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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F960C6 it is the complementary color #069F39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F960C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F960C6 shade: #FE60C1, #FF72D4, #FF84E7, #FF96FA and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F960C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F960C6 shade: #F960C6, #E84EB3, #D73CA0, #C62A8D and #B5187A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F960C6 shade: #F961C6, #F9619D, #F96174 and #F96161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F960C6 shade: #F961C6, #F961EF, #DA61F9, #B161F9 and #8861F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F960C6 shade matches the following richer shades: #F961C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F960C6 shade: #F961C6, #EC6EC2, #DE7BBD, #D189B9 and #C496B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F960C6 shade: #DA61F9, #F961EF, #F961C6, #F9619E and #F96175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F960C6 shade: #F611AA, #F739B8, #F961C6, #FA89D4 and #FCB1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F960C6 shade: #F960C6, #F9B261 and #61F9EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F960C6 shade: #F960C6, #C6F961 and #61C6F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F960C6 shade: #F960C6, #F9B261, #61F994 and #61A8F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F960C6 shade: #F960C6, #F9DF61, #61F994 and #617AF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

Complementary color

CMYK 96 / 0 / 64 / 38

HEX #069F39

RGB 6 159 57

HSL 140, 0.93%, 0.32%

LAB 57.2, -56.52, 42.36

 

CMYK 0 / 62 / 24 / 0

HEX #FE60C1

RGB 254 96 193

HSL 323.16, 0.99%, 0.69%

LAB 64.39, 69.33, -19.7

 

CMYK 0 / 55 / 17 / 0

HEX #FF72D4

RGB 255 114 212

HSL 318.3, 1%, 0.72%

LAB 68.06, 64.55, -24.78

 

CMYK 0 / 48 / 9 / 0

HEX #FF84E7

RGB 255 132 231

HSL 311.71, 1%, 0.76%

LAB 71.91, 59.11, -29.37

 

CMYK 0 / 41 / 2 / 0

HEX #FF96FA

RGB 255 150 250

HSL 302.86, 1%, 0.79%

LAB 76.05, 53.46, -33.35

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

CMYK 0 / 66 / 23 / 9

HEX #E84EB3

RGB 232 78 179

HSL 320.65, 0.77%, 0.61%

LAB 57.9, 68.65, -21.9

 

CMYK 0 / 72 / 26 / 16

HEX #D73CA0

RGB 215 60 160

HSL 321.29, 0.66%, 0.54%

LAB 52.08, 68.26, -19.96

 

CMYK 0 / 79 / 29 / 22

HEX #C62A8D

RGB 198 42 141

HSL 321.92, 0.65%, 0.47%

LAB 46.42, 67.24, -17.53

 

CMYK 0 / 87 / 33 / 29

HEX #B5187A

RGB 181 24 122

HSL 322.55, 0.77%, 0.4%

LAB 41.03, 65.29, -14.41

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 61 / 37 / 2

HEX #F9619D

RGB 249 97 157

HSL 336.32, 0.93%, 0.68%

LAB 62.61, 63.24, -1.86

 

CMYK 0 / 61 / 53 / 2

HEX #F96174

RGB 249 97 116

HSL 352.5, 0.93%, 0.68%

LAB 61.61, 59.43, 20.4

 

CMYK 0 / 61 / 61 / 2

HEX #F96161

RGB 249 97 97

HSL 0, 0.93%, 0.68%

LAB 61.27, 58.09, 30.81

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 61 / 4 / 2

HEX #F961EF

RGB 249 97 239

HSL 303.95, 0.93%, 0.68%

LAB 65.69, 74.23, -43.53

 

CMYK 12 / 61 / 0 / 2

HEX #DA61F9

RGB 218 97 249

HSL 287.76, 0.93%, 0.68%

LAB 61.91, 68.59, -55.31

 

CMYK 29 / 61 / 0 / 2

HEX #B161F9

RGB 177 97 249

HSL 271.58, 0.93%, 0.68%

LAB 56.82, 59.27, -63.75

 

CMYK 45 / 61 / 0 / 2

HEX #8861F9

RGB 136 97 249

HSL 255.39, 0.93%, 0.68%

LAB 52.53, 50.71, -70.87

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 53 / 18 / 7

HEX #EC6EC2

RGB 236 110 194

HSL 320, 0.77%, 0.68%

LAB 64.06, 58.27, -21

 

CMYK 0 / 45 / 15 / 13

HEX #DE7BBD

RGB 222 123 189

HSL 320, 0.6%, 0.68%

LAB 64.46, 46.87, -17.75

 

