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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8E081 it is the complementary color #071F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8E081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8E081 shade: #FDE07C, #FFF28F, #FFFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8E081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8E081 shade: #F8E081, #E7CE6E, #D6BC5B, #C5AA48 and #B49835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8E081 shade: #F7DF81, #F7C081, #F7A081 and #F78181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8E081 shade: #F7DF81, #EFF781, #CFF781, #B0F781 and #90F781

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8E081 shade matches the following richer shades: #F7DF81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8E081 shade: #F7DF81, #ECD98C, #E2D397, #D7CCA1 and #CCC6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8E081 shade: #F79F81, #F7BE81, #F7DE81, #F1F781 and #D2F781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8E081 shade: #F3CC33, #F5D65A, #F7DF81, #F9E9A8 and #FCF3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8E081 shade: #F8E081, #83F781 and #AE81F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8E081 shade: #F8E081, #81F7DE and #DE81F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8E081 shade: #F8E081, #83F781, #819BF7 and #F581F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8E081 shade: #F8E081, #81F7A3, #819BF7 and #F781D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

Complementary color

CMYK 94 / 75 / 0 / 51

HEX #071F7E

RGB 7 31 126

HSL 227.9, 0.89%, 0.26%

LAB 18.06, 31.95, -54.96

 

CMYK 0 / 11 / 51 / 1

HEX #FDE07C

RGB 253 224 124

HSL 46.51, 0.97%, 0.74%

LAB 89.7, -2.34, 52.18

 

CMYK 0 / 5 / 44 / 0

HEX #FFF28F

RGB 255 242 143

HSL 53.04, 1%, 0.78%

LAB 94.63, -8.84, 49.17

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

CMYK 0 / 11 / 52 / 9

HEX #E7CE6E

RGB 231 206 110

HSL 47.6, 0.72%, 0.67%

LAB 83.05, -3.23, 50.43

 

CMYK 0 / 12 / 57 / 16

HEX #D6BC5B

RGB 214 188 91

HSL 47.32, 0.6%, 0.6%

LAB 76.69, -2.45, 51.62

 

CMYK 0 / 14 / 63 / 23

HEX #C5AA48

RGB 197 170 72

HSL 47.04, 0.52%, 0.53%

LAB 70.24, -1.54, 52.72

 

CMYK 0 / 16 / 71 / 29

HEX #B49835

RGB 180 152 53

HSL 46.77, 0.55%, 0.46%

LAB 63.69, -0.44, 53.6

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 0 / 22 / 48 / 3

HEX #F7C081

RGB 247 192 129

HSL 32.03, 0.88%, 0.74%

LAB 81.32, 12.19, 39.2

 

CMYK 0 / 35 / 48 / 3

HEX #F7A081

RGB 247 160 129

HSL 15.76, 0.88%, 0.74%

LAB 73.87, 29.01, 29.53

 

CMYK 0 / 48 / 48 / 3

HEX #F78181

RGB 247 129 129

HSL 0, 0.88%, 0.74%

LAB 67.32, 44.94, 20.74

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 16 / 0 / 48 / 3

HEX #CFF781

RGB 207 247 129

HSL 80.34, 0.88%, 0.74%

LAB 92.3, -30.95, 52.16

 

CMYK 29 / 0 / 48 / 3

HEX #B0F781

RGB 176 247 129

HSL 96.1, 0.88%, 0.74%

LAB 90.48, -41.97, 49.52

 

CMYK 42 / 0 / 48 / 3

HEX #90F781

RGB 144 247 129

HSL 112.37, 0.88%, 0.74%

LAB 88.94, -52.16, 47.28

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 0 / 8 / 41 / 7

HEX #ECD98C

RGB 236 217 140

HSL 48.13, 0.72%, 0.74%

LAB 86.68, -4.02, 40.27

 

CMYK 0 / 7 / 33 / 11

HEX #E2D397

RGB 226 211 151

HSL 48, 0.56%, 0.74%

LAB 84.48, -3.6, 31.63

 

CMYK 0 / 5 / 25 / 16

HEX #D7CCA1

RGB 215 204 161

HSL 47.78, 0.4%, 0.74%

LAB 81.95, -2.91, 22.85

 

