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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9429E it is the complementary color #06BD61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9429E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9429E shade: #FE4299, #FF54AC, #FF66BF, #FF78D2 and #FF8AE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9429E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9429E shade: #F9429E, #E8308B, #D71E78, #C60C65 and #B50052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9429E shade: #F9439E, #F9436D and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9429E shade: #F9439E, #F943CF, #F143F9, #C043F9 and #8F43F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9429E shade matches the following richer shades: #F9439E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9429E shade: #F9439E, #E9529E, #D9629E, #CA729E and #BA819E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9429E shade: #F043F9, #F943D1, #F943A1, #F94370 and #F94643

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9429E shade: #E20775, #F71A8A, #F9439E, #FA6BB3 and #FB93C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9429E shade: #F9429E, #F9BF43 and #43EAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9429E shade: #F9429E, #A1F943 and #43A1F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9429E shade: #F9429E, #F9BF43, #43F99B and #437CF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9429E shade: #F9429E, #F9F643, #43F99B and #4346F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

Complementary color

CMYK 97 / 0 / 49 / 26

HEX #06BD61

RGB 6 189 97

HSL 149.84, 0.94%, 0.38%

LAB 67.5, -60.4, 35.37

 

CMYK 0 / 74 / 40 / 0

HEX #FE4299

RGB 254 66 153

HSL 332.23, 0.99%, 0.63%

LAB 59.22, 75.52, -4.43

 

CMYK 0 / 67 / 33 / 0

HEX #FF54AC

RGB 255 84 172

HSL 329.12, 1%, 0.66%

LAB 62.15, 71.71, -11.08

 

CMYK 0 / 60 / 25 / 0

HEX #FF66BF

RGB 255 102 191

HSL 325.1, 1%, 0.7%

LAB 65.38, 66.89, -17.06

 

CMYK 0 / 53 / 18 / 0

HEX #FF78D2

RGB 255 120 210

HSL 320, 1%, 0.74%

LAB 69, 61.55, -22.22

 

CMYK 0 / 46 / 10 / 0

HEX #FF8AE5

RGB 255 138 229

HSL 313.33, 1%, 0.77%

LAB 72.95, 55.9, -26.68

 

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

CMYK 0 / 79 / 40 / 9

HEX #E8308B

RGB 232 48 139

HSL 330.33, 0.8%, 0.55%

LAB 53.1, 73.71, -5.66

 

CMYK 0 / 86 / 44 / 16

HEX #D71E78

RGB 215 30 120

HSL 330.81, 0.76%, 0.48%

LAB 47.92, 71.88, -2.18

 

CMYK 0 / 94 / 49 / 22

HEX #C60C65

RGB 198 12 101

HSL 331.29, 0.89%, 0.41%

LAB 43.08, 68.98, 2.12

 

CMYK 0 / 100 / 55 / 29

HEX #B50052

RGB 181 0 82

HSL 332.82, 1%, 0.35%

LAB 38.61, 64.86, 7.32

 

CMYK 0 / 73 / 37 / 2

HEX #F9439E

RGB 249 67 158

HSL 330, 0.94%, 0.62%

LAB 58.62, 74.42, -8.34

 

CMYK 0 / 73 / 56 / 2

HEX #F9436D

RGB 249 67 109

HSL 346.15, 0.94%, 0.62%

LAB 57.33, 70.24, 18.66

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 73 / 37 / 2

HEX #F9439E

RGB 249 67 158

HSL 330, 0.94%, 0.62%

LAB 58.62, 74.42, -8.34

 

CMYK 0 / 73 / 17 / 2

HEX #F943CF

RGB 249 67 207

HSL 313.85, 0.94%, 0.62%

LAB 60.48, 80.17, -33.74

 

CMYK 3 / 73 / 0 / 2

HEX #F143F9

RGB 241 67 249

HSL 297.36, 0.94%, 0.62%

LAB 61.27, 84.57, -56.14

 

CMYK 23 / 73 / 0 / 2

HEX #C043F9

RGB 192 67 249

HSL 281.21, 0.94%, 0.62%

LAB 54.09, 75.2, -68.04

 

CMYK 43 / 73 / 0 / 2

HEX #8F43F9

RGB 143 67 249

HSL 265.05, 0.94%, 0.62%

LAB 47.87, 66.76, -78.43

 

CMYK 0 / 73 / 37 / 2

HEX #F9439E

RGB 249 67 158

HSL 330, 0.94%, 0.62%

LAB 58.62, 74.42, -8.34

 

CMYK 0 / 73 / 37 / 2

HEX #F9439E

RGB 249 67 158

HSL 330, 0.94%, 0.62%

LAB 58.62, 74.42, -8.34

 

CMYK 0 / 65 / 32 / 9

HEX #E9529E

RGB 233 82 158

HSL 329.8, 0.77%, 0.62%

LAB 57.87, 64.81, -9.74

 

