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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9639D it is the complementary color #069C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9639D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9639D shade: #FE6398, #FF75AB, #FF87BE, #FF99D1 and #FFABE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9639D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9639D shade: #F9639D, #E8518A, #D73F77, #C62D64 and #B51B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9639D shade: #F9619C, #F96173 and #F96161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9639D shade: #F9619C, #F961C5, #F961EE, #DB61F9 and #B261F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9639D shade matches the following richer shades: #F9619C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9639D shade: #F9619C, #EC6E9F, #DE7BA2, #D189A5 and #C496A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9639D shade: #F961EF, #F961C6, #F9619E, #F96175 and #F97561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9639D shade: #F6116A, #F73983, #F9619C, #FA89B5 and #FCB1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9639D shade: #F9639D, #F9DA61 and #61DAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9639D shade: #F9639D, #9EF961 and #619EF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9639D shade: #F9639D, #F9DA61, #61F9BC and #617FF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9639D shade: #F9639D, #EAF961, #61F9BC and #7061F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

Complementary color

CMYK 96 / 0 / 37 / 39

HEX #069C62

RGB 6 156 98

HSL 156.8, 0.93%, 0.32%

LAB 56.78, -48.59, 20.88

 

CMYK 0 / 61 / 40 / 0

HEX #FE6398

RGB 254 99 152

HSL 339.48, 0.99%, 0.69%

LAB 63.56, 63.38, 2.5

 

CMYK 0 / 54 / 33 / 0

HEX #FF75AB

RGB 255 117 171

HSL 336.52, 1%, 0.73%

LAB 67.22, 57.83, -2.98

 

CMYK 0 / 47 / 25 / 0

HEX #FF87BE

RGB 255 135 190

HSL 332.5, 1%, 0.76%

LAB 71.08, 51.65, -7.94

 

CMYK 0 / 40 / 18 / 0

HEX #FF99D1

RGB 255 153 209

HSL 327.06, 1%, 0.8%

LAB 75.23, 45.33, -12.25

 

CMYK 0 / 33 / 11 / 0

HEX #FFABE4

RGB 255 171 228

HSL 319.29, 1%, 0.84%

LAB 79.61, 39.02, -16.03

 

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

CMYK 0 / 65 / 41 / 9

HEX #E8518A

RGB 232 81 138

HSL 337.35, 0.77%, 0.61%

LAB 56.95, 62.75, 0.61

 

CMYK 0 / 71 / 45 / 16

HEX #D73F77

RGB 215 63 119

HSL 337.89, 0.66%, 0.55%

LAB 51.08, 62.77, 3.03

 

CMYK 0 / 77 / 49 / 22

HEX #C62D64

RGB 198 45 100

HSL 338.43, 0.63%, 0.48%

LAB 45.36, 62.26, 6.03

 

CMYK 0 / 85 / 55 / 29

HEX #B51B51

RGB 181 27 81

HSL 338.96, 0.74%, 0.41%

LAB 39.92, 60.92, 9.8

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 61 / 54 / 2

HEX #F96173

RGB 249 97 115

HSL 352.89, 0.93%, 0.68%

LAB 61.59, 59.36, 20.95

 

CMYK 0 / 61 / 61 / 2

HEX #F96161

RGB 249 97 97

HSL 0, 0.93%, 0.68%

LAB 61.27, 58.09, 30.81

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 61 / 21 / 2

HEX #F961C5

RGB 249 97 197

HSL 320.53, 0.93%, 0.68%

LAB 63.93, 68.08, -22.73

 

CMYK 0 / 61 / 4 / 2

HEX #F961EE

RGB 249 97 238

HSL 304.34, 0.93%, 0.68%

LAB 65.64, 74.08, -43.05

 

CMYK 12 / 61 / 0 / 2

HEX #DB61F9

RGB 219 97 249

HSL 288.16, 0.93%, 0.68%

LAB 62.04, 68.82, -55.1

 

CMYK 29 / 61 / 0 / 2

HEX #B261F9

RGB 178 97 249

HSL 271.97, 0.93%, 0.68%

LAB 56.93, 59.5, -63.55

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 53 / 33 / 7

HEX #EC6E9F

RGB 236 110 159

HSL 336.67, 0.77%, 0.68%

LAB 62.92, 53.61, -2.78

 

