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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8954E it is the complementary color #076AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8954E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8954E shade: #FD9549, #FFA75C, #FFB96F, #FFCB82 and #FFDD95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8954E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8954E shade: #F8954E, #E7833B, #D67128, #C55F15 and #B44D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8954E shade: #F7954E, #F7674E and #F74E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8954E shade: #F7954E, #F7C24E, #F7F04E, #D1F74E and #A3F74E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8954E shade matches the following richer shades: #F7954E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8954E shade: #F7954E, #E8975D, #D99A6C, #CB9C7B and #BC9F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8954E shade: #F74E62, #F7684E, #F7954E, #F7C24E and #F7EF4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8954E shade: #EA6709, #F67D27, #F7954E, #F9AD76 and #FAC49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8954E shade: #F8954E, #8FF74E and #514EF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8954E shade: #F8954E, #4EF795 and #954EF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8954E shade: #F8954E, #8FF74E, #4EB1F7 and #B64EF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8954E shade: #F8954E, #5CF74E, #4EB1F7 and #E94EF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

Complementary color

CMYK 96 / 40 / 0 / 31

HEX #076AB1

RGB 7 106 177

HSL 205.06, 0.92%, 0.36%

LAB 43.55, 2.11, -44.65

 

CMYK 0 / 41 / 71 / 1

HEX #FD9549

RGB 253 149 73

HSL 25.33, 0.98%, 0.64%

LAB 71.46, 33.16, 55.41

 

CMYK 0 / 35 / 64 / 0

HEX #FFA75C

RGB 255 167 92

HSL 27.61, 1%, 0.68%

LAB 75.87, 25.65, 51.31

 

CMYK 0 / 27 / 56 / 0

HEX #FFB96F

RGB 255 185 111

HSL 30.83, 1%, 0.72%

LAB 80.24, 17.54, 47.13

 

CMYK 0 / 20 / 49 / 0

HEX #FFCB82

RGB 255 203 130

HSL 35.04, 1%, 0.75%

LAB 84.78, 9.75, 43.24

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD95

RGB 255 221 149

HSL 40.75, 1%, 0.79%

LAB 89.46, 2.32, 39.65

 

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

CMYK 0 / 43 / 74 / 9

HEX #E7833B

RGB 231 131 59

HSL 25.12, 0.78%, 0.57%

LAB 64.59, 33.03, 53.8

 

CMYK 0 / 47 / 81 / 16

HEX #D67128

RGB 214 113 40

HSL 25.17, 0.69%, 0.5%

LAB 58.28, 34.82, 55.13

 

CMYK 0 / 52 / 89 / 23

HEX #C55F15

RGB 197 95 21

HSL 25.23, 0.81%, 0.43%

LAB 51.96, 36.78, 55.75

 

CMYK 0 / 57 / 99 / 29

HEX #B44D02

RGB 180 77 2

HSL 25.28, 0.98%, 0.36%

LAB 45.66, 38.84, 55.14

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 58 / 68 / 3

HEX #F7674E

RGB 247 103 78

HSL 8.88, 0.91%, 0.64%

LAB 61.68, 53.68, 41.76

 

CMYK 0 / 68 / 68 / 3

HEX #F74E4E

RGB 247 78 78

HSL 0, 0.91%, 0.64%

LAB 57.82, 64.02, 37.21

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 21 / 68 / 3

HEX #F7C24E

RGB 247 194 78

HSL 41.18, 0.91%, 0.64%

LAB 81.24, 7.44, 63.3

 

CMYK 0 / 3 / 68 / 3

HEX #F7F04E

RGB 247 240 78

HSL 57.51, 0.91%, 0.64%

LAB 92.86, -15.77, 75.1

 

CMYK 15 / 0 / 68 / 3

HEX #D1F74E

RGB 209 247 78

HSL 73.49, 0.91%, 0.64%

LAB 91.97, -34.24, 73.3

 

CMYK 34 / 0 / 68 / 3

HEX #A3F74E

RGB 163 247 78

HSL 89.82, 0.91%, 0.64%

LAB 89.33, -51.07, 69.77

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 35 / 60 / 9

HEX #E8975D

RGB 232 151 93

HSL 25.04, 0.75%, 0.64%

LAB 69.53, 24.83, 42.69

 

CMYK 0 / 29 / 50 / 15

HEX #D99A6C

RGB 217 154 108

HSL 25.32, 0.59%, 0.64%

LAB 68.71, 18.34, 33.43

 

CMYK 0 / 23 / 39 / 20

HEX #CB9C7B

RGB 203 156 123

HSL 24.75, 0.43%, 0.64%

LAB 67.95, 13.13, 24.02

 

CMYK 0 / 15 / 27 / 26

HEX #BC9F8A

RGB 188 159 138

HSL 25.2, 0.27%, 0.64%

LAB 67.52, 7.46, 14.93

 

CMYK 0 / 68 / 60 / 3

HEX #F74E62

RGB 247 78 98

HSL 352.9, 0.91%, 0.64%

LAB 58.14, 65.13, 26.13

 

CMYK 0 / 58 / 68 / 3

HEX #F7684E

RGB 247 104 78

HSL 9.23, 0.91%, 0.64%

LAB 61.85, 53.23, 41.97

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 21 / 68 / 3

HEX #F7C24E

RGB 247 194 78

HSL 41.18, 0.91%, 0.64%

LAB 81.24, 7.44, 63.3

 

CMYK 0 / 3 / 68 / 3

HEX #F7EF4E

RGB 247 239 78

HSL 57.16, 0.91%, 0.64%

LAB 92.6, -15.29, 74.85

 

CMYK 0 / 56 / 96 / 8

HEX #EA6709

RGB 234 103 9

HSL 25.07, 0.93%, 0.48%

LAB 59.17, 47, 66.23

 

CMYK 0 / 49 / 84 / 4

HEX #F67D27

RGB 246 125 39

HSL 24.93, 0.92%, 0.56%

LAB 65.28, 41.36, 63.4

 

CMYK 0 / 40 / 68 / 3

HEX #F7954E

RGB 247 149 78

HSL 25.21, 0.91%, 0.64%

LAB 70.75, 31.01, 52.05

 

CMYK 0 / 31 / 53 / 2

HEX #F9AD76

RGB 249 173 118

HSL 25.19, 0.92%, 0.72%

LAB 76.88, 21.99, 39.28

 

CMYK 0 / 22 / 37 / 2

HEX #FAC49D

RGB 250 196 157

HSL 25.16, 0.9%, 0.8%

LAB 83.04, 14.18, 26.96

 

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

CMYK 42 / 0 / 68 / 3

HEX #8FF74E

RGB 143 247 78

HSL 96.92, 0.91%, 0.64%

LAB 88.41, -57.56, 68.53

 

CMYK 67 / 68 / 0 / 3

HEX #514EF7

RGB 81 78 247

HSL 241.07, 0.91%, 0.64%

LAB 44.11, 52.06, -83.7

 

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

CMYK 68 / 0 / 40 / 3

HEX #4EF795

RGB 78 247 149

HSL 145.21, 0.91%, 0.64%

LAB 87.15, -64.29, 34.84

 

CMYK 40 / 68 / 0 / 3

HEX #954EF7

RGB 149 78 247

HSL 265.21, 0.91%, 0.64%

LAB 50.16, 62.32, -73.55

 

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

CMYK 42 / 0 / 68 / 3

HEX #8FF74E

RGB 143 247 78

HSