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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F943B1 it is the complementary color #06BC4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F943B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F943B1 shade: #FE43AC, #FF55BF, #FF67D2, #FF79E5 and #FF8BF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F943B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F943B1 shade: #F943B1, #E8319E, #D71F8B, #C60D78 and #B50065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F943B1 shade: #F943B1, #F9437F, #F9434E and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F943B1 shade: #F943B1, #F943E2, #DF43F9, #AD43F9 and #7C43F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F943B1 shade matches the following richer shades: #F943B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F943B1 shade: #F943B1, #E952AD, #D962AA, #CA72A7 and #BA81A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F943B1 shade: #DD43F9, #F943E3, #F943B3, #F94382 and #F94352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F943B1 shade: #E2078B, #F71AA0, #F943B1, #FA6BC1 and #FB93D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F943B1 shade: #F943B1, #F9AD43 and #43F9F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F943B1 shade: #F943B1, #B3F943 and #43B3F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F943B1 shade: #F943B1, #F9AD43, #43F988 and #438EF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F943B1 shade: #F943B1, #F9E343, #43F988 and #4358F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

Complementary color

CMYK 97 / 0 / 59 / 26

HEX #06BC4E

RGB 6 188 78

HSL 143.74, 0.94%, 0.38%

LAB 66.94, -62.95, 43.92

 

CMYK 0 / 74 / 32 / 0

HEX #FE43AC

RGB 254 67 172

HSL 326.31, 0.99%, 0.63%

LAB 59.95, 77.15, -14.41

 

CMYK 0 / 67 / 25 / 0

HEX #FF55BF

RGB 255 85 191

HSL 322.59, 1%, 0.67%

LAB 62.94, 73.57, -20.75

 

CMYK 0 / 60 / 18 / 0

HEX #FF67D2

RGB 255 103 210

HSL 317.76, 1%, 0.7%

LAB 66.22, 69.01, -26.47

 

CMYK 0 / 53 / 10 / 0

HEX #FF79E5

RGB 255 121 229

HSL 311.64, 1%, 0.74%

LAB 69.89, 63.93, -31.39

 

CMYK 0 / 45 / 3 / 0

HEX #FF8BF8

RGB 255 139 248

HSL 303.62, 1%, 0.77%

LAB 73.87, 58.53, -35.64

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 79 / 32 / 9

HEX #E8319E

RGB 232 49 158

HSL 324.26, 0.8%, 0.55%

LAB 53.84, 75.38, -15.84

 

CMYK 0 / 86 / 35 / 16

HEX #D71F8B

RGB 215 31 139

HSL 324.78, 0.75%, 0.48%

LAB 48.62, 73.48, -12.68

 

CMYK 0 / 93 / 39 / 22

HEX #C60D78

RGB 198 13 120

HSL 325.3, 0.88%, 0.41%

LAB 43.73, 70.52, -8.77

 

CMYK 0 / 100 / 44 / 29

HEX #B50065

RGB 181 0 101

HSL 326.52, 1%, 0.35%

LAB 39.18, 66.36, -4

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 73 / 49 / 2

HEX #F9437F

RGB 249 67 127

HSL 340.22, 0.94%, 0.62%

LAB 57.74, 71.59, 8.6

 

CMYK 0 / 73 / 69 / 2

HEX #F9434E

RGB 249 67 78

HSL 356.37, 0.94%, 0.62%

LAB 56.79, 68.46, 36.05

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 73 / 9 / 2

HEX #F943E2

RGB 249 67 226

HSL 307.58, 0.94%, 0.62%

LAB 61.35, 82.76, -43.1

 

CMYK 10 / 73 / 0 / 2

HEX #DF43F9

RGB 223 67 249

HSL 291.43, 0.94%, 0.62%

LAB 58.55, 81.05, -60.64

 

CMYK 31 / 73 / 0 / 2

HEX #AD43F9

RGB 173 67 249

HSL 274.95, 0.94%, 0.62%

LAB 51.54, 71.78, -72.3

 

CMYK 50 / 73 / 0 / 2

HEX #7C43F9

RGB 124 67 249

HSL 258.79, 0.94%, 0.62%

LAB 45.82, 63.89, -81.87

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 65 / 26 / 9

HEX #E952AD

RGB 233 82 173

HSL 323.84, 0.77%, 0.62%

LAB 58.39, 66.62, -17.67

 

