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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9960A it is the complementary color #0669F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9960A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9960A shade: #FE9605, #FFA818, #FFBA2B, #FFCC3E and #FFDE51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9960A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9960A shade: #F9960A, #E88400, #D77200, #C66000 and #B54E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9960A shade: #F8960B, #F8560B, #F8160B and #F80B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9960A shade: #F8960B, #F8D60B, #DBF80B, #9BF80B and #5AF80B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9960A shade matches the following richer shades: #F8960B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9960A shade: #F8960B, #E4921F, #D08F33, #BC8C47 and #A7885C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9960A shade: #F8170B, #F8560B, #F8950B, #F8D50B and #DDF80B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9960A shade: #AD6704, #D57F05, #F8960B, #F9A733 and #FAB85B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9960A shade: #F9960A, #3EF80B and #360BF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9960A shade: #F9960A, #0BF895 and #950BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9960A shade: #F9960A, #3EF80B, #0B6EF8 and #C50BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9960A shade: #F9960A, #0BF81F, #0B6EF8 and #F80BE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

Complementary color

CMYK 98 / 57 / 0 / 4

HEX #0669F5

RGB 6 105 245

HSL 215.15, 0.95%, 0.49%

LAB 47.92, 29.63, -76.42

 

CMYK 0 / 41 / 98 / 0

HEX #FE9605

RGB 254 150 5

HSL 34.94, 0.99%, 0.51%

LAB 71.48, 31.35, 76.05

 

CMYK 0 / 34 / 91 / 0

HEX #FFA818

RGB 255 168 24

HSL 37.4, 1%, 0.55%

LAB 75.66, 22.61, 76.17

 

CMYK 0 / 27 / 83 / 0

HEX #FFBA2B

RGB 255 186 43

HSL 40.47, 1%, 0.58%

LAB 79.93, 13.61, 74.92

 

CMYK 0 / 20 / 76 / 0

HEX #FFCC3E

RGB 255 204 62

HSL 44.15, 1%, 0.62%

LAB 84.38, 4.9, 72.83

 

CMYK 0 / 13 / 68 / 0

HEX #FFDE51

RGB 255 222 81

HSL 48.62, 1%, 0.66%

LAB 88.97, -3.41, 70.29

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 0 / 43 / 100 / 9

HEX #E88400

RGB 232 132 0

HSL 34.14, 1%, 0.45%

LAB 64.69, 31.61, 70.97

 

CMYK 0 / 47 / 100 / 16

HEX #D77200

RGB 215 114 0

HSL 31.81, 1%, 0.42%

LAB 58.49, 34, 65.97

 

CMYK 0 / 52 / 100 / 22

HEX #C66000

RGB 198 96 0

HSL 29.09, 1%, 0.39%

LAB 52.25, 36.39, 60.96

 

CMYK 0 / 57 / 100 / 29

HEX #B54E00

RGB 181 78 0

HSL 25.86, 1%, 0.35%

LAB 46.01, 38.71, 55.96

 

CMYK 0 / 40 / 96 / 3

HEX #F8960B

RGB 248 150 11

HSL 35.19, 0.94%, 0.51%

LAB 70.73, 28.93, 74.43

 

CMYK 0 / 65 / 96 / 3

HEX #F8560B

RGB 248 86 11

HSL 18.99, 0.94%, 0.51%

LAB 58.64, 59.43, 66.71

 

CMYK 0 / 91 / 96 / 3

HEX #F8160B

RGB 248 22 11

HSL 2.78, 0.94%, 0.51%

LAB 52.46, 76.65, 63.35

 

CMYK 0 / 96 / 96 / 3

HEX #F80B0B

RGB 248 11 11

HSL 0, 0.94%, 0.51%

LAB 52.09, 77.73, 63.17

 

CMYK 0 / 40 / 96 / 3

HEX #F8960B

RGB 248 150 11

HSL 35.19, 0.94%, 0.51%

LAB 70.73, 28.93, 74.43

 

CMYK 0 / 14 / 96 / 3

HEX #F8D60B

RGB 248 214 11

HSL 51.39, 0.94%, 0.51%

LAB 86.04, -4.31, 85.27

 

CMYK 12 / 0 / 96 / 3

HEX #DBF80B

RGB 219 248 11

HSL 67.34, 0.94%, 0.51%

LAB 92.67, -32.83, 89.2

 

CMYK 38 / 0 / 96 / 3

HEX #9BF80B

RGB 155 248 11

HSL 83.54, 0.94%, 0.51%

LAB 88.98, -56.72, 84.74

 

CMYK 64 / 0 / 96 / 3

HEX #5AF80B

RGB 90 248 11

HSL 100, 0.94%, 0.51%

LAB 86.67, -74.7, 81.92

 

CMYK 0 / 40 / 96 / 3

HEX #F8960B

RGB 248 150 11

HSL 35.19, 0.94%, 0.51%

LAB 70.73, 28.93, 74.43

 