CMYK 0 / 55 / 27 / 15

HEX #D9629E

RGB 217 98 158

HSL 329.75, 0.61%, 0.62%

LAB 57.99, 53.09, -9.81

 

CMYK 0 / 44 / 22 / 21

HEX #CA729E

RGB 202 114 158

HSL 330, 0.45%, 0.62%

LAB 59.03, 40.18, -8.48

 

CMYK 0 / 31 / 15 / 27

HEX #BA819E

RGB 186 129 158

HSL 329.47, 0.29%, 0.62%

LAB 60.43, 26.42, -6.59

 

CMYK 4 / 73 / 0 / 2

HEX #F043F9

RGB 240 67 249

HSL 297.03, 0.94%, 0.62%

LAB 61.11, 84.37, -56.39

 

CMYK 0 / 73 / 16 / 2

HEX #F943D1

RGB 249 67 209

HSL 313.19, 0.94%, 0.62%

LAB 60.57, 80.43, -34.73

 

CMYK 0 / 73 / 35 / 2

HEX #F943A1

RGB 249 67 161

HSL 329.01, 0.94%, 0.62%

LAB 58.72, 74.73, -9.94

 

CMYK 0 / 73 / 55 / 2

HEX #F94370

RGB 249 67 112

HSL 345.16, 0.94%, 0.62%

LAB 57.39, 70.45, 16.98

 

CMYK 0 / 72 / 73 / 2

HEX #F94643

RGB 249 70 67

HSL 0.99, 0.94%, 0.62%

LAB 57, 66.99, 42.47

 

CMYK 0 / 97 / 48 / 11

HEX #E20775

RGB 226 7 117

HSL 329.86, 0.94%, 0.46%

LAB 49.01, 76.96, 1.52

 

CMYK 0 / 89 / 44 / 3

HEX #F71A8A

RGB 247 26 138

HSL 329.59, 0.93%, 0.54%

LAB 54.39, 81.35, -2.83

 

CMYK 0 / 73 / 37 / 2

HEX #F9439E

RGB 249 67 158

HSL 330, 0.94%, 0.62%

LAB 58.62, 74.42, -8.34

 

CMYK 0 / 57 / 28 / 2

HEX #FA6BB3

RGB 250 107 179

HSL 329.79, 0.93%, 0.7%

LAB 65.04, 61.78, -10.83

 

CMYK 0 / 41 / 21 / 2

HEX #FB93C7

RGB 251 147 199

HSL 330, 0.93%, 0.78%

LAB 73.22, 45.6, -9.8

 

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

CMYK 0 / 23 / 73 / 2

HEX #F9BF43

RGB 249 191 67

HSL 40.88, 0.94%, 0.62%

LAB 80.63, 9.31, 67.19

 

CMYK 73 / 6 / 0 / 2

HEX #43EAF9

RGB 67 234 249

HSL 184.95, 0.94%, 0.62%

LAB 85.44, -36.78, -19.48

 

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

CMYK 35 / 0 / 73 / 2

HEX #A1F943

RGB 161 249 67

HSL 89.01, 0.94%, 0.62%

LAB 89.74, -53.24, 73.95

 

CMYK 73 / 35 / 0 / 2

HEX #43A1F9

RGB 67 161 249

HSL 209.01, 0.94%, 0.62%

LAB 64.58, 1.07, -51.77

 

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

CMYK 0 / 23 / 73 / 2

HEX #F9BF43

RGB 249 191 67

HSL 40.88, 0.94%, 0.62%

LAB 80.63, 9.31, 67.19

 

CMYK 73 / 0 / 38 / 2

HEX #43F99B

RGB 67 249 155

HSL 149.01, 0.94%, 0.62%

LAB 87.64, -65.55, 32.46

 

CMYK 73 / 50 / 0 / 2

HEX #437CF9

RGB 67 124 249

HSL 221.21, 0.94%, 0.62%

LAB 54.5, 23.26, -67.9

 

CMYK 0 / 73 / 37 / 2

HEX #F9429E

RGB 249 66 158

HSL 329.84, 0.94%, 0.62%

LAB 58.51, 74.73, -8.5

 

CMYK 0 / 1 / 73 / 2

HEX #F9F643

RGB 249 246 67

HSL 59.01, 0.94%, 0.62%

LAB 94.51, -18.36, 80.46

 

CMYK 73 / 0 / 38 / 2

HEX #43F99B

RGB 67 249 155

HSL 149.01, 0.94%, 0.62%

LAB 87.64, -65.55, 32.46

 

CMYK 73 / 72 / 0 / 2

HEX #4346F9

RGB 67 70 249

HSL 239.01, 0.94%, 0.62%

LAB 41.87, 55.72, -88.54

 

Description

Color code: HEX #F9429E | qconv.com Color code: HEX #F9429E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 66 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 66 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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