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Color name
HEX #F996D5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F996D5 it is the complementary color #06692A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F996D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F996D5 shade: #FE96D0, #FFA8E3, #FFBAF6, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F996D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F996D5 shade: #F996D5, #E884C2, #D772AF, #C6609C and #B54E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F996D5 shade: #F894D4, #F894B9, #F8949E and #F89494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F996D5 shade: #F894D4, #F894EF, #E794F8, #CC94F8 and #B194F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F996D5 shade matches the following richer shades: #F894D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F996D5 shade: #F894D4, #EF9ED2, #E6A7CF, #DDB0CD and #D4B9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F996D5 shade: #E694F8, #F894F0, #F894D5, #F894BB and #F894A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F996D5 shade: #F446B5, #F66DC4, #F894D4, #FBBBE4 and #FDE2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F996D5 shade: #F996D5, #F8CB94 and #94F8F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F996D5 shade: #F996D5, #D5F894 and #94D5F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F996D5 shade: #F996D5, #F8CB94, #94F8B7 and #94C1F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F996D5 shade: #F996D5, #F8E994, #94F8B7 and #94A3F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

Complementary color

CMYK 94 / 0 / 60 / 59

HEX #06692A

RGB 6 105 42

HSL 141.82, 0.89%, 0.22%

LAB 38.39, -40.53, 27.92

 

CMYK 0 / 41 / 18 / 0

HEX #FE96D0

RGB 254 150 208

HSL 326.54, 0.98%, 0.79%

LAB 74.47, 46.38, -12.85

 

CMYK 0 / 34 / 11 / 0

HEX #FFA8E3

RGB 255 168 227

HSL 319.31, 1%, 0.83%

LAB 78.93, 40.42, -16.5

 

CMYK 0 / 27 / 4 / 0

HEX #FFBAF6

RGB 255 186 246

HSL 307.83, 1%, 0.86%

LAB 83.46, 34.22, -19.88

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

CMYK 0 / 43 / 16 / 9

HEX #E884C2

RGB 232 132 194

HSL 322.8, 0.68%, 0.71%

LAB 67.69, 46.28, -15.55

 

CMYK 0 / 47 / 19 / 16

HEX #D772AF

RGB 215 114 175

HSL 323.76, 0.56%, 0.65%

LAB 61.29, 47.04, -14.68

 

CMYK 0 / 52 / 21 / 22

HEX #C6609C

RGB 198 96 156

HSL 324.71, 0.47%, 0.58%

LAB 54.84, 47.76, -13.67

 

CMYK 0 / 57 / 24 / 29

HEX #B54E89

RGB 181 78 137

HSL 325.63, 0.41%, 0.51%

LAB 48.36, 48.39, -12.44

 

CMYK 0 / 40 / 15 / 3

HEX #F894D4

RGB 248 148 212

HSL 321.6, 0.88%, 0.78%

LAB 73.47, 46.06, -16.62

 

CMYK 0 / 40 / 25 / 3

HEX #F894B9

RGB 248 148 185

HSL 337.8, 0.88%, 0.78%

LAB 72.65, 42.11, -2.93

 

CMYK 0 / 40 / 36 / 3

HEX #F8949E

RGB 248 148 158

HSL 354, 0.88%, 0.78%

LAB 71.96, 38.69, 11.05

 

CMYK 0 / 40 / 40 / 3

HEX #F89494

RGB 248 148 148

HSL 0, 0.88%, 0.78%

LAB 71.74, 37.57, 16.27

 

CMYK 0 / 40 / 15 / 3

HEX #F894D4

RGB 248 148 212

HSL 321.6, 0.88%, 0.78%

LAB 73.47, 46.06, -16.62

 

CMYK 0 / 40 / 4 / 3

HEX #F894EF

RGB 248 148 239

HSL 305.4, 0.88%, 0.78%

LAB 74.42, 50.49, -29.96

 

CMYK 7 / 40 / 0 / 3

HEX #E794F8

RGB 231 148 248

HSL 289.8, 0.88%, 0.78%

LAB 72.86, 47.08, -37.44

 

CMYK 18 / 40 / 0 / 3

HEX #CC94F8

RGB 204 148 248

HSL 273.6, 0.88%, 0.78%

LAB 70.03, 39.25, -42.05

 

CMYK 29 / 40 / 0 / 3

HEX #B194F8

RGB 177 148 248

HSL 257.4, 0.88%, 0.78%

LAB 67.5, 31.67, -46.19

 

CMYK 0 / 40 / 15 / 3

HEX #F894D4

RGB 248 148 212

HSL 321.6, 0.88%, 0.78%

LAB 73.47, 46.06, -16.62

 

CMYK 0 / 40 / 15 / 3

HEX #F894D4

RGB 248 148 212

HSL 321.6, 0.88%, 0.78%

LAB 73.47, 46.06, -16.62

 

