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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8F80A it is the complementary color #0707F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8F80A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8F80A shade: #FDF805, #FFFF18, #FFFF2B, #FFFF3E and #FFFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8F80A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8F80A shade: #F8F80A, #E7E600, #D6D400, #C5C200 and #B4B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8F80A shade: #F7F70C, #F7B80C, #F7780C, #F7390C and #F70C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8F80A shade: #F7F70C, #B8F70C, #78F70C, #39F70C and #0CF71F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8F80A shade matches the following richer shades: #F7F70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8F80A shade: #F7F70C, #E3E320, #CFCF35, #BABA49 and #A6A65D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8F80A shade: #F77A0C, #F7B80C, #F7F70C, #B8F70C and #7AF70C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8F80A shade: #ACAC05, #D4D406, #F7F70C, #F8F834 and #F9F95C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8F80A shade: #F8F80A, #0CF73B and #990CF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8F80A shade: #F8F80A, #0CF7F7 and #F70CF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8F80A shade: #F8F80A, #0CF73B, #0C0CF7 and #F70CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8F80A shade: #F8F80A, #0CF782, #0C0CF7 and #F70C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

Complementary color

CMYK 97 / 97 / 0 / 4

HEX #0707F5

RGB 7 7 245

HSL 240, 0.94%, 0.49%

LAB 31.32, 75.76, -103.87

 

CMYK 0 / 2 / 98 / 1

HEX #FDF805

RGB 253 248 5

HSL 58.79, 0.98%, 0.51%

LAB 95.17, -19.01, 92.62

 

CMYK 0 / 0 / 91 / 0

HEX #FFFF18

RGB 255 255 24

HSL 60, 1%, 0.55%

LAB 97.17, -21.34, 92.47

 

CMYK 0 / 0 / 83 / 0

HEX #FFFF2B

RGB 255 255 43

HSL 60, 1%, 0.58%

LAB 97.21, -20.98, 89.33

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3E

RGB 255 255 62

HSL 60, 1%, 0.62%

LAB 97.28, -20.42, 84.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

CMYK 0 / 0 / 100 / 9

HEX #E7E600

RGB 231 230 0

HSL 59.74, 1%, 0.45%

LAB 88.72, -19.52, 87.48

 

CMYK 0 / 1 / 100 / 16

HEX #D6D400

RGB 214 212 0

HSL 59.44, 1%, 0.42%

LAB 82.58, -17.9, 82.38

 

CMYK 0 / 2 / 100 / 23

HEX #C5C200

RGB 197 194 0

HSL 59.09, 1%, 0.39%

LAB 76.35, -16.25, 77.2

 

CMYK 0 / 2 / 100 / 29

HEX #B4B000

RGB 180 176 0

HSL 58.67, 1%, 0.35%

LAB 70, -14.56, 71.94

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 0 / 26 / 95 / 3

HEX #F7B80C

RGB 247 184 12

HSL 43.91, 0.94%, 0.51%

LAB 78.51, 10.71, 79.68

 

CMYK 0 / 51 / 95 / 3

HEX #F7780C

RGB 247 120 12

HSL 27.57, 0.94%, 0.51%

LAB 64.35, 43.77, 69.99

 

CMYK 0 / 77 / 95 / 3

HEX #F7390C

RGB 247 57 12

HSL 11.49, 0.94%, 0.51%

LAB 54.79, 69.21, 64.22

 

CMYK 0 / 95 / 95 / 3

HEX #F70C0C

RGB 247 12 12

HSL 0, 0.94%, 0.51%

LAB 51.91, 77.42, 62.71

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 26 / 0 / 95 / 3

HEX #B8F70C

RGB 184 247 12

HSL 76.09, 0.94%, 0.51%

LAB 90.2, -45.98, 86.26

 

CMYK 51 / 0 / 95 / 3

HEX #78F70C

RGB 120 247 12

HSL 92.43, 0.94%, 0.51%

LAB 87.26, -67.08, 82.69

 

CMYK 77 / 0 / 95 / 3

HEX #39F70C

RGB 57 247 12

HSL 108.51, 0.94%, 0.51%

LAB 85.71, -79.99, 80.79

 

CMYK 95 / 0 / 87 / 3

HEX #0CF71F

RGB 12 247 31

HSL 124.85, 0.94%, 0.51%

LAB 85.35, -83.11, 77.81

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 0 / 0 / 86 / 11

HEX #E3E320

RGB 227 227 32

HSL 60, 0.78%, 0.51%

LAB 87.67, -19.33, 82.81

 

