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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B289 it is the complementary color #064D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9B289 shade: #FEB284, #FFC497, #FFD6AA, #FFE8BD and #FFFAD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9B289 shade: #F9B289, #E8A076, #D78E63, #C67C50 and #B56A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9B289 shade: #F8B38A, #F8958A and #F88A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9B289 shade: #F8B38A, #F8D08A, #F8EE8A, #E5F88A and #C7F88A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9B289 shade matches the following richer shades: #F8B38A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9B289 shade: #F8B38A, #EEB594, #E5B89E, #DBBAA8 and #D1BDB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9B289 shade: #F88A9E, #F8938A, #F8B18A, #F8CE8A and #F8EC8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9B289 shade: #F47F3C, #F69963, #F8B38A, #FACCB1 and #FDE6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9B289 shade: #F9B289, #BCF88A and #8A90F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9B289 shade: #F9B289, #8AF8B1 and #B18AF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9B289 shade: #F9B289, #BCF88A, #8AD2F8 and #C78AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9B289 shade: #F9B289, #9BF88A, #8AD2F8 and #E88AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

Complementary color

CMYK 95 / 35 / 0 / 54

HEX #064D76

RGB 6 77 118

HSL 201.96, 0.9%, 0.24%

LAB 31.01, -3.54, -28.94

 

CMYK 0 / 30 / 48 / 0

HEX #FEB284

RGB 254 178 132

HSL 22.62, 0.98%, 0.76%

LAB 78.8, 22.58, 34.54

 

CMYK 0 / 23 / 41 / 0

HEX #FFC497

RGB 255 196 151

HSL 25.96, 1%, 0.8%

LAB 83.43, 15.45, 30.71

 

CMYK 0 / 16 / 33 / 0

HEX #FFD6AA

RGB 255 214 170

HSL 31.06, 1%, 0.83%

LAB 88.09, 8.27, 27.09

 

CMYK 0 / 9 / 26 / 0

HEX #FFE8BD

RGB 255 232 189

HSL 39.09, 1%, 0.87%

LAB 92.86, 1.45, 23.8

 

CMYK 0 / 2 / 18 / 0

HEX #FFFAD0

RGB 255 250 208

HSL 53.62, 1%, 0.91%

LAB 97.71, -5, 20.78

 

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

CMYK 0 / 31 / 49 / 9

HEX #E8A076

RGB 232 160 118

HSL 22.11, 0.71%, 0.69%

LAB 71.96, 22.09, 32.61

 

CMYK 0 / 34 / 54 / 16

HEX #D78E63

RGB 215 142 99

HSL 22.24, 0.59%, 0.62%

LAB 65.51, 23.2, 34.13

 

CMYK 0 / 37 / 60 / 22

HEX #C67C50

RGB 198 124 80

HSL 22.37, 0.51%, 0.55%

LAB 58.97, 24.47, 35.79

 

CMYK 0 / 41 / 66 / 29

HEX #B56A3D

RGB 181 106 61

HSL 22.5, 0.5%, 0.47%

LAB 52.36, 25.91, 37.57

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 0 / 40 / 44 / 3

HEX #F8958A

RGB 248 149 138

HSL 6, 0.89%, 0.76%

LAB 71.75, 36.01, 21.8

 

CMYK 0 / 44 / 44 / 3

HEX #F88A8A

RGB 248 138 138

HSL 0, 0.89%, 0.76%

LAB 69.45, 41.65, 18.65

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 0 / 16 / 44 / 3

HEX #F8D08A

RGB 248 208 138

HSL 38.18, 0.89%, 0.76%

LAB 85.46, 5.13, 39.92

 

CMYK 0 / 4 / 44 / 3

HEX #F8EE8A

RGB 248 238 138

HSL 54.55, 0.89%, 0.76%

LAB 92.99, -10.06, 49.41

 

CMYK 8 / 0 / 44 / 3

HEX #E5F88A

RGB 229 248 138

HSL 70.36, 0.89%, 0.76%

LAB 94.15, -22.26, 50.53

 

CMYK 20 / 0 / 44 / 3

HEX #C7F88A

RGB 199 248 138

HSL 86.73, 0.89%, 0.76%

LAB 92.18, -33.35, 47.65

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 0 / 24 / 38 / 7

HEX #EEB594

RGB 238 181 148

HSL 22, 0.73%, 0.76%

LAB 78.09, 16.41, 24.82

 

CMYK 0 / 20 / 31 / 10

HEX #E5B89E

RGB 229 184 158

HSL 21.97, 0.58%, 0.76%

LAB 78.12, 12.56, 19.36

 

