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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F93224 it is the complementary color #06CDDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F93224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F93224 shade: #FE321F, #FF4432, #FF5645, #FF6858 and #FF7A6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F93224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F93224 shade: #F93224, #E82011, #D70E00, #C60000 and #B50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F93224 shade: #F93224 and #F92424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F93224 shade: #F93224, #F96B24, #F9A524, #F9DE24 and #DAF924

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F93224 shade matches the following richer shades: #F93224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F93224 shade: #F93224, #E74136, #D55148, #C2615A and #B0716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F93224 shade: #F9248B, #F92452, #F92E24, #F96724 and #F9A024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F93224 shade: #C61105, #EE1506, #F93224, #FA574C and #FB7D74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F93224 shade: #F93224, #C4F924 and #246EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F93224 shade: #F93224, #24F92E and #2E24F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F93224 shade: #F93224, #C4F924, #24EEF9 and #5924F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F93224 shade: #F93224, #84F924, #24EEF9 and #9924F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

Complementary color

CMYK 97 / 6 / 0 / 14

HEX #06CDDB

RGB 6 205 219

HSL 183.94, 0.95%, 0.44%

LAB 75.34, -36.36, -18.85

 

CMYK 0 / 80 / 88 / 0

HEX #FE321F

RGB 254 50 31

HSL 5.11, 0.99%, 0.56%

LAB 55.53, 73.29, 59.17

 

CMYK 0 / 73 / 80 / 0

HEX #FF4432

RGB 255 68 50

HSL 5.27, 1%, 0.6%

LAB 57.68, 68.86, 52.43

 

CMYK 0 / 66 / 73 / 0

HEX #FF5645

RGB 255 86 69

HSL 5.48, 1%, 0.64%

LAB 60.2, 63.1, 45.25

 

CMYK 0 / 59 / 65 / 0

HEX #FF6858

RGB 255 104 88

HSL 5.75, 1%, 0.67%

LAB 63.23, 56.52, 38.49

 

CMYK 0 / 52 / 58 / 0

HEX #FF7A6B

RGB 255 122 107

HSL 6.08, 1%, 0.71%

LAB 66.7, 49.43, 32.37

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 86 / 93 / 9

HEX #E82011

RGB 232 32 17

HSL 4.19, 0.86%, 0.49%

LAB 49.77, 71.07, 58.42

 

CMYK 0 / 93 / 100 / 16

HEX #D70E00

RGB 215 14 0

HSL 3.91, 1%, 0.42%

LAB 45.31, 69.16, 59.25

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 86 / 86 / 2

HEX #F92424

RGB 249 36 36

HSL 0, 0.95%, 0.56%

LAB 53.52, 75.07, 55

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 57 / 86 / 2

HEX #F96B24

RGB 249 107 36

HSL 20, 0.95%, 0.56%

LAB 62.32, 51.06, 62.21

 

CMYK 0 / 34 / 86 / 2

HEX #F9A524

RGB 249 165 36

HSL 36.34, 0.95%, 0.56%

LAB 74.3, 21.89, 71.96

 

CMYK 0 / 11 / 86 / 2

HEX #F9DE24

RGB 249 222 36

HSL 52.39, 0.95%, 0.56%

LAB 88.21, -7.54, 83.23

 

CMYK 12 / 0 / 86 / 2

HEX #DAF924

RGB 218 249 36

HSL 68.73, 0.95%, 0.56%

LAB 92.92, -33.28, 86.08

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 72 / 77 / 9

HEX #E74136

RGB 231 65 54

HSL 3.73, 0.79%, 0.56%

LAB 52.99, 62.75, 44.22

 

CMYK 0 / 62 / 66 / 16

HEX #D55148

RGB 213 81 72

HSL 3.83, 0.63%, 0.56%

LAB 52.4, 51.39, 32.7

 

CMYK 0 / 50 / 54 / 24

HEX #C2615A

RGB 194 97 90

HSL 4.04, 0.46%, 0.56%

LAB 52.68, 38.1, 22.04

 