CMYK 0 / 45 / 27 / 13

HEX #DE7BA2

RGB 222 123 162

HSL 336.36, 0.6%, 0.68%

LAB 63.59, 42.92, -3.72

 

CMYK 0 / 34 / 21 / 18

HEX #D189A5

RGB 209 137 165

HSL 336.67, 0.44%, 0.68%

LAB 65.09, 31.4, -3.4

 

CMYK 0 / 23 / 14 / 23

HEX #C496A8

RGB 196 150 168

HSL 336.52, 0.28%, 0.68%

LAB 66.81, 20.07, -2.73

 

CMYK 0 / 61 / 4 / 2

HEX #F961EF

RGB 249 97 239

HSL 303.95, 0.93%, 0.68%

LAB 65.69, 74.23, -43.53

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 61 / 37 / 2

HEX #F9619E

RGB 249 97 158

HSL 335.92, 0.93%, 0.68%

LAB 62.64, 63.35, -2.39

 

CMYK 0 / 61 / 53 / 2

HEX #F96175

RGB 249 97 117

HSL 352.11, 0.93%, 0.68%

LAB 61.63, 59.51, 19.85

 

CMYK 0 / 53 / 61 / 2

HEX #F97561

RGB 249 117 97

HSL 7.89, 0.93%, 0.68%

LAB 64.74, 48.99, 35.21

 

CMYK 0 / 93 / 57 / 4

HEX #F6116A

RGB 246 17 106

HSL 336.68, 0.93%, 0.52%

LAB 52.99, 79.84, 14.41

 

CMYK 0 / 77 / 47 / 3

HEX #F73983

RGB 247 57 131

HSL 336.63, 0.92%, 0.6%

LAB 56.43, 74.37, 4.3

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 45 / 28 / 2

HEX #FA89B5

RGB 250 137 181

HSL 336.64, 0.92%, 0.76%

LAB 70.56, 47.83, -3.76

 

CMYK 0 / 30 / 18 / 1

HEX #FCB1CE

RGB 252 177 206

HSL 336.8, 0.93%, 0.84%

LAB 79.95, 31.42, -3.64

 

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

CMYK 0 / 12 / 61 / 2

HEX #F9DA61

RGB 249 218 97

HSL 47.76, 0.93%, 0.68%

LAB 87.56, -2.94, 62

 

CMYK 61 / 12 / 0 / 2

HEX #61DAF9

RGB 97 218 249

HSL 192.24, 0.93%, 0.68%

LAB 81.58, -24.93, -25.27

 

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

CMYK 37 / 0 / 61 / 2

HEX #9EF961

RGB 158 249 97

HSL 95.92, 0.93%, 0.68%

LAB 89.81, -52.07, 62.77

 

CMYK 61 / 37 / 0 / 2

HEX #619EF9

RGB 97 158 249

HSL 215.92, 0.93%, 0.68%

LAB 64.83, 7.41, -51.31

 

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

CMYK 0 / 12 / 61 / 2

HEX #F9DA61

RGB 249 218 97

HSL 47.76, 0.93%, 0.68%

LAB 87.56, -2.94, 62

 

CMYK 61 / 0 / 24 / 2

HEX #61F9BC

RGB 97 249 188

HSL 155.92, 0.93%, 0.68%

LAB 88.89, -54.25, 17.49

 

CMYK 61 / 49 / 0 / 2

HEX #617FF9

RGB 97 127 249

HSL 228.16, 0.93%, 0.68%

LAB 56.64, 25.86, -64.38

 

CMYK 0 / 60 / 37 / 2

HEX #F9639D

RGB 249 99 157

HSL 336.8, 0.93%, 0.68%

LAB 62.93, 62.39, -1.4

 

CMYK 6 / 0 / 61 / 2

HEX #EAF961

RGB 234 249 97

HSL 65.92, 0.93%, 0.68%

LAB 94.36, -24.22, 69.05

 

CMYK 61 / 0 / 24 / 2

HEX #61F9BC

RGB 97 249 188

HSL 155.92, 0.93%, 0.68%

LAB 88.89, -54.25, 17.49

 

CMYK 55 / 61 / 0 / 2

HEX #7061F9

RGB 112 97 249

HSL 245.92, 0.93%, 0.68%

LAB 50.49, 46.31, -74.28

 

Description

Color code: HEX #F9639D | qconv.com Color code: HEX #F9639D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 99 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 99 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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