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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F942EF it is the complementary color #06BD10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F942EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F942EF shade: #FE42EA, #FF54FD, #FF66FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F942EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F942EF shade: #F942EF, #E830DC, #D71EC9, #C60CB6 and #B500A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F942EF shade: #F943EF, #F943BE, #F9438C, #F9435B and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F942EF shade: #F943EF, #D243F9, #A043F9, #6F43F9 and #4343F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F942EF shade matches the following richer shades: #F943EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F942EF shade: #F943EF, #E952E1, #D962D3, #CA72C5 and #BA81B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F942EF shade: #A143F9, #D143F9, #F943F0, #F943BF and #F9438E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F942EF shade: #E207D6, #F71AEB, #F943EF, #FA6BF2 and #FB93F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F942EF shade: #F942EF, #F97043 and #43F9B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F942EF shade: #F942EF, #F0F943 and #43F0F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F942EF shade: #F942EF, #F97043, #43F94C and #43CBF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F942EF shade: #F942EF, #F9A743, #43F94C and #4394F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

Complementary color

CMYK 97 / 0 / 92 / 26

HEX #06BD10

RGB 6 189 16

HSL 123.28, 0.94%, 0.38%

LAB 66.88, -68.17, 64.48

 

CMYK 0 / 74 / 8 / 0

HEX #FE42EA

RGB 254 66 234

HSL 306.38, 0.99%, 0.63%

LAB 62.43, 85.24, -45.82

 

CMYK 0 / 67 / 1 / 0

HEX #FF54FD

RGB 255 84 253

HSL 300.7, 1%, 0.66%

LAB 65.51, 82.63, -51.48

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

CMYK 0 / 79 / 5 / 9

HEX #E830DC

RGB 232 48 220

HSL 303.91, 0.8%, 0.55%

LAB 56.52, 83.5, -47.52

 

CMYK 0 / 86 / 7 / 16

HEX #D71EC9

RGB 215 30 201

HSL 304.54, 0.76%, 0.48%

LAB 51.37, 81.24, -45.01

 

CMYK 0 / 94 / 8 / 22

HEX #C60CB6

RGB 198 12 182

HSL 305.16, 0.89%, 0.41%

LAB 46.51, 77.92, -41.86

 

CMYK 0 / 100 / 10 / 29

HEX #B500A3

RGB 181 0 163

HSL 305.97, 1%, 0.35%

LAB 41.95, 73.4, -38

 

CMYK 0 / 73 / 4 / 2

HEX #F943EF

RGB 249 67 239

HSL 303.3, 0.94%, 0.62%

LAB 61.99, 84.65, -49.36

 

CMYK 0 / 73 / 24 / 2

HEX #F943BE

RGB 249 67 190

HSL 319.45, 0.94%, 0.62%

LAB 59.77, 78.01, -25.13

 

CMYK 0 / 73 / 44 / 2

HEX #F9438C

RGB 249 67 140

HSL 335.93, 0.94%, 0.62%

LAB 58.08, 72.7, 1.42

 

CMYK 0 / 73 / 63 / 2

HEX #F9435B

RGB 249 67 91

HSL 352.09, 0.94%, 0.62%

LAB 56.99, 69.13, 28.79

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 73 / 4 / 2

HEX #F943EF

RGB 249 67 239

HSL 303.3, 0.94%, 0.62%

LAB 61.99, 84.65, -49.36

 

CMYK 16 / 73 / 0 / 2

HEX #D243F9

RGB 210 67 249

HSL 287.14, 0.94%, 0.62%

LAB 56.64, 78.56, -63.81

 

CMYK 36 / 73 / 0 / 2

HEX #A043F9

RGB 160 67 249

HSL 270.66, 0.94%, 0.62%

LAB 49.89, 69.54, -75.05

 

CMYK 55 / 73 / 0 / 2

HEX #6F43F9

RGB 111 67 249

HSL 254.51, 0.94%, 0.62%

LAB 44.57, 62.1, -83.98

 

CMYK 73 / 73 / 0 / 2

HEX #4343F9

RGB 67 67 249

HSL 240, 0.94%, 0.62%

LAB 41.29, 57.33, -89.49

 

CMYK 0 / 73 / 4 / 2

HEX #F943EF

RGB 249 67 239

HSL 303.3, 0.94%, 0.62%

LAB 61.99, 84.65, -49.36

 

CMYK 0 / 73 / 4 / 2

HEX #F943EF

RGB 249 67 239

HSL 303.3, 0.94%, 0.62%

LAB 61.99, 84.65, -49.36

 

CMYK 0 / 65 / 3 / 9

HEX #E952E1

RGB 233 82 225

HSL 303.18, 0.77%, 0.62%

LAB 60.6, 74.03, -43.89

 

