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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F939FD it is the complementary color #06C602. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F939FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F939FD shade: #FE39F8, #FF4BFF, #FF5DFF, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F939FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F939FD shade: #F939FD, #E827EA, #D715D7, #C603C4 and #B500B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F939FD shade: #F93AFD, #FD3ACC, #FD3A97, #FD3A63 and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F939FD shade: #F93AFD, #C43AFD, #8F3AFD, #5B3AFD and #3A3AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F939FD shade matches the following richer shades: #F93AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F939FD shade: #F93AFD, #E94AEC, #DA5ADC, #CA6ACC and #BB7ABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F939FD shade: #8E3AFD, #C23AFD, #F63AFD, #FD3ACF and #FD3A9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F939FD shade: #DD02E2, #F711FC, #F93AFD, #FA62FD and #FB8BFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F939FD shade: #F939FD, #FD5A3A and #3AFDA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F939FD shade: #F939FD, #FDF63A and #3AFDF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F939FD shade: #F939FD, #FD5A3A, #40FD3A and #3ADCFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F939FD shade: #F939FD, #FD953A, #40FD3A and #3AA2FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

Complementary color

CMYK 97 / 0 / 99 / 22

HEX #06C602

RGB 6 198 2

HSL 118.78, 0.98%, 0.39%

LAB 69.78, -70.95, 68.57

 

CMYK 0 / 78 / 2 / 0

HEX #FE39F8

RGB 254 57 248

HSL 301.83, 0.99%, 0.61%

LAB 62.32, 89.62, -53.79

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

CMYK 1 / 83 / 0 / 8

HEX #E827EA

RGB 232 39 234

HSL 299.38, 0.82%, 0.54%

LAB 56.63, 87.46, -55.25

 

CMYK 0 / 90 / 0 / 16

HEX #D715D7

RGB 215 21 215

HSL 300, 0.82%, 0.46%

LAB 51.71, 84.57, -52.51

 

CMYK 0 / 98 / 1 / 22

HEX #C603C4

RGB 198 3 196

HSL 300.62, 0.97%, 0.39%

LAB 47.05, 80.67, -49.18

 

CMYK 0 / 100 / 2 / 29

HEX #B500B1

RGB 181 0 177

HSL 301.33, 1%, 0.35%

LAB 42.76, 75.37, -45.06

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 0 / 77 / 19 / 1

HEX #FD3ACC

RGB 253 58 204

HSL 315.08, 0.98%, 0.61%

LAB 60.13, 83.19, -32.52

 

CMYK 0 / 77 / 40 / 1

HEX #FD3A97

RGB 253 58 151

HSL 331.38, 0.98%, 0.61%

LAB 58.17, 77.37, -4.83

 

CMYK 0 / 77 / 61 / 1

HEX #FD3A63

RGB 253 58 99

HSL 347.38, 0.98%, 0.61%

LAB 56.89, 73.41, 24.11

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 23 / 77 / 0 / 1

HEX #C43AFD

RGB 196 58 253

HSL 282.46, 0.98%, 0.61%

LAB 53.87, 79.69, -70.6

 

CMYK 43 / 77 / 0 / 1

HEX #8F3AFD

RGB 143 58 253

HSL 266.15, 0.98%, 0.61%

LAB 46.92, 71.37, -82.22

 

CMYK 64 / 77 / 0 / 1

HEX #5B3AFD

RGB 91 58 253

HSL 250.15, 0.98%, 0.61%

LAB 41.75, 65.13, -90.91

 

CMYK 77 / 77 / 0 / 1

HEX #3A3AFD

RGB 58 58 253

HSL 240, 0.98%, 0.61%

LAB 39.61, 62.51, -94.52

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 1 / 69 / 0 / 7

HEX #E94AEC

RGB 233 74 236

HSL 298.89, 0.81%, 0.61%

LAB 60.14, 78.63, -50.78

 

CMYK 1 / 59 / 0 / 14

HEX #DA5ADC

RGB 218 90 220

HSL 299.08, 0.65%, 0.61%

LAB 59.33, 66.41, -43.23

 

CMYK 1 / 48 / 0 / 20

HEX #CA6ACC

RGB 202 106 204

HSL 298.78, 0.49%, 0.61%

LAB 59.18, 51.91, -34.57

 

