HEX #F7DE2A

RGB 247 222 42

HSL 52.68, 0.93%, 0.57%

LAB 88.06, -8.24, 81.68

 

CMYK 0 / 8 / 67 / 3

HEX #F8E452

RGB 248 228 82

HSL 52.77, 0.92%, 0.65%

LAB 89.88, -9.25, 70.64

 

CMYK 0 / 6 / 51 / 2

HEX #FAEA7A

RGB 250 234 122

HSL 52.5, 0.93%, 0.73%

LAB 91.94, -8.72, 55.75

 

CMYK 0 / 4 / 35 / 2

HEX #FBF0A2

RGB 251 240 162

HSL 52.58, 0.92%, 0.81%

LAB 94.07, -7.4, 39.07

 

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

CMYK 67 / 0 / 63 / 3

HEX #52F85D

RGB 82 248 93

HSL 123.98, 0.92%, 0.65%

LAB 86.86, -71.74, 60.42

 

CMYK 35 / 67 / 0 / 3

HEX #A052F8

RGB 160 82 248

HSL 268.19, 0.92%, 0.65%

LAB 52.16, 62.74, -70.81

 

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

CMYK 67 / 0 / 9 / 3

HEX #52F8E2

RGB 82 248 226

HSL 172.05, 0.92%, 0.65%

LAB 89.12, -47.4, -1.93

 

CMYK 9 / 67 / 0 / 3

HEX #E252F8

RGB 226 82 248

HSL 292.05, 0.92%, 0.65%

LAB 60.76, 76.28, -56.52

 

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

CMYK 67 / 0 / 63 / 3

HEX #52F85D

RGB 82 248 93

HSL 123.98, 0.92%, 0.65%

LAB 86.86, -71.74, 60.42

 

CMYK 67 / 58 / 0 / 3

HEX #5268F8

RGB 82 104 248

HSL 232.05, 0.92%, 0.65%

LAB 50.06, 37.19, -74.51

 

CMYK 0 / 67 / 4 / 3

HEX #F852ED

RGB 248 82 237

HSL 303.98, 0.92%, 0.65%

LAB 63.43, 79.31, -45.98

 

CMYK 0 / 8 / 67 / 2

HEX #F9E553

RGB 249 229 83

HSL 52.77, 0.93%, 0.65%

LAB 90.23, -9.28, 70.64

 

CMYK 67 / 0 / 42 / 3

HEX #52F88F

RGB 82 248 143

HSL 142.05, 0.92%, 0.65%

LAB 87.44, -65.02, 38.21

 

CMYK 67 / 58 / 0 / 3

HEX #5268F8

RGB 82 104 248

HSL 232.05, 0.92%, 0.65%

LAB 50.06, 37.19, -74.51

 

CMYK 0 / 67 / 25 / 3

HEX #F852BB

RGB 248 82 187

HSL 322.05, 0.92%, 0.65%

LAB 61.29, 72.35, -21.1

 

Description

Color code: HEX #F9E553 | qconv.com Color code: HEX #F9E553 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 229 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 229 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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