CMYK 0 / 36 / 39 / 31

HEX #B0716C

RGB 176 113 108

HSL 4.41, 0.3%, 0.56%

LAB 54.16, 24.31, 13.14

 

CMYK 0 / 86 / 44 / 2

HEX #F9248B

RGB 249 36 139

HSL 330.99, 0.95%, 0.56%

LAB 55.34, 80.31, -1.99

 

CMYK 0 / 86 / 67 / 2

HEX #F92452

RGB 249 36 82

HSL 347.04, 0.95%, 0.56%

LAB 54.04, 76.58, 30.34

 

CMYK 0 / 82 / 86 / 2

HEX #F92E24

RGB 249 46 36

HSL 2.82, 0.95%, 0.56%

LAB 54.26, 72.97, 55.6

 

CMYK 0 / 59 / 86 / 2

HEX #F96724

RGB 249 103 36

HSL 18.87, 0.95%, 0.56%

LAB 61.63, 52.88, 61.64

 

CMYK 0 / 36 / 86 / 2

HEX #F9A024

RGB 249 160 36

HSL 34.93, 0.95%, 0.56%

LAB 73.16, 24.51, 71.03

 

CMYK 0 / 91 / 97 / 22

HEX #C61105

RGB 198 17 5

HSL 3.73, 0.95%, 0.4%

LAB 41.87, 64.44, 54.06

 

CMYK 0 / 91 / 97 / 7

HEX #EE1506

RGB 238 21 6

HSL 3.88, 0.95%, 0.48%

LAB 50.37, 74.23, 62.43

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 0 / 65 / 70 / 2

HEX #FA574C

RGB 250 87 76

HSL 3.79, 0.95%, 0.64%

LAB 59.58, 61.4, 40.53

 

CMYK 0 / 50 / 54 / 2

HEX #FB7D74

RGB 251 125 116

HSL 4, 0.94%, 0.72%

LAB 66.85, 47.23, 27.47

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 21 / 0 / 86 / 2

HEX #C4F924

RGB 196 249 36

HSL 74.93, 0.95%, 0.56%

LAB 91.51, -41.87, 84.34

 

CMYK 86 / 56 / 0 / 2

HEX #246EF9

RGB 36 110 249

HSL 219.15, 0.95%, 0.56%

LAB 49.94, 29.17, -75.35

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 86 / 0 / 82 / 2

HEX #24F92E

RGB 36 249 46

HSL 122.82, 0.95%, 0.56%

LAB 86.17, -81.67, 75.39

 

CMYK 82 / 86 / 0 / 2

HEX #2E24F9

RGB 46 36 249

HSL 242.82, 0.95%, 0.56%

LAB 35.36, 70.21, -99.35

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 21 / 0 / 86 / 2

HEX #C4F924

RGB 196 249 36

HSL 74.93, 0.95%, 0.56%

LAB 91.51, -41.87, 84.34

 

CMYK 86 / 4 / 0 / 2

HEX #24EEF9

RGB 36 238 249

HSL 183.1, 0.95%, 0.56%

LAB 86.19, -41.19, -18.39

 

CMYK 64 / 86 / 0 / 2

HEX #5924F9

RGB 89 36 249

HSL 254.93, 0.95%, 0.56%

LAB 38.24, 72.49, -94.48

 

CMYK 0 / 80 / 86 / 2

HEX #F93224

RGB 249 50 36

HSL 3.94, 0.95%, 0.56%

LAB 54.6, 72, 55.89

 

CMYK 47 / 0 / 86 / 2

HEX #84F924

RGB 132 249 36

HSL 92.96, 0.95%, 0.56%

LAB 88.34, -63.82, 80.39

 

CMYK 86 / 4 / 0 / 2

HEX #24EEF9

RGB 36 238 249

HSL 183.1, 0.95%, 0.56%

LAB 86.19, -41.19, -18.39

 

CMYK 39 / 86 / 0 / 2

HEX #9924F9

RGB 153 36 249

HSL 272.96, 0.95%, 0.56%

LAB 45.46, 78.76, -82.33

 

Description

Color code: HEX #F93224 | qconv.com Color code: HEX #F93224 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 50 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 50 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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