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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9299B it is the complementary color #06D664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9299B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9299B shade: #FE2996, #FF3BA9, #FF4DBC, #FF5FCF and #FF71E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9299B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9299B shade: #F9299B, #E81788, #D70575, #C60062 and #B5004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9299B shade: #F9299B, #F92963, #F9292A and #F92929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9299B shade: #F9299B, #F929D3, #E729F9, #AF29F9 and #7629F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9299B shade matches the following richer shades: #F9299B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9299B shade: #F9299B, #E73A99, #D64C97, #C45E96 and #B27094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9299B shade: #E829F9, #F929D3, #F9299B, #F92964 and #F9292C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9299B shade: #CA0571, #F30688, #F9299B, #FA51AE and #FB79C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9299B shade: #F9299B, #F9B029 and #29EFF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9299B shade: #F9299B, #9BF929 and #299BF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9299B shade: #F9299B, #F9B029, #29F986 and #2972F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9299B shade: #F9299B, #F9EF29, #29F986 and #2933F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

Complementary color

CMYK 97 / 0 / 53 / 16

HEX #06D664

RGB 6 214 100

HSL 147.12, 0.95%, 0.43%

LAB 75.48, -68, 43.79

 

CMYK 0 / 84 / 41 / 0

HEX #FE2996

RGB 254 41 150

HSL 329.3, 0.99%, 0.58%

LAB 56.94, 81.48, -6.05

 

CMYK 0 / 77 / 34 / 0

HEX #FF3BA9

RGB 255 59 169

HSL 326.33, 1%, 0.62%

LAB 59.21, 79.36, -13.77

 

CMYK 0 / 70 / 26 / 0

HEX #FF4DBC

RGB 255 77 188

HSL 322.58, 1%, 0.65%

LAB 61.83, 76.02, -20.75

 

CMYK 0 / 63 / 19 / 0

HEX #FF5FCF

RGB 255 95 207

HSL 318, 1%, 0.69%

LAB 64.92, 71.84, -26.78

 

CMYK 0 / 56 / 11 / 0

HEX #FF71E2

RGB 255 113 226

HSL 312.25, 1%, 0.72%

LAB 68.43, 67.06, -31.98

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 90 / 41 / 9

HEX #E81788

RGB 232 23 136

HSL 327.56, 0.82%, 0.5%

LAB 51.32, 78.26, -6.5

 

CMYK 0 / 98 / 46 / 16

HEX #D70575

RGB 215 5 117

HSL 328, 0.95%, 0.43%

LAB 46.76, 74.71, -2.03

 

CMYK 0 / 100 / 51 / 22

HEX #C60062

RGB 198 0 98

HSL 330.3, 1%, 0.39%

LAB 42.59, 69.89, 3.31

 

CMYK 0 / 100 / 56 / 29

HEX #B5004F

RGB 181 0 79

HSL 333.81, 1%, 0.35%

LAB 38.53, 64.65, 9.14

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 84 / 60 / 2

HEX #F92963

RGB 249 41 99

HSL 343.27, 0.95%, 0.57%

LAB 54.69, 76.5, 21.04

 

CMYK 0 / 84 / 83 / 2

HEX #F9292A

RGB 249 41 42

HSL 359.71, 0.95%, 0.57%

LAB 53.91, 74.21, 52.47

 

CMYK 0 / 84 / 84 / 2

HEX #F92929

RGB 249 41 41

HSL 0, 0.95%, 0.57%

LAB 53.91, 74.19, 52.95

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 84 / 15 / 2

HEX #F929D3

RGB 249 41 211

HSL 310.96, 0.95%, 0.57%

LAB 58.44, 87.06, -39.19

 

CMYK 7 / 84 / 0 / 2

HEX #E729F9

RGB 231 41 249

HSL 294.81, 0.95%, 0.57%

LAB 57.48, 89.18, -62.29

 

CMYK 30 / 84 / 0 / 2

HEX #AF29F9

RGB 175 41 249

HSL 278.65, 0.95%, 0.57%

LAB 48.93, 80.44, -76.53

 

CMYK 53 / 84 / 0 / 2

HEX #7629F9

RGB 118 41 249

HSL 262.21, 0.95%, 0.57%

LAB 41.65, 73.4, -88.75

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 75 / 34 / 9

HEX #E73A99

RGB 231 58 153

HSL 327.05, 0.78%, 0.57%

LAB 54.36, 72.1, -12.11

 

