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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F940D1 it is the complementary color #06BF2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F940D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F940D1 shade: #FE40CC, #FF52DF, #FF64F2, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F940D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F940D1 shade: #F940D1, #E82EBE, #D71CAB, #C60A98 and #B50085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F940D1 shade: #F93ED0, #F93E9E, #F93E6B and #F93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F940D1 shade: #F93ED0, #EF3EF9, #BC3EF9, #8A3EF9 and #573EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F940D1 shade matches the following richer shades: #F93ED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F940D1 shade: #F93ED0, #E84EC7, #D85EBE, #C86EB5 and #B87EAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F940D1 shade: #BA3EF9, #EC3EF9, #F93ED3, #F93EA1 and #F93E6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F940D1 shade: #DD06AF, #F716C6, #F93ED0, #FA66DA and #FB8EE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F940D1 shade: #F940D1, #F9883E and #3EF9D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F940D1 shade: #F940D1, #D3F93E and #3ED3F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F940D1 shade: #F940D1, #F9883E, #3EF963 and #3EAEF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F940D1 shade: #F940D1, #F9C03E, #3EF963 and #3E76F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

Complementary color

CMYK 97 / 0 / 76 / 25

HEX #06BF2E

RGB 6 191 46

HSL 132.97, 0.94%, 0.39%

LAB 67.65, -67.18, 57.72

 

CMYK 0 / 75 / 20 / 0

HEX #FE40CC

RGB 254 64 204

HSL 315.79, 0.99%, 0.62%

LAB 60.87, 81.78, -31.36

 

CMYK 0 / 68 / 13 / 0

HEX #FF52DF

RGB 255 82 223

HSL 311.1, 1%, 0.66%

LAB 63.85, 78.87, -37.43

 

CMYK 0 / 61 / 5 / 0

HEX #FF64F2

RGB 255 100 242

HSL 305.03, 1%, 0.7%

LAB 67.12, 74.96, -42.89

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

CMYK 0 / 80 / 18 / 9

HEX #E82EBE

RGB 232 46 190

HSL 313.55, 0.8%, 0.55%

LAB 54.89, 79.89, -32.91

 

CMYK 0 / 87 / 20 / 16

HEX #D71CAB

RGB 215 28 171

HSL 314.12, 0.77%, 0.48%

LAB 49.76, 77.61, -30.05

 

CMYK 0 / 95 / 23 / 22

HEX #C60A98

RGB 198 10 152

HSL 314.68, 0.9%, 0.41%

LAB 44.93, 74.24, -26.48

 

CMYK 0 / 100 / 27 / 29

HEX #B50085

RGB 181 0 133

HSL 315.91, 1%, 0.35%

LAB 40.44, 69.61, -22.12

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED0

RGB 249 62 208

HSL 313.16, 0.94%, 0.61%

LAB 60.01, 81.75, -35.03

 

CMYK 0 / 75 / 37 / 2

HEX #F93E9E

RGB 249 62 158

HSL 329.2, 0.94%, 0.61%

LAB 58.09, 75.93, -9.14

 

CMYK 0 / 75 / 57 / 2

HEX #F93E6B

RGB 249 62 107

HSL 345.56, 0.94%, 0.61%

LAB 56.73, 71.66, 19.03

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED0

RGB 249 62 208

HSL 313.16, 0.94%, 0.61%

LAB 60.01, 81.75, -35.03

 

CMYK 4 / 75 / 0 / 2

HEX #EF3EF9

RGB 239 62 249

HSL 296.79, 0.94%, 0.61%

LAB 60.46, 85.62, -57.44

 

CMYK 24 / 75 / 0 / 2

HEX #BC3EF9

RGB 188 62 249

HSL 280.43, 0.94%, 0.61%

LAB 52.92, 76.23, -69.96

 

CMYK 45 / 75 / 0 / 2

HEX #8A3EF9

RGB 138 62 249

HSL 264.39, 0.94%, 0.61%

LAB 46.56, 68.11, -80.6

 

CMYK 65 / 75 / 0 / 2

HEX #573EF9

RGB 87 62 249

HSL 248.02, 0.94%, 0.61%

LAB 41.71, 61.72, -88.76

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED0

RGB 249 62 208

HSL 313.16, 0.94%, 0.61%

LAB 60.01, 81.75, -35.03

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED0

RGB 249 62 208

HSL 313.16, 0.94%, 0.61%

LAB 60.01, 81.75, -35.03

 

CMYK 0 / 66 / 14 / 9

HEX #E84EC7

RGB 232 78 199

HSL 312.86, 0.77%, 0.61%

LAB 58.72, 71.37, -32.12

 