CMYK 0 / 40 / 96 / 3

HEX #F8960B

RGB 248 150 11

HSL 35.19, 0.94%, 0.51%

LAB 70.73, 28.93, 74.43

 

CMYK 0 / 36 / 86 / 11

HEX #E4921F

RGB 228 146 31

HSL 35.03, 0.78%, 0.51%

LAB 67.39, 22.97, 66.72

 

CMYK 0 / 31 / 75 / 18

HEX #D08F33

RGB 208 143 51

HSL 35.16, 0.63%, 0.51%

LAB 64.4, 16.66, 56.13

 

CMYK 0 / 26 / 62 / 26

HEX #BC8C47

RGB 188 140 71

HSL 35.38, 0.47%, 0.51%

LAB 61.57, 10.76, 43.25

 

CMYK 0 / 19 / 45 / 35

HEX #A7885C

RGB 167 136 92

HSL 35.2, 0.3%, 0.51%

LAB 58.6, 5.8, 28.03

 

CMYK 0 / 91 / 96 / 3

HEX #F8170B

RGB 248 23 11

HSL 3.04, 0.94%, 0.51%

LAB 52.5, 76.53, 63.37

 

CMYK 0 / 65 / 96 / 3

HEX #F8560B

RGB 248 86 11

HSL 18.99, 0.94%, 0.51%

LAB 58.64, 59.43, 66.71

 

CMYK 0 / 40 / 96 / 3

HEX #F8950B

RGB 248 149 11

HSL 34.94, 0.94%, 0.51%

LAB 70.51, 29.45, 74.28

 

CMYK 0 / 14 / 96 / 3

HEX #F8D50B

RGB 248 213 11

HSL 51.14, 0.94%, 0.51%

LAB 85.79, -3.8, 85.08

 

CMYK 11 / 0 / 96 / 3

HEX #DDF80B

RGB 221 248 11

HSL 66.84, 0.94%, 0.51%

LAB 92.81, -32.02, 89.37

 

CMYK 0 / 40 / 98 / 32

HEX #AD6704

RGB 173 103 4

HSL 35.15, 0.95%, 0.35%

LAB 50.21, 22.11, 57.02

 

CMYK 0 / 40 / 98 / 16

HEX #D57F05

RGB 213 127 5

HSL 35.19, 0.95%, 0.43%

LAB 61.08, 26.35, 66.64

 

CMYK 0 / 40 / 96 / 3

HEX #F8960B

RGB 248 150 11

HSL 35.19, 0.94%, 0.51%

LAB 70.73, 28.93, 74.43

 

CMYK 0 / 33 / 80 / 2

HEX #F9A733

RGB 249 167 51

HSL 35.15, 0.94%, 0.59%

LAB 74.84, 21.26, 67.65

 

CMYK 0 / 26 / 64 / 2

HEX #FAB85B

RGB 250 184 91

HSL 35.09, 0.94%, 0.67%

LAB 79.25, 14.65, 55.48

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 75 / 0 / 96 / 3

HEX #3EF80B

RGB 62 248 11

HSL 107.09, 0.94%, 0.51%

LAB 86.1, -79.61, 81.22

 

CMYK 78 / 96 / 0 / 3

HEX #360BF8

RGB 54 11 248

HSL 250.89, 0.94%, 0.51%

LAB 33.56, 76.56, -101.78

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 96 / 0 / 40 / 3

HEX #0BF895

RGB 11 248 149

HSL 154.94, 0.94%, 0.51%

LAB 86.69, -70.67, 34.1

 

CMYK 40 / 96 / 0 / 3

HEX #950BF8

RGB 149 11 248

HSL 274.94, 0.94%, 0.51%

LAB 43.37, 82.47, -85.23

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 75 / 0 / 96 / 3

HEX #3EF80B

RGB 62 248 11

HSL 107.09, 0.94%, 0.51%

LAB 86.1, -79.61, 81.22

 

CMYK 96 / 56 / 0 / 3

HEX #0B6EF8

RGB 11 110 248

HSL 214.94, 0.94%, 0.51%

LAB 49.5, 27.71, -75.52

 

CMYK 21 / 96 / 0 / 3

HEX #C50BF8

RGB 197 11 248

HSL 287.09, 0.94%, 0.51%

LAB 50.55, 88.1, -73.18

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 96 / 0 / 88 / 3

HEX #0BF81F

RGB 11 248 31

HSL 125.06, 0.94%, 0.51%

LAB 85.66, -83.41, 78.07

 

CMYK 96 / 56 / 0 / 3

HEX #0B6EF8

RGB 11 110 248

HSL 214.94, 0.94%, 0.51%

LAB 49.5, 27.71, -75.52

 

CMYK 0 / 96 / 8 / 3

HEX #F80BE4

RGB 248 11 228

HSL 305.06, 0.94%, 0.51%

LAB 57.84, 92.82, -49.78

 

Description

Color code: HEX #F9960A | qconv.com Color code: HEX #F9960A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 150 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 150 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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