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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F948AD it is the complementary color #06B752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F948AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F948AD shade: #FE48A8, #FF5ABB, #FF6CCE, #FF7EE1 and #FF90F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F948AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F948AD shade: #F948AD, #E8369A, #D72487, #C61274 and #B50061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F948AD shade: #F947AD, #F9477D, #F9474D and #F94747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F948AD shade: #F947AD, #F947DD, #E547F9, #B547F9 and #8647F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F948AD shade matches the following richer shades: #F947AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F948AD shade: #F947AD, #EA57AB, #DA66A8, #CB75A6 and #BC85A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F948AD shade: #E447F9, #F947DE, #F947AF, #F94780 and #F94750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F948AD shade: #E70787, #F81F9B, #F947AD, #FA6FBF and #FB98D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F948AD shade: #F948AD, #F9B547 and #47F6F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F948AD shade: #F948AD, #AFF947 and #47AFF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F948AD shade: #F948AD, #F9B547, #47F991 and #478BF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F948AD shade: #F948AD, #F9EA47, #47F991 and #4756F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

Complementary color

CMYK 97 / 0 / 55 / 28

HEX #06B752

RGB 6 183 82

HSL 145.76, 0.94%, 0.37%

LAB 65.37, -60.8, 40.15

 

CMYK 0 / 72 / 34 / 0

HEX #FE48A8

RGB 254 72 168

HSL 328.35, 0.99%, 0.64%

LAB 60.37, 75.15, -11.46

 

CMYK 0 / 65 / 27 / 0

HEX #FF5ABB

RGB 255 90 187

HSL 324.73, 1%, 0.68%

LAB 63.48, 71.21, -17.67

 

CMYK 0 / 58 / 19 / 0

HEX #FF6CCE

RGB 255 108 206

HSL 320, 1%, 0.71%

LAB 66.86, 66.33, -23.26

 

CMYK 0 / 51 / 12 / 0

HEX #FF7EE1

RGB 255 126 225

HSL 313.95, 1%, 0.75%

LAB 70.61, 61.01, -28.08

 

CMYK 0 / 44 / 4 / 0

HEX #FF90F4

RGB 255 144 244

HSL 305.95, 1%, 0.78%

LAB 74.66, 55.41, -32.25

 

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

CMYK 0 / 77 / 34 / 9

HEX #E8369A

RGB 232 54 154

HSL 326.29, 0.79%, 0.56%

LAB 54.16, 73.61, -12.98

 

CMYK 0 / 83 / 37 / 16

HEX #D72487

RGB 215 36 135

HSL 326.82, 0.71%, 0.49%

LAB 48.83, 72.07, -9.95

 

CMYK 0 / 91 / 41 / 22

HEX #C61274

RGB 198 18 116

HSL 327.33, 0.83%, 0.42%

LAB 43.8, 69.54, -6.18

 

CMYK 0 / 100 / 46 / 29

HEX #B50061

RGB 181 0 97

HSL 327.85, 1%, 0.35%

LAB 39.05, 66.02, -1.65

 

CMYK 0 / 71 / 31 / 2

HEX #F947AD

RGB 249 71 173

HSL 325.62, 0.94%, 0.63%

LAB 59.58, 74.75, -15.62

 

CMYK 0 / 71 / 50 / 2

HEX #F9477D

RGB 249 71 125

HSL 341.8, 0.94%, 0.63%

LAB 58.16, 70.12, 10.37

 

CMYK 0 / 71 / 69 / 2

HEX #F9474D

RGB 249 71 77

HSL 357.98, 0.94%, 0.63%

LAB 57.25, 67.08, 37.18

 

CMYK 0 / 71 / 71 / 2

HEX #F94747

RGB 249 71 71

HSL 0, 0.94%, 0.63%

LAB 57.17, 66.81, 40.46

 

CMYK 0 / 71 / 31 / 2

HEX #F947AD

RGB 249 71 173

HSL 325.62, 0.94%, 0.63%

LAB 59.58, 74.75, -15.62

 

CMYK 0 / 71 / 11 / 2

HEX #F947DD

RGB 249 71 221

HSL 309.44, 0.94%, 0.63%

LAB 61.54, 80.84, -39.99

 

CMYK 8 / 71 / 0 / 2

HEX #E547F9

RGB 229 71 249

HSL 293.26, 0.94%, 0.63%

LAB 59.89, 80.94, -58.44

 

CMYK 27 / 71 / 0 / 2

HEX #B547F9

RGB 181 71 249

HSL 277.08, 0.94%, 0.63%

LAB 53.13, 71.66, -69.66

 

CMYK 46 / 71 / 0 / 2

HEX #8647F9

RGB 134 71 249

HSL 261.24, 0.94%, 0.63%

LAB 47.51, 63.55, -79.06

 

CMYK 0 / 71 / 31 / 2

HEX #F947AD

RGB 249 71 173

HSL 325.62, 0.94%, 0.63%

LAB 59.58, 74.75, -15.62

 