CMYK 0 / 56 / 12 / 15

HEX #D85EBE

RGB 216 94 190

HSL 312.79, 0.61%, 0.61%

LAB 58.34, 59.24, -27.76

 

CMYK 0 / 45 / 10 / 22

HEX #C86EB5

RGB 200 110 181

HSL 312.67, 0.45%, 0.61%

LAB 58.76, 45.25, -22.14

 

CMYK 0 / 32 / 7 / 28

HEX #B87EAC

RGB 184 126 172

HSL 312.41, 0.29%, 0.61%

LAB 59.97, 29.81, -15.32

 

CMYK 25 / 75 / 0 / 2

HEX #BA3EF9

RGB 186 62 249

HSL 279.79, 0.94%, 0.61%

LAB 52.65, 75.88, -70.42

 

CMYK 5 / 75 / 0 / 2

HEX #EC3EF9

RGB 236 62 249

HSL 295.83, 0.94%, 0.61%

LAB 59.99, 85.05, -58.21

 

CMYK 0 / 75 / 15 / 2

HEX #F93ED3

RGB 249 62 211

HSL 312.19, 0.94%, 0.61%

LAB 60.15, 82.14, -36.52

 

CMYK 0 / 75 / 35 / 2

HEX #F93EA1

RGB 249 62 161

HSL 328.24, 0.94%, 0.61%

LAB 58.19, 76.24, -10.74

 

CMYK 0 / 75 / 55 / 2

HEX #F93E6F

RGB 249 62 111

HSL 344.28, 0.94%, 0.61%

LAB 56.81, 71.93, 16.78

 

CMYK 0 / 97 / 21 / 13

HEX #DD06AF

RGB 221 6 175

HSL 312.84, 0.95%, 0.45%

LAB 50.21, 81.72, -31.62

 

CMYK 0 / 91 / 20 / 3

HEX #F716C6

RGB 247 22 198

HSL 313.07, 0.93%, 0.53%

LAB 56.51, 87.93, -34.81

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED0

RGB 249 62 208

HSL 313.16, 0.94%, 0.61%

LAB 60.01, 81.75, -35.03

 

CMYK 0 / 59 / 13 / 2

HEX #FA66DA

RGB 250 102 218

HSL 312.97, 0.94%, 0.69%

LAB 65.66, 69.24, -31.87

 

CMYK 0 / 43 / 10 / 2

HEX #FB8EE3

RGB 251 142 227

HSL 313.21, 0.93%, 0.77%

LAB 73.16, 52.4, -25.31

 

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

CMYK 0 / 45 / 75 / 2

HEX #F9883E

RGB 249 136 62

HSL 23.74, 0.94%, 0.61%

LAB 68.09, 37.75, 56.77

 

CMYK 75 / 0 / 15 / 2

HEX #3EF9D3

RGB 62 249 211

HSL 167.81, 0.94%, 0.61%

LAB 88.68, -54.07, 5.19

 

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

CMYK 15 / 0 / 75 / 2

HEX #D3F93E

RGB 211 249 62

HSL 72.19, 0.94%, 0.61%

LAB 92.55, -35.18, 79.19

 

CMYK 75 / 15 / 0 / 2

HEX #3ED3F9

RGB 62 211 249

HSL 192.19, 0.94%, 0.61%

LAB 78.72, -26.31, -29.72

 

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

CMYK 0 / 45 / 75 / 2

HEX #F9883E

RGB 249 136 62

HSL 23.74, 0.94%, 0.61%

LAB 68.09, 37.75, 56.77

 

CMYK 75 / 0 / 60 / 2

HEX #3EF963

RGB 62 249 99

HSL 131.87, 0.94%, 0.61%

LAB 86.84, -74.55, 57.78

 

CMYK 75 / 30 / 0 / 2

HEX #3EAEF9

RGB 62 174 249

HSL 204.06, 0.94%, 0.61%

LAB 68.12, -6.88, -46.2

 

CMYK 0 / 74 / 16 / 2

HEX #F940D1

RGB 249 64 209

HSL 312.97, 0.94%, 0.61%

LAB 60.26, 81.31, -35.22

 

CMYK 0 / 23 / 75 / 2

HEX #F9C03E

RGB 249 192 62

HSL 41.71, 0.94%, 0.61%

LAB 80.84, 8.58, 69.28

 

CMYK 75 / 0 / 60 / 2

HEX #3EF963

RGB 62 249 99

HSL 131.87, 0.94%, 0.61%

LAB 86.84, -74.55, 57.78

 

CMYK 75 / 53 / 0 / 2

HEX #3E76F9

RGB 62 118 249

HSL 222.03, 0.94%, 0.61%

LAB 52.75, 26.4, -70.74

 

Description

Color code: HEX #F940D1 | qconv.com Color code: HEX #F940D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 64 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 64 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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