CMYK 0 / 34 / 12 / 6

HEX #EF9ED2

RGB 239 158 210

HSL 321.48, 0.72%, 0.78%

LAB 74.48, 37.61, -14.11

 

CMYK 0 / 27 / 10 / 10

HEX #E6A7CF

RGB 230 167 207

HSL 321.9, 0.56%, 0.78%

LAB 75.43, 29.31, -11.14

 

CMYK 0 / 20 / 7 / 13

HEX #DDB0CD

RGB 221 176 205

HSL 321.33, 0.4%, 0.78%

LAB 76.58, 21.04, -8.44

 

CMYK 0 / 13 / 5 / 17

HEX #D4B9CA

RGB 212 185 202

HSL 322.22, 0.24%, 0.78%

LAB 77.85, 12.53, -5.01

 

CMYK 7 / 40 / 0 / 3

HEX #E694F8

RGB 230 148 248

HSL 289.2, 0.88%, 0.78%

LAB 72.75, 46.78, -37.61

 

CMYK 0 / 40 / 3 / 3

HEX #F894F0

RGB 248 148 240

HSL 304.8, 0.88%, 0.78%

LAB 74.46, 50.66, -30.44

 

CMYK 0 / 40 / 14 / 3

HEX #F894D5

RGB 248 148 213

HSL 321, 0.88%, 0.78%

LAB 73.51, 46.22, -17.12

 

CMYK 0 / 40 / 25 / 3

HEX #F894BB

RGB 248 148 187

HSL 336.6, 0.88%, 0.78%

LAB 72.71, 42.39, -3.96

 

CMYK 0 / 40 / 35 / 3

HEX #F894A0

RGB 248 148 160

HSL 352.8, 0.88%, 0.78%

LAB 72.01, 38.93, 10

 

CMYK 0 / 71 / 26 / 4

HEX #F446B5

RGB 244 70 181

HSL 321.72, 0.89%, 0.62%

LAB 58.93, 74.76, -21.31

 

CMYK 0 / 56 / 20 / 4

HEX #F66DC4

RGB 246 109 196

HSL 321.9, 0.88%, 0.7%

LAB 65.37, 61.94, -20.01

 

CMYK 0 / 40 / 15 / 3

HEX #F894D4

RGB 248 148 212

HSL 321.6, 0.88%, 0.78%

LAB 73.47, 46.06, -16.62

 

CMYK 0 / 25 / 9 / 2

HEX #FBBBE4

RGB 251 187 228

HSL 321.56, 0.89%, 0.86%

LAB 82.73, 29.31, -11.39

 

CMYK 0 / 11 / 4 / 1

HEX #FDE2F3

RGB 253 226 243

HSL 322.22, 0.87%, 0.94%

LAB 92.46, 12.09, -4.87

 

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

CMYK 0 / 18 / 40 / 3

HEX #F8CB94

RGB 248 203 148

HSL 33, 0.88%, 0.78%

LAB 84.38, 8.76, 33.41

 

CMYK 40 / 0 / 2 / 3

HEX #94F8F3

RGB 148 248 243

HSL 177, 0.88%, 0.78%

LAB 91.64, -30.44, -6.82

 

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

CMYK 14 / 0 / 40 / 3

HEX #D5F894

RGB 213 248 148

HSL 81, 0.88%, 0.78%

LAB 93.2, -27.13, 44.29

 

CMYK 40 / 14 / 0 / 3

HEX #94D5F8

RGB 148 213 248

HSL 201, 0.88%, 0.78%

LAB 82.2, -11.85, -23.62

 

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

CMYK 0 / 18 / 40 / 3

HEX #F8CB94

RGB 248 203 148

HSL 33, 0.88%, 0.78%

LAB 84.38, 8.76, 33.41

 

CMYK 40 / 0 / 26 / 3

HEX #94F8B7

RGB 148 248 183

HSL 141, 0.88%, 0.78%

LAB 90.25, -43.03, 22.22

 

CMYK 40 / 22 / 0 / 3

HEX #94C1F8

RGB 148 193 248

HSL 213, 0.88%, 0.78%

LAB 76.81, -1.24, -31.87

 

CMYK 0 / 40 / 14 / 2

HEX #F996D5

RGB 249 150 213

HSL 321.82, 0.89%, 0.78%

LAB 74.03, 45.52, -16.32

 

CMYK 0 / 6 / 40 / 3

HEX #F8E994

RGB 248 233 148

HSL 51, 0.88%, 0.78%

LAB 91.85, -6.58, 43.1

 

CMYK 40 / 0 / 26 / 3

HEX #94F8B7

RGB 148 248 183

HSL 141, 0.88%, 0.78%

LAB 90.25, -43.03, 22.22

 

CMYK 40 / 34 / 0 / 3

HEX #94A3F8

RGB 148 163 248

HSL 231, 0.88%, 0.78%

LAB 68.94, 15.46, -44.09

 

Description

Color code: HEX #F996D5 | qconv.com Color code: HEX #F996D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 150 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 150 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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