CMYK 0 / 15 / 23 / 14

HEX #DBBAA8

RGB 219 186 168

HSL 21.18, 0.41%, 0.76%

LAB 77.88, 9.06, 13.5

 

CMYK 0 / 10 / 15 / 18

HEX #D1BDB2

RGB 209 189 178

HSL 21.29, 0.25%, 0.76%

LAB 77.97, 5.27, 8.12

 

CMYK 0 / 44 / 36 / 3

HEX #F88A9E

RGB 248 138 158

HSL 349.09, 0.89%, 0.76%

LAB 69.9, 43.8, 8.11

 

CMYK 0 / 41 / 44 / 3

HEX #F8938A

RGB 248 147 138

HSL 4.91, 0.89%, 0.76%

LAB 71.32, 37.04, 21.22

 

CMYK 0 / 29 / 44 / 3

HEX #F8B18A

RGB 248 177 138

HSL 21.27, 0.89%, 0.76%

LAB 78.01, 21.34, 30.23

 

CMYK 0 / 17 / 44 / 3

HEX #F8CE8A

RGB 248 206 138

HSL 37.09, 0.89%, 0.76%

LAB 84.96, 6.17, 39.29

 

CMYK 0 / 5 / 44 / 3

HEX #F8EC8A

RGB 248 236 138

HSL 53.45, 0.89%, 0.76%

LAB 92.48, -9.07, 48.78

 

CMYK 0 / 48 / 75 / 4

HEX #F47F3C

RGB 244 127 60

HSL 21.85, 0.89%, 0.6%

LAB 65.54, 40.26, 54.88

 

CMYK 0 / 38 / 60 / 4

HEX #F69963

RGB 246 153 99

HSL 22.04, 0.89%, 0.68%

LAB 71.74, 29.82, 42.67

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38A

RGB 248 179 138

HSL 22.36, 0.89%, 0.76%

LAB 78.48, 20.29, 30.84

 

CMYK 0 / 18 / 29 / 2

HEX #FACCB1

RGB 250 204 177

HSL 22.19, 0.88%, 0.84%

LAB 85.34, 12.44, 19.58

 

CMYK 0 / 9 / 14 / 1

HEX #FDE6D9

RGB 253 230 217

HSL 21.67, 0.9%, 0.92%

LAB 92.79, 5.77, 9.17

 

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

CMYK 24 / 0 / 44 / 3

HEX #BCF88A

RGB 188 248 138

HSL 92.73, 0.89%, 0.76%

LAB 91.53, -37.24, 46.7

 

CMYK 44 / 42 / 0 / 3

HEX #8A90F8

RGB 138 144 248

HSL 236.73, 0.89%, 0.76%

LAB 63.45, 23.94, -52.81

 

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8B1

RGB 138 248 177

HSL 141.27, 0.89%, 0.76%

LAB 89.73, -46.82, 24.5

 

CMYK 29 / 44 / 0 / 3

HEX #B18AF8

RGB 177 138 248

HSL 261.27, 0.89%, 0.76%

LAB 65.2, 37.26, -49.83

 

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

CMYK 24 / 0 / 44 / 3

HEX #BCF88A

RGB 188 248 138

HSL 92.73, 0.89%, 0.76%

LAB 91.53, -37.24, 46.7

 

CMYK 44 / 15 / 0 / 3

HEX #8AD2F8

RGB 138 210 248

HSL 200.73, 0.89%, 0.76%

LAB 80.89, -12.74, -25.65

 

CMYK 20 / 44 / 0 / 3

HEX #C78AF8

RGB 199 138 248

HSL 273.27, 0.89%, 0.76%

LAB 67.35, 43.24, -46.29

 

CMYK 0 / 29 / 45 / 2

HEX #F9B289

RGB 249 178 137

HSL 21.96, 0.9%, 0.76%

LAB 78.34, 21.1, 31.2

 

CMYK 38 / 0 / 44 / 3

HEX #9BF88A

RGB 155 248 138

HSL 110.73, 0.89%, 0.76%

LAB 89.83, -48.09, 44.2

 

CMYK 44 / 15 / 0 / 3

HEX #8AD2F8

RGB 138 210 248

HSL 200.73, 0.89%, 0.76%

LAB 80.89, -12.74, -25.65

 

CMYK 6 / 44 / 0 / 3

HEX #E88AF8

RGB 232 138 248

HSL 291.27, 0.89%, 0.76%

LAB 70.95, 52.5, -40.4

 

Description

Color code: HEX #F9B289 | qconv.com Color code: HEX #F9B289 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 178 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 178 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 45 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 45% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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