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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9E538 it is the complementary color #061AC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9E538. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9E538 shade: #FEE533, #FFF746, #FFFF59, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9E538. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9E538 shade: #F9E538, #E8D325, #D7C112, #C6AF00 and #B59D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9E538 shade: #F8E539, #F8B139, #F87D39, #F84939 and #F83939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9E538 shade: #F8E539, #D9F839, #A5F839, #71F839 and #3DF839

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9E538 shade matches the following richer shades: #F8E539

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9E538 shade: #F8E539, #E8D749, #D7CA5A, #C7BD6A and #B6B07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9E538 shade: #F87C39, #F8AF39, #F8E239, #DCF839 and #A8F839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9E538 shade: #D8C206, #F7DF11, #F8E539, #FAEA61 and #FBEF89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9E538 shade: #F9E538, #39F849 and #9539F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9E538 shade: #F9E538, #39F8E2 and #E239F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9E538 shade: #F9E538, #39F849, #394FF8 and #F839E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9E538 shade: #F9E538, #39F882, #394FF8 and #F839AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

Complementary color

CMYK 97 / 87 / 0 / 22

HEX #061AC7

RGB 6 26 199

HSL 233.78, 0.94%, 0.4%

LAB 26.45, 58.85, -85.52

 

CMYK 0 / 10 / 80 / 0

HEX #FEE533

RGB 254 229 51

HSL 52.61, 0.99%, 0.6%

LAB 90.48, -8.54, 81.69

 

CMYK 0 / 3 / 73 / 0

HEX #FFF746

RGB 255 247 70

HSL 57.41, 1%, 0.64%

LAB 95.26, -16.27, 80.37

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

CMYK 0 / 9 / 84 / 9

HEX #E8D325

RGB 232 211 37

HSL 53.54, 0.81%, 0.53%

LAB 83.9, -9.2, 78.87

 

CMYK 0 / 10 / 92 / 16

HEX #D7C112

RGB 215 193 18

HSL 53.3, 0.85%, 0.46%

LAB 77.66, -7.73, 76.87

 

CMYK 0 / 12 / 100 / 22

HEX #C6AF00

RGB 198 175 0

HSL 53.03, 1%, 0.39%

LAB 71.33, -6.08, 73.62

 

CMYK 0 / 13 / 100 / 29

HEX #B59D00

RGB 181 157 0

HSL 52.04, 1%, 0.35%

LAB 64.91, -4.17, 68.31

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 0 / 29 / 77 / 3

HEX #F8B139

RGB 248 177 57

HSL 37.7, 0.93%, 0.6%

LAB 77.1, 15.8, 67.53

 

CMYK 0 / 50 / 77 / 3

HEX #F87D39

RGB 248 125 57

HSL 21.36, 0.93%, 0.6%

LAB 65.69, 42.69, 56.57

 

CMYK 0 / 71 / 77 / 3

HEX #F84939

RGB 248 73 57

HSL 5.03, 0.93%, 0.6%

LAB 57.09, 65.28, 47.88

 

CMYK 0 / 77 / 77 / 3

HEX #F83939

RGB 248 57 57

HSL 0, 0.93%, 0.6%

LAB 55.26, 70.39, 45.96

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 13 / 0 / 77 / 3

HEX #D9F839

RGB 217 248 57

HSL 69.74, 0.93%, 0.6%

LAB 92.66, -32.57, 80.89

 

CMYK 33 / 0 / 77 / 3

HEX #A5F839

RGB 165 248 57

HSL 86.07, 0.93%, 0.6%

LAB 89.59, -52, 76.95

 

CMYK 54 / 0 / 77 / 3

HEX #71F839

RGB 113 248 57

HSL 102.41, 0.93%, 0.6%

LAB 87.46, -67.79, 74.18

 

CMYK 75 / 0 / 77 / 3

HEX #3DF839

RGB 61 248 57

HSL 118.74, 0.93%, 0.6%

LAB 86.22, -78.06, 72.56

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 0 / 7 / 69 / 9

HEX #E8D749

RGB 232 215 73

HSL 53.58, 0.78%, 0.6%

LAB 85.12, -9.86, 68.82

 

CMYK 0 / 6 / 58 / 16

HEX #D7CA5A

RGB 215 202 90

HSL 53.76, 0.61%, 0.6%

LAB 80.42, -9.32, 56.33

 