CMYK 0 / 3 / 16 / 20

HEX #CCC6AC

RGB 204 198 172

HSL 48.75, 0.24%, 0.74%

LAB 79.73, -2.27, 13.78

 

CMYK 0 / 36 / 48 / 3

HEX #F79F81

RGB 247 159 129

HSL 15.25, 0.88%, 0.74%

LAB 73.65, 29.54, 29.23

 

CMYK 0 / 23 / 48 / 3

HEX #F7BE81

RGB 247 190 129

HSL 31.02, 0.88%, 0.74%

LAB 80.84, 13.24, 38.59

 

CMYK 0 / 10 / 48 / 3

HEX #F7DE81

RGB 247 222 129

HSL 47.29, 0.88%, 0.74%

LAB 88.73, -3.28, 48.48

 

CMYK 2 / 0 / 48 / 3

HEX #F1F781

RGB 241 247 129

HSL 63.05, 0.88%, 0.74%

LAB 94.66, -18.03, 55.57

 

CMYK 15 / 0 / 48 / 3

HEX #D2F781

RGB 210 247 129

HSL 78.81, 0.88%, 0.74%

LAB 92.49, -29.84, 52.44

 

CMYK 0 / 16 / 79 / 5

HEX #F3CC33

RGB 243 204 51

HSL 47.81, 0.89%, 0.58%

LAB 83.17, -0.56, 74.89

 

CMYK 0 / 13 / 63 / 4

HEX #F5D65A

RGB 245 214 90

HSL 48, 0.89%, 0.66%

LAB 86.13, -3, 63.36

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 0 / 6 / 33 / 2

HEX #F9E9A8

RGB 249 233 168

HSL 48.15, 0.87%, 0.82%

LAB 92.24, -3.95, 33.61

 

CMYK 0 / 4 / 18 / 1

HEX #FCF3CF

RGB 252 243 207

HSL 48, 0.88%, 0.9%

LAB 95.71, -2.7, 18.46

 

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

CMYK 47 / 0 / 48 / 3

HEX #83F781

RGB 131 247 129

HSL 118.98, 0.88%, 0.74%

LAB 88.42, -55.85, 46.51

 

CMYK 30 / 48 / 0 / 3

HEX #AE81F7

RGB 174 129 247

HSL 262.88, 0.88%, 0.74%

LAB 62.86, 41.23, -53.01

 

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

CMYK 48 / 0 / 10 / 3

HEX #81F7DE

RGB 129 247 222

HSL 167.29, 0.88%, 0.74%

LAB 90.07, -39.3, 1.71

 

CMYK 10 / 48 / 0 / 3

HEX #DE81F7

RGB 222 129 247

HSL 287.29, 0.88%, 0.74%

LAB 67.98, 54.07, -44.58

 

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

CMYK 47 / 0 / 48 / 3

HEX #83F781

RGB 131 247 129

HSL 118.98, 0.88%, 0.74%

LAB 88.42, -55.85, 46.51

 

CMYK 48 / 37 / 0 / 3

HEX #819BF7

RGB 129 155 247

HSL 226.78, 0.88%, 0.74%

LAB 65.61, 15.15, -48.87

 

CMYK 1 / 48 / 0 / 3

HEX #F581F7

RGB 245 129 247

HSL 298.98, 0.88%, 0.74%

LAB 70.75, 60.39, -40.04

 

CMYK 0 / 10 / 48 / 3

HEX #F8E081

RGB 248 224 129

HSL 47.9, 0.89%, 0.74%

LAB 89.32, -3.9, 49.23

 

CMYK 48 / 0 / 34 / 3

HEX #81F7A3

RGB 129 247 163

HSL 137.29, 0.88%, 0.74%

LAB 88.84, -51.2, 30.34

 

CMYK 48 / 37 / 0 / 3

HEX #819BF7

RGB 129 155 247

HSL 226.78, 0.88%, 0.74%

LAB 65.61, 15.15, -48.87

 

CMYK 0 / 48 / 13 / 3

HEX #F781D6

RGB 247 129 214

HSL 316.78, 0.88%, 0.74%

LAB 69.7, 55.53, -23.46

 

Description

Color code: HEX #F8E081 | qconv.com Color code: HEX #F8E081 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 224 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 224 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 48% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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