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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B4FD it is the complementary color #064B02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B4FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9B4FD shade: #FEB4F8, #FFC6FF, #FFD8FF, #FFEAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B4FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9B4FD shade: #F9B4FD, #E8A2EA, #D790D7, #C67EC4 and #B56CB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9B4FD shade: #F9B4FD, #FDB4ED, #FDB4D9, #FDB4C6 and #FDB4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9B4FD shade: #F9B4FD, #E5B4FD, #D1B4FD, #BEB4FD and #B4B4FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9B4FD shade matches the following richer shades: #F9B4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9B4FD shade: #F9B4FD, #F3BAF6, #EEC0F0, #E8C6EA and #E3CDE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9B4FD shade: #D1B4FD, #E4B4FD, #F8B4FD, #FDB4EE and #FDB4DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9B4FD shade: #F263FB, #F58CFC, #F9B4FD and #FCDCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9B4FD shade: #F9B4FD, #FDBEB4 and #B4FDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9B4FD shade: #F9B4FD, #FDF8B4 and #B4FDF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9B4FD shade: #F9B4FD, #FDBEB4, #B9FDB4 and #B4F3FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9B4FD shade: #F9B4FD, #FDD3B4, #B9FDB4 and #B4DDFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

Complementary color

CMYK 92 / 0 / 97 / 71

HEX #064B02

RGB 6 75 2

HSL 116.71, 0.95%, 0.15%

LAB 26.95, -34.43, 33.59

 

CMYK 0 / 29 / 2 / 0

HEX #FEB4F8

RGB 254 180 248

HSL 304.86, 0.97%, 0.85%

LAB 82.1, 37.4, -23.02

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 1 / 31 / 0 / 8

HEX #E8A2EA

RGB 232 162 234

HSL 298.33, 0.63%, 0.78%

LAB 75.41, 37.39, -25.87

 

CMYK 0 / 33 / 0 / 16

HEX #D790D7

RGB 215 144 215

HSL 300, 0.47%, 0.7%

LAB 68.97, 38.09, -25.48

 

CMYK 0 / 36 / 1 / 22

HEX #C67EC4

RGB 198 126 196

HSL 301.67, 0.39%, 0.64%

LAB 62.43, 38.83, -25.05

 

CMYK 0 / 40 / 2 / 29

HEX #B56CB1

RGB 181 108 177

HSL 303.29, 0.33%, 0.57%

LAB 55.81, 39.59, -24.58

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 29 / 6 / 1

HEX #FDB4ED

RGB 253 180 237

HSL 313.15, 0.95%, 0.85%

LAB 81.64, 35.17, -17.83

 

CMYK 0 / 29 / 14 / 1

HEX #FDB4D9

RGB 253 180 217

HSL 329.59, 0.95%, 0.85%

LAB 81.04, 31.88, -7.97

 

CMYK 0 / 29 / 22 / 1

HEX #FDB4C6

RGB 253 180 198

HSL 345.21, 0.95%, 0.85%

LAB 80.52, 29.02, 1.52

 

CMYK 0 / 29 / 29 / 1

HEX #FDB4B4

RGB 253 180 180

HSL 0, 0.95%, 0.85%

LAB 80.08, 26.54, 10.62

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 9 / 29 / 0 / 1

HEX #E5B4FD

RGB 229 180 253

HSL 280.27, 0.95%, 0.85%

LAB 79.84, 30.49, -29.37

 

CMYK 17 / 29 / 0 / 1

HEX #D1B4FD

RGB 209 180 253

HSL 263.84, 0.95%, 0.85%

LAB 78.05, 24.37, -32.28

 

CMYK 25 / 29 / 0 / 1

HEX #BEB4FD

RGB 190 180 253

HSL 248.22, 0.95%, 0.85%

LAB 76.49, 18.73, -34.82

 

CMYK 29 / 29 / 0 / 1

HEX #B4B4FD

RGB 180 180 253

HSL 240, 0.95%, 0.85%

LAB 75.72, 15.86, -36.06

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 1 / 24 / 0 / 4

HEX #F3BAF6

RGB 243 186 246

HSL 297, 0.77%, 0.85%

LAB 82.29, 30.36, -21.77

 