CMYK 0 / 71 / 31 / 2

HEX #F947AD

RGB 249 71 173

HSL 325.62, 0.94%, 0.63%

LAB 59.58, 74.75, -15.62

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 53 / 23 / 15

HEX #DA66A8

RGB 218 102 168

HSL 325.86, 0.61%, 0.63%

LAB 59.19, 52.87, -13.78

 

CMYK 0 / 42 / 18 / 20

HEX #CB75A6

RGB 203 117 166

HSL 325.81, 0.45%, 0.63%

LAB 60.04, 40.15, -11.55

 

CMYK 0 / 29 / 13 / 26

HEX #BC85A4

RGB 188 133 164

HSL 326.18, 0.29%, 0.63%

LAB 61.78, 25.92, -8

 

CMYK 8 / 71 / 0 / 2

HEX #E447F9

RGB 228 71 249

HSL 292.92, 0.94%, 0.63%

LAB 59.74, 80.74, -58.68

 

CMYK 0 / 71 / 11 / 2

HEX #F947DE

RGB 249 71 222

HSL 309.1, 0.94%, 0.63%

LAB 61.59, 80.98, -40.48

 

CMYK 0 / 71 / 30 / 2

HEX #F947AF

RGB 249 71 175

HSL 324.94, 0.94%, 0.63%

LAB 59.65, 74.98, -16.67

 

CMYK 0 / 71 / 49 / 2

HEX #F94780

RGB 249 71 128

HSL 340.79, 0.94%, 0.63%

LAB 58.23, 70.36, 8.71

 

CMYK 0 / 71 / 68 / 2

HEX #F94750

RGB 249 71 80

HSL 356.97, 0.94%, 0.63%

LAB 57.29, 67.22, 35.52

 

CMYK 0 / 97 / 42 / 9

HEX #E70787

RGB 231 7 135

HSL 325.71, 0.94%, 0.47%

LAB 50.56, 79.52, -7.05

 

CMYK 0 / 88 / 38 / 3

HEX #F81F9B

RGB 248 31 155

HSL 325.71, 0.94%, 0.55%

LAB 55.38, 82.35, -11.45

 

CMYK 0 / 71 / 31 / 2

HEX #F947AD

RGB 249 71 173

HSL 325.62, 0.94%, 0.63%

LAB 59.58, 74.75, -15.62

 

CMYK 0 / 56 / 24 / 2

HEX #FA6FBF

RGB 250 111 191

HSL 325.47, 0.93%, 0.71%

LAB 66.1, 61.54, -16.03

 

CMYK 0 / 39 / 17 / 2

HEX #FB98D0

RGB 251 152 208

HSL 326.06, 0.93%, 0.79%

LAB 74.52, 44.38, -12.81

 

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

CMYK 0 / 27 / 71 / 2

HEX #F9B547

RGB 249 181 71

HSL 37.08, 0.94%, 0.63%

LAB 78.25, 14.71, 63.21

 

CMYK 71 / 1 / 0 / 2

HEX #47F6F9

RGB 71 246 249

HSL 181.01, 0.94%, 0.63%

LAB 88.97, -41.79, -14.17

 

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

CMYK 30 / 0 / 71 / 2

HEX #AFF947

RGB 175 249 71

HSL 84.94, 0.94%, 0.63%

LAB 90.47, -48.17, 73.58

 

CMYK 71 / 30 / 0 / 2

HEX #47AFF9

RGB 71 175 249

HSL 204.94, 0.94%, 0.63%

LAB 68.63, -6.33, -45.37

 

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

CMYK 0 / 27 / 71 / 2

HEX #F9B547

RGB 249 181 71

HSL 37.08, 0.94%, 0.63%

LAB 78.25, 14.71, 63.21

 

CMYK 71 / 0 / 42 / 2

HEX #47F991

RGB 71 249 145

HSL 144.94, 0.94%, 0.63%

LAB 87.55, -66.76, 37.32

 

CMYK 71 / 44 / 0 / 2

HEX #478BF9

RGB 71 139 249

HSL 217.08, 0.94%, 0.63%

LAB 58.64, 14.6, -61.23

 

CMYK 0 / 71 / 31 / 2

HEX #F948AD

RGB 249 72 173

HSL 325.76, 0.94%, 0.63%

LAB 59.7, 74.43, -15.44

 

CMYK 0 / 6 / 71 / 2

HEX #F9EA47

RGB 249 234 71

HSL 54.94, 0.94%, 0.63%

LAB 91.43, -12.34, 76.23

 

CMYK 71 / 0 / 42 / 2

HEX #47F991

RGB 71 249 145

HSL 144.94, 0.94%, 0.63%

LAB 87.55, -66.76, 37.32

 

CMYK 71 / 65 / 0 / 2

HEX #4756F9

RGB 71 86 249

HSL 234.94, 0.94%, 0.63%

LAB 45.41, 47.01, -82.7

 

Description

Color code: HEX #F948AD | qconv.com Color code: HEX #F948AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 72 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 72 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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