CMYK 1 / 35 / 0 / 26

HEX #BB7ABC

RGB 187 122 188

HSL 299.09, 0.33%, 0.61%

LAB 59.99, 35.98, -24.38

 

CMYK 44 / 77 / 0 / 1

HEX #8E3AFD

RGB 142 58 253

HSL 265.85, 0.98%, 0.61%

LAB 46.8, 71.23, -82.42

 

CMYK 23 / 77 / 0 / 1

HEX #C23AFD

RGB 194 58 253

HSL 281.85, 0.98%, 0.61%

LAB 53.59, 79.35, -71.07

 

CMYK 3 / 77 / 0 / 1

HEX #F63AFD

RGB 246 58 253

HSL 297.85, 0.98%, 0.61%

LAB 61.4, 88.62, -58.09

 

CMYK 0 / 77 / 18 / 1

HEX #FD3ACF

RGB 253 58 207

HSL 314.15, 0.98%, 0.61%

LAB 60.26, 83.57, -34.03

 

CMYK 0 / 77 / 39 / 1

HEX #FD3A9B

RGB 253 58 155

HSL 330.15, 0.98%, 0.61%

LAB 58.3, 77.75, -6.99

 

CMYK 2 / 99 / 0 / 11

HEX #DD02E2

RGB 221 2 226

HSL 298.66, 0.98%, 0.45%

LAB 52.85, 88.76, -56.89

 

CMYK 2 / 93 / 0 / 1

HEX #F711FC

RGB 247 17 252

HSL 298.72, 0.98%, 0.53%

LAB 59.16, 95.51, -61.11

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 1 / 45 / 0 / 1

HEX #FB8BFD

RGB 251 139 253

HSL 298.95, 0.97%, 0.77%

LAB 73.59, 58.27, -38.84

 

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

CMYK 0 / 64 / 77 / 1

HEX #FD5A3A

RGB 253 90 58

HSL 9.85, 0.98%, 0.61%

LAB 60.34, 60.45, 50.98

 

CMYK 77 / 0 / 34 / 1

HEX #3AFDA8

RGB 58 253 168

HSL 153.85, 0.98%, 0.61%

LAB 88.91, -65.6, 27.61

 

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

CMYK 0 / 3 / 77 / 1

HEX #FDF63A

RGB 253 246 58

HSL 57.85, 0.98%, 0.61%

LAB 94.78, -17.06, 83.51

 

CMYK 77 / 0 / 3 / 1

HEX #3AFDF6

RGB 58 253 246

HSL 177.85, 0.98%, 0.61%

LAB 90.69, -47.03, -10.06

 

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

CMYK 0 / 64 / 77 / 1

HEX #FD5A3A

RGB 253 90 58

HSL 9.85, 0.98%, 0.61%

LAB 60.34, 60.45, 50.98

 

CMYK 75 / 0 / 77 / 1

HEX #40FD3A

RGB 64 253 58

HSL 118.15, 0.98%, 0.61%

LAB 87.8, -79.05, 73.8

 

CMYK 77 / 13 / 0 / 1

HEX #3ADCFD

RGB 58 220 253

HSL 190.15, 0.98%, 0.61%

LAB 81.39, -29.89, -27.77

 

CMYK 2 / 77 / 0 / 1

HEX #F939FD

RGB 249 57 253

HSL 298.78, 0.98%, 0.61%

LAB 61.79, 89.43, -57.44

 

CMYK 0 / 41 / 77 / 1

HEX #FD953A

RGB 253 149 58

HSL 28, 0.98%, 0.61%

LAB 71.34, 32.53, 61.88

 

CMYK 75 / 0 / 77 / 1

HEX #40FD3A

RGB 64 253 58

HSL 118.15, 0.98%, 0.61%

LAB 87.8, -79.05, 73.8

 

CMYK 77 / 36 / 0 / 1

HEX #3AA2FD

RGB 58 162 253

HSL 208, 0.98%, 0.61%

LAB 64.83, 0.86, -53.58

 

Description

Color code: HEX #F939FD | qconv.com Color code: HEX #F939FD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 57 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 57 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 77 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 77% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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