CMYK 1 / 20 / 0 / 6

HEX #EEC0F0

RGB 238 192 240

HSL 297.5, 0.62%, 0.85%

LAB 83, 24.45, -17.53

 

CMYK 1 / 15 / 0 / 8

HEX #E8C6EA

RGB 232 198 234

HSL 296.67, 0.46%, 0.85%

LAB 83.7, 18.17, -13.34

 

CMYK 0 / 10 / 0 / 11

HEX #E3CDE4

RGB 227 205 228

HSL 297.39, 0.3%, 0.85%

LAB 84.79, 11.69, -8.56

 

CMYK 17 / 29 / 0 / 1

HEX #D1B4FD

RGB 209 180 253

HSL 263.84, 0.95%, 0.85%

LAB 78.05, 24.37, -32.28

 

CMYK 10 / 29 / 0 / 1

HEX #E4B4FD

RGB 228 180 253

HSL 279.45, 0.95%, 0.85%

LAB 79.74, 30.18, -29.53

 

CMYK 2 / 29 / 0 / 1

HEX #F8B4FD

RGB 248 180 253

HSL 295.89, 0.95%, 0.85%

LAB 81.67, 36.41, -26.41

 

CMYK 0 / 29 / 6 / 1

HEX #FDB4EE

RGB 253 180 238

HSL 312.33, 0.95%, 0.85%

LAB 81.67, 35.34, -18.32

 

CMYK 0 / 29 / 13 / 1

HEX #FDB4DB

RGB 253 180 219

HSL 327.95, 0.95%, 0.85%

LAB 81.09, 32.2, -8.97

 

CMYK 4 / 61 / 0 / 2

HEX #F263FB

RGB 242 99 251

HSL 296.45, 0.95%, 0.69%

LAB 65.57, 73.72, -50.41

 

CMYK 3 / 44 / 0 / 1

HEX #F58CFC

RGB 245 140 252

HSL 296.25, 0.95%, 0.77%

LAB 73.02, 55.91, -39.23

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 1 / 13 / 0 / 0

HEX #FCDCFE

RGB 252 220 254

HSL 296.47, 0.94%, 0.93%

LAB 91.25, 16.83, -12.44

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 25 / 29 / 1

HEX #FDBEB4

RGB 253 190 180

HSL 8.22, 0.95%, 0.85%

LAB 82.38, 21.28, 13.88

 

CMYK 29 / 0 / 13 / 1

HEX #B4FDDB

RGB 180 253 219

HSL 152.05, 0.95%, 0.85%

LAB 93.91, -29.36, 9.09

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 2 / 29 / 1

HEX #FDF8B4

RGB 253 248 180

HSL 55.89, 0.95%, 0.85%

LAB 96.54, -8.49, 33.35

 

CMYK 29 / 0 / 2 / 1

HEX #B4FDF8

RGB 180 253 248

HSL 175.89, 0.95%, 0.85%

LAB 94.62, -23.39, -4.84

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 25 / 29 / 1

HEX #FDBEB4

RGB 253 190 180

HSL 8.22, 0.95%, 0.85%

LAB 82.38, 21.28, 13.88

 

CMYK 27 / 0 / 29 / 1

HEX #B9FDB4

RGB 185 253 180

HSL 115.89, 0.95%, 0.85%

LAB 93.39, -34.7, 28.34

 

CMYK 29 / 4 / 0 / 1

HEX #B4F3FD

RGB 180 243 253

HSL 188.22, 0.95%, 0.85%

LAB 92.09, -17.38, -11.19

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 17 / 29 / 1

HEX #FDD3B4

RGB 253 211 180

HSL 25.48, 0.95%, 0.85%

LAB 87.37, 10.31, 20.86

 

CMYK 27 / 0 / 29 / 1

HEX #B9FDB4

RGB 185 253 180

HSL 115.89, 0.95%, 0.85%

LAB 93.39, -34.7, 28.34

 

CMYK 29 / 13 / 0 / 1

HEX #B4DDFD

RGB 180 221 253

HSL 206.3, 0.95%, 0.85%

LAB 86.26, -6.19, -19.93

 

Description

Color code: HEX #F9B4FD | qconv.com Color code: HEX #F9B4FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 180 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 180 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 29 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 29% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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