CMYK 0 / 64 / 29 / 16

HEX #D64C97

RGB 214 76 151

HSL 327.39, 0.63%, 0.57%

LAB 53.71, 60.98, -12.2

 

CMYK 0 / 52 / 23 / 23

HEX #C45E96

RGB 196 94 150

HSL 327.06, 0.46%, 0.57%

LAB 53.97, 47.24, -11.49

 

CMYK 0 / 37 / 17 / 30

HEX #B27094

RGB 178 112 148

HSL 327.27, 0.3%, 0.57%

LAB 55.27, 31.34, -8.61

 

CMYK 7 / 84 / 0 / 2

HEX #E829F9

RGB 232 41 249

HSL 295.1, 0.95%, 0.57%

LAB 57.64, 89.35, -62.02

 

CMYK 0 / 84 / 15 / 2

HEX #F929D3

RGB 249 41 211

HSL 310.96, 0.95%, 0.57%

LAB 58.44, 87.06, -39.19

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 84 / 60 / 2

HEX #F92964

RGB 249 41 100

HSL 342.98, 0.95%, 0.57%

LAB 54.71, 76.56, 20.47

 

CMYK 0 / 84 / 82 / 2

HEX #F9292C

RGB 249 41 44

HSL 359.13, 0.95%, 0.57%

LAB 53.93, 74.26, 51.49

 

CMYK 0 / 98 / 44 / 21

HEX #CA0571

RGB 202 5 113

HSL 327.11, 0.95%, 0.41%

LAB 44.03, 71.53, -3.89

 

CMYK 0 / 98 / 44 / 5

HEX #F30688

RGB 243 6 136

HSL 327.09, 0.95%, 0.49%

LAB 52.91, 82.21, -3.91

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 68 / 30 / 2

HEX #FA51AE

RGB 250 81 174

HSL 326.98, 0.94%, 0.65%

LAB 61.01, 71.69, -14.02

 

CMYK 0 / 52 / 24 / 2

HEX #FB79C0

RGB 251 121 192

HSL 327.23, 0.94%, 0.73%

LAB 68.01, 57.38, -13.7

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 29 / 84 / 2

HEX #F9B029

RGB 249 176 41

HSL 38.94, 0.95%, 0.57%

LAB 76.89, 16.25, 72.68

 

CMYK 84 / 4 / 0 / 2

HEX #29EFF9

RGB 41 239 249

HSL 182.88, 0.95%, 0.57%

LAB 86.53, -41.33, -17.88

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 38 / 0 / 84 / 2

HEX #9BF929

RGB 155 249 41

HSL 87.12, 0.95%, 0.57%

LAB 89.34, -56.44, 80.59

 

CMYK 84 / 38 / 0 / 2

HEX #299BF9

RGB 41 155 249

HSL 207.12, 0.95%, 0.57%

LAB 62.3, 1.93, -55.43

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 29 / 84 / 2

HEX #F9B029

RGB 249 176 41

HSL 38.94, 0.95%, 0.57%

LAB 76.89, 16.25, 72.68

 

CMYK 84 / 0 / 46 / 2

HEX #29F986

RGB 41 249 134

HSL 146.83, 0.95%, 0.57%

LAB 86.97, -71.99, 41.85

 

CMYK 84 / 54 / 0 / 2

HEX #2972F9

RGB 41 114 249

HSL 218.94, 0.95%, 0.57%

LAB 51.09, 26.99, -73.47

 

CMYK 0 / 84 / 38 / 2

HEX #F9299B

RGB 249 41 155

HSL 327.12, 0.95%, 0.57%

LAB 56.18, 80.81, -10.23

 

CMYK 0 / 4 / 84 / 2

HEX #F9EF29

RGB 249 239 41

HSL 57.12, 0.95%, 0.57%

LAB 92.59, -15.81, 85.74

 

CMYK 84 / 0 / 46 / 2

HEX #29F986

RGB 41 249 134

HSL 146.83, 0.95%, 0.57%

LAB 86.97, -71.99, 41.85

 

CMYK 84 / 80 / 0 / 2

HEX #2933F9

RGB 41 51 249

HSL 237.12, 0.95%, 0.57%

LAB 37.26, 63.8, -96.2

 

Description

Color code: HEX #F9299B | qconv.com Color code: HEX #F9299B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 41 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 41 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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