CMYK 0 / 55 / 22 / 15

HEX #D962AA

RGB 217 98 170

HSL 323.7, 0.61%, 0.62%

LAB 58.4, 54.73, -16.14

 

CMYK 0 / 44 / 17 / 21

HEX #CA72A7

RGB 202 114 167

HSL 323.86, 0.45%, 0.62%

LAB 59.33, 41.55, -13.22

 

CMYK 0 / 31 / 12 / 27

HEX #BA81A4

RGB 186 129 164

HSL 323.16, 0.29%, 0.62%

LAB 60.62, 27.43, -9.75

 

CMYK 11 / 73 / 0 / 2

HEX #DD43F9

RGB 221 67 249

HSL 290.77, 0.94%, 0.62%

LAB 58.25, 80.67, -61.13

 

CMYK 0 / 73 / 9 / 2

HEX #F943E3

RGB 249 67 227

HSL 307.25, 0.94%, 0.62%

LAB 61.39, 82.91, -43.59

 

CMYK 0 / 73 / 28 / 2

HEX #F943B3

RGB 249 67 179

HSL 323.08, 0.94%, 0.62%

LAB 59.35, 76.7, -19.44

 

CMYK 0 / 73 / 48 / 2

HEX #F94382

RGB 249 67 130

HSL 339.23, 0.94%, 0.62%

LAB 57.81, 71.83, 6.93

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 97 / 38 / 11

HEX #E2078B

RGB 226 7 139

HSL 323.84, 0.94%, 0.46%

LAB 49.72, 78.83, -10.82

 

CMYK 0 / 89 / 35 / 3

HEX #F71AA0

RGB 247 26 160

HSL 323.62, 0.93%, 0.54%

LAB 55.12, 83.33, -14.81

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 57 / 23 / 2

HEX #FA6BC1

RGB 250 107 193

HSL 323.92, 0.93%, 0.7%

LAB 65.51, 63.58, -18.06

 

CMYK 0 / 41 / 16 / 2

HEX #FB93D2

RGB 251 147 210

HSL 323.65, 0.93%, 0.78%

LAB 73.56, 47.23, -15.35

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 31 / 73 / 2

HEX #F9AD43

RGB 249 173 67

HSL 34.95, 0.94%, 0.62%

LAB 76.33, 18.73, 62.92

 

CMYK 73 / 0 / 1 / 2

HEX #43F9F6

RGB 67 249 246

HSL 179.01, 0.94%, 0.62%

LAB 89.67, -44.4, -11.56

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 28 / 0 / 73 / 2

HEX #B3F943

RGB 179 249 67

HSL 83.08, 0.94%, 0.62%

LAB 90.66, -46.97, 75.17

 

CMYK 73 / 28 / 0 / 2

HEX #43B3F9

RGB 67 179 249

HSL 203.08, 0.94%, 0.62%

LAB 69.66, -9.04, -43.76

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 31 / 73 / 2

HEX #F9AD43

RGB 249 173 67

HSL 34.95, 0.94%, 0.62%

LAB 76.33, 18.73, 62.92

 

CMYK 73 / 0 / 45 / 2

HEX #43F988

RGB 67 249 136

HSL 142.75, 0.94%, 0.62%

LAB 87.35, -68.81, 41.44

 

CMYK 73 / 43 / 0 / 2

HEX #438EF9

RGB 67 142 249

HSL 215.27, 0.94%, 0.62%

LAB 59.32, 12.27, -60.15

 

CMYK 0 / 73 / 29 / 2

HEX #F943B1

RGB 249 67 177

HSL 323.74, 0.94%, 0.62%

LAB 59.28, 76.48, -18.4

 

CMYK 0 / 9 / 73 / 2

HEX #F9E343

RGB 249 227 67

HSL 52.75, 0.94%, 0.62%

LAB 89.62, -9.05, 75.86

 

CMYK 73 / 0 / 45 / 2

HEX #43F988

RGB 67 249 136

HSL 142.75, 0.94%, 0.62%

LAB 87.35, -68.81, 41.44

 

CMYK 73 / 65 / 0 / 2

HEX #4358F9

RGB 67 88 249

HSL 233.08, 0.94%, 0.62%

LAB 45.65, 45.4, -82.31

 

Description

Color code: HEX #F943B1 | qconv.com Color code: HEX #F943B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 67 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 67 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 29 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 29% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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