CMYK 0 / 34 / 11 / 18

HEX #D189B9

RGB 209 137 185

HSL 320, 0.44%, 0.68%

LAB 65.71, 34.59, -13.76

 

CMYK 0 / 23 / 8 / 23

HEX #C496B5

RGB 196 150 181

HSL 319.57, 0.28%, 0.68%

LAB 67.19, 22.29, -9.44

 

CMYK 12 / 61 / 0 / 2

HEX #DA61F9

RGB 218 97 249

HSL 287.76, 0.93%, 0.68%

LAB 61.91, 68.59, -55.31

 

CMYK 0 / 61 / 4 / 2

HEX #F961EF

RGB 249 97 239

HSL 303.95, 0.93%, 0.68%

LAB 65.69, 74.23, -43.53

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 61 / 37 / 2

HEX #F9619E

RGB 249 97 158

HSL 335.92, 0.93%, 0.68%

LAB 62.64, 63.35, -2.39

 

CMYK 0 / 61 / 53 / 2

HEX #F96175

RGB 249 97 117

HSL 352.11, 0.93%, 0.68%

LAB 61.63, 59.51, 19.85

 

CMYK 0 / 93 / 31 / 4

HEX #F611AA

RGB 246 17 170

HSL 319.91, 0.93%, 0.52%

LAB 54.97, 85.14, -20.95

 

CMYK 0 / 77 / 26 / 3

HEX #F739B8

RGB 247 57 184

HSL 319.89, 0.92%, 0.6%

LAB 58.19, 79.69, -24.13

 

CMYK 0 / 61 / 20 / 2

HEX #F961C6

RGB 249 97 198

HSL 320.13, 0.93%, 0.68%

LAB 63.97, 68.22, -23.24

 

CMYK 0 / 45 / 15 / 2

HEX #FA89D4

RGB 250 137 212

HSL 320.18, 0.92%, 0.76%

LAB 71.53, 52.22, -19.53

 

CMYK 0 / 30 / 10 / 1

HEX #FCB1E3

RGB 252 177 227

HSL 320, 0.93%, 0.84%

LAB 80.56, 34.73, -14.08

 

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

CMYK 0 / 29 / 61 / 2

HEX #F9B261

RGB 249 178 97

HSL 31.97, 0.93%, 0.68%

LAB 77.78, 17.77, 50.93

 

CMYK 61 / 0 / 4 / 2

HEX #61F9EF

RGB 97 249 239

HSL 176.05, 0.93%, 0.68%

LAB 90.1, -42.24, -7.21

 

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

CMYK 20 / 0 / 61 / 2

HEX #C6F961

RGB 198 249 97

HSL 80.13, 0.93%, 0.68%

LAB 91.96, -38.06, 65.76

 

CMYK 61 / 20 / 0 / 2

HEX #61C6F9

RGB 97 198 249

HSL 200.13, 0.93%, 0.68%

LAB 75.93, -14.73, -33.95

 

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

CMYK 0 / 29 / 61 / 2

HEX #F9B261

RGB 249 178 97

HSL 31.97, 0.93%, 0.68%

LAB 77.78, 17.77, 50.93

 

CMYK 61 / 0 / 41 / 2

HEX #61F994

RGB 97 249 148

HSL 140.13, 0.93%, 0.68%

LAB 88.18, -61.8, 36.77

 

CMYK 61 / 33 / 0 / 2

HEX #61A8F9

RGB 97 168 249

HSL 211.97, 0.93%, 0.68%

LAB 67.57, 1.67, -46.99

 

CMYK 0 / 61 / 20 / 2

HEX #F960C6

RGB 249 96 198

HSL 320, 0.93%, 0.68%

LAB 63.82, 68.63, -23.47

 

CMYK 0 / 10 / 61 / 2

HEX #F9DF61

RGB 249 223 97

HSL 49.74, 0.93%, 0.68%

LAB 88.82, -5.46, 63.38

 

CMYK 61 / 0 / 41 / 2

HEX #61F994

RGB 97 249 148

HSL 140.13, 0.93%, 0.68%

LAB 88.18, -61.8, 36.77

 

CMYK 61 / 51 / 0 / 2

HEX #617AF9

RGB 97 122 249

HSL 230.13, 0.93%, 0.68%

LAB 55.38, 28.89, -66.41

 

Description

Color code: HEX #F960C6 | qconv.com Color code: HEX #F960C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 96 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 96 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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