CMYK 0 / 55 / 3 / 15

HEX #D962D3

RGB 217 98 211

HSL 303.03, 0.61%, 0.62%

LAB 60.06, 61.1, -37.01

 

CMYK 0 / 44 / 2 / 21

HEX #CA72C5

RGB 202 114 197

HSL 303.41, 0.45%, 0.62%

LAB 60.45, 46.59, -28.64

 

CMYK 0 / 31 / 2 / 27

HEX #BA81B7

RGB 186 129 183

HSL 303.16, 0.29%, 0.62%

LAB 61.27, 30.85, -19.59

 

CMYK 35 / 73 / 0 / 2

HEX #A143F9

RGB 161 67 249

HSL 270.99, 0.94%, 0.62%

LAB 50.01, 69.71, -74.85

 

CMYK 16 / 73 / 0 / 2

HEX #D143F9

RGB 209 67 249

HSL 286.81, 0.94%, 0.62%

LAB 56.5, 78.37, -64.05

 

CMYK 0 / 73 / 4 / 2

HEX #F943F0

RGB 249 67 240

HSL 302.97, 0.94%, 0.62%

LAB 62.04, 84.79, -49.84

 

CMYK 0 / 73 / 23 / 2

HEX #F943BF

RGB 249 67 191

HSL 319.12, 0.94%, 0.62%

LAB 59.81, 78.13, -25.64

 

CMYK 0 / 73 / 43 / 2

HEX #F9438E

RGB 249 67 142

HSL 335.27, 0.94%, 0.62%

LAB 58.14, 72.88, 0.33

 

CMYK 0 / 97 / 5 / 11

HEX #E207D6

RGB 226 7 214

HSL 303.29, 0.94%, 0.46%

LAB 53.14, 87.53, -49.55

 

CMYK 0 / 89 / 5 / 3

HEX #F71AEB

RGB 247 26 235

HSL 303.26, 0.93%, 0.54%

LAB 58.52, 92.2, -52.65

 

CMYK 0 / 73 / 4 / 2

HEX #F943EF

RGB 249 67 239

HSL 303.3, 0.94%, 0.62%

LAB 61.99, 84.65, -49.36

 

CMYK 0 / 57 / 3 / 2

HEX #FA6BF2

RGB 250 107 242

HSL 303.36, 0.93%, 0.7%

LAB 67.46, 70.84, -42.39

 

CMYK 0 / 41 / 2 / 2

HEX #FB93F5

RGB 251 147 245

HSL 303.46, 0.93%, 0.78%

LAB 74.81, 52.92, -32.6

 

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

CMYK 0 / 55 / 73 / 2

HEX #F97043

RGB 249 112 67

HSL 14.84, 0.94%, 0.62%

LAB 63.45, 49.74, 49.56

 

CMYK 73 / 0 / 26 / 2

HEX #43F9B9

RGB 67 249 185

HSL 158.9, 0.94%, 0.62%

LAB 88.18, -59.52, 17.96

 

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

CMYK 4 / 0 / 73 / 2

HEX #F0F943

RGB 240 249 67

HSL 62.97, 0.94%, 0.62%

LAB 94.6, -23.44, 80.31

 

CMYK 73 / 4 / 0 / 2

HEX #43F0F9

RGB 67 240 249

HSL 182.97, 0.94%, 0.62%

LAB 87.17, -39.53, -16.87

 

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

CMYK 0 / 55 / 73 / 2

HEX #F97043

RGB 249 112 67

HSL 14.84, 0.94%, 0.62%

LAB 63.45, 49.74, 49.56

 

CMYK 73 / 0 / 69 / 2

HEX #43F94C

RGB 67 249 76

HSL 122.97, 0.94%, 0.62%

LAB 86.73, -76.12, 66.82

 

CMYK 73 / 18 / 0 / 2

HEX #43CBF9

RGB 67 203 249

HSL 195.16, 0.94%, 0.62%

LAB 76.52, -21.73, -33.1

 

CMYK 0 / 73 / 4 / 2

HEX #F942EF

RGB 249 66 239

HSL 303.28, 0.94%, 0.62%

LAB 61.88, 84.94, -49.52

 

CMYK 0 / 33 / 73 / 2

HEX #F9A743

RGB 249 167 67

HSL 32.97, 0.94%, 0.62%

LAB 74.94, 21.87, 61.52

 

CMYK 73 / 0 / 69 / 2

HEX #43F94C

RGB 67 249 76

HSL 122.97, 0.94%, 0.62%

LAB 86.73, -76.12, 66.82

 

CMYK 73 / 41 / 0 / 2

HEX #4394F9

RGB 67 148 249

HSL 213.3, 0.94%, 0.62%

LAB 60.97, 8.68, -57.52

 

Description

Color code: HEX #F942EF | qconv.com Color code: HEX #F942EF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 66 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 66 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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