CMYK 0 / 5 / 47 / 22

HEX #C7BD6A

RGB 199 189 106

HSL 53.55, 0.45%, 0.6%

LAB 75.81, -7.91, 42.98

 

CMYK 0 / 3 / 32 / 29

HEX #B6B07B

RGB 182 176 123

HSL 53.9, 0.29%, 0.6%

LAB 71.16, -6.1, 27.97

 

CMYK 0 / 50 / 77 / 3

HEX #F87C39

RGB 248 124 57

HSL 21.05, 0.93%, 0.6%

LAB 65.49, 43.18, 56.37

 

CMYK 0 / 29 / 77 / 3

HEX #F8AF39

RGB 248 175 57

HSL 37.07, 0.93%, 0.6%

LAB 76.63, 16.85, 67.09

 

CMYK 0 / 9 / 77 / 3

HEX #F8E239

RGB 248 226 57

HSL 53.09, 0.93%, 0.6%

LAB 89.23, -9.36, 78.67

 

CMYK 11 / 0 / 77 / 3

HEX #DCF839

RGB 220 248 57

HSL 68.8, 0.93%, 0.6%

LAB 92.86, -31.38, 81.15

 

CMYK 32 / 0 / 77 / 3

HEX #A8F839

RGB 168 248 57

HSL 85.13, 0.93%, 0.6%

LAB 89.75, -50.95, 77.15

 

CMYK 0 / 10 / 97 / 15

HEX #D8C206

RGB 216 194 6

HSL 53.71, 0.95%, 0.44%

LAB 77.99, -7.95, 78.53

 

CMYK 0 / 10 / 93 / 3

HEX #F7DF11

RGB 247 223 17

HSL 53.74, 0.93%, 0.52%

LAB 88.25, -9.19, 86.25

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 0 / 6 / 61 / 2

HEX #FAEA61

RGB 250 234 97

HSL 53.73, 0.94%, 0.68%

LAB 91.7, -10.54, 66.55

 

CMYK 0 / 5 / 45 / 2

HEX #FBEF89

RGB 251 239 137

HSL 53.68, 0.93%, 0.76%

LAB 93.47, -9.48, 50.54

 

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

CMYK 77 / 0 / 71 / 3

HEX #39F849

RGB 57 248 73

HSL 125.03, 0.93%, 0.6%

LAB 86.25, -77.44, 67.34

 

CMYK 40 / 77 / 0 / 3

HEX #9539F8

RGB 149 57 248

HSL 268.9, 0.93%, 0.6%

LAB 47.1, 71.47, -79.11

 

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

CMYK 77 / 0 / 9 / 3

HEX #39F8E2

RGB 57 248 226

HSL 173.09, 0.93%, 0.6%

LAB 88.68, -50.35, -2.62

 

CMYK 9 / 77 / 0 / 3

HEX #E239F8

RGB 226 57 248

HSL 293.09, 0.93%, 0.6%

LAB 57.92, 84.41, -61.07

 

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

CMYK 77 / 0 / 71 / 3

HEX #39F849

RGB 57 248 73

HSL 125.03, 0.93%, 0.6%

LAB 86.25, -77.44, 67.34

 

CMYK 77 / 68 / 0 / 3

HEX #394FF8

RGB 57 79 248

HSL 233.09, 0.93%, 0.6%

LAB 43.12, 49.47, -85.93

 

CMYK 0 / 77 / 6 / 3

HEX #F839E8

RGB 248 57 232

HSL 305.03, 0.93%, 0.6%

LAB 60.52, 86.15, -47.78

 

CMYK 0 / 8 / 78 / 2

HEX #F9E538

RGB 249 229 56

HSL 53.78, 0.94%, 0.6%

LAB 90.07, -10.46, 79.76

 

CMYK 77 / 0 / 48 / 3

HEX #39F882

RGB 57 248 130

HSL 142.93, 0.93%, 0.6%

LAB 86.81, -70.69, 43.61

 

CMYK 77 / 68 / 0 / 3

HEX #394FF8

RGB 57 79 248

HSL 233.09, 0.93%, 0.6%

LAB 43.12, 49.47, -85.93

 

CMYK 0 / 77 / 29 / 3

HEX #F839AF

RGB 248 57 175

HSL 322.93, 0.93%, 0.6%

LAB 58.02, 78.9, -19.17

 

Description

Color code: HEX #F9E538 | qconv.com Color code: HEX #F9E538 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 229 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 229 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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