CMYK 0 / 0 / 74 / 19

HEX #CFCF35

RGB 207 207 53

HSL 60, 0.62%, 0.51%

LAB 80.82, -17.27, 70.97

 

CMYK 0 / 0 / 61 / 27

HEX #BABA49

RGB 186 186 73

HSL 60, 0.45%, 0.51%

LAB 73.57, -14.5, 55.61

 

CMYK 0 / 0 / 44 / 35

HEX #A6A65D

RGB 166 166 93

HSL 60, 0.29%, 0.51%

LAB 66.65, -10.83, 37.65

 

CMYK 0 / 51 / 95 / 3

HEX #F77A0C

RGB 247 122 12

HSL 28.09, 0.94%, 0.51%

LAB 64.74, 42.79, 70.24

 

CMYK 0 / 26 / 95 / 3

HEX #F7B80C

RGB 247 184 12

HSL 43.91, 0.94%, 0.51%

LAB 78.51, 10.71, 79.68

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 26 / 0 / 95 / 3

HEX #B8F70C

RGB 184 247 12

HSL 76.09, 0.94%, 0.51%

LAB 90.2, -45.98, 86.26

 

CMYK 51 / 0 / 95 / 3

HEX #7AF70C

RGB 122 247 12

HSL 91.91, 0.94%, 0.51%

LAB 87.33, -66.52, 82.77

 

CMYK 0 / 0 / 97 / 33

HEX #ACAC05

RGB 172 172 5

HSL 60, 0.94%, 0.35%

LAB 68.23, -15.98, 69.72

 

CMYK 0 / 0 / 97 / 17

HEX #D4D406

RGB 212 212 6

HSL 60, 0.94%, 0.43%

LAB 82.43, -18.7, 81.66

 

CMYK 0 / 0 / 95 / 3

HEX #F7F70C

RGB 247 247 12

HSL 60, 0.94%, 0.51%

LAB 94.45, -20.95, 91.37

 

CMYK 0 / 0 / 79 / 3

HEX #F8F834

RGB 248 248 52

HSL 60, 0.93%, 0.59%

LAB 94.88, -20.26, 85.06

 

CMYK 0 / 0 / 63 / 2

HEX #F9F95C

RGB 249 249 92

HSL 60, 0.93%, 0.67%

LAB 95.44, -18.56, 72.52

 

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

CMYK 95 / 0 / 76 / 3

HEX #0CF73B

RGB 12 247 59

HSL 132, 0.94%, 0.51%

LAB 85.46, -81.7, 71.07

 

CMYK 38 / 95 / 0 / 3

HEX #990CF7

RGB 153 12 247

HSL 276, 0.94%, 0.51%

LAB 43.87, 82.57, -83.82

 

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

CMYK 95 / 0 / 0 / 3

HEX #0CF7F7

RGB 12 247 247

HSL 180, 0.94%, 0.51%

LAB 88.6, -46.69, -13.74

 

CMYK 0 / 95 / 0 / 3

HEX #F70CF7

RGB 247 12 247

HSL 300, 0.94%, 0.51%

LAB 58.74, 95.18, -59

 

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

CMYK 95 / 0 / 76 / 3

HEX #0CF73B

RGB 12 247 59

HSL 132, 0.94%, 0.51%

LAB 85.46, -81.7, 71.07

 

CMYK 95 / 95 / 0 / 3

HEX #0C0CF7

RGB 12 12 247

HSL 240, 0.94%, 0.51%

LAB 31.94, 75.49, -103.97

 

CMYK 0 / 95 / 19 / 3

HEX #F70CC8

RGB 247 12 200

HSL 312, 0.94%, 0.51%

LAB 56.29, 89.07, -36.3

 

CMYK 0 / 0 / 96 / 3

HEX #F8F80A

RGB 248 248 10

HSL 60, 0.94%, 0.51%

LAB 94.79, -21.03, 91.8

 

CMYK 95 / 0 / 47 / 3

HEX #0CF782

RGB 12 247 130

HSL 150.13, 0.94%, 0.51%

LAB 86.11, -73.61, 42.65

 

CMYK 95 / 95 / 0 / 3

HEX #0C0CF7

RGB 12 12 247

HSL 240, 0.94%, 0.51%

LAB 31.94, 75.49, -103.97

 

CMYK 0 / 95 / 47 / 3

HEX #F70C82

RGB 247 12 130

HSL 329.87, 0.94%, 0.51%

LAB 53.65, 82.17, 0.88

 

Description

Color code: HEX #F8F80A | qconv.com Color code: HEX #F8F80A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 248 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 248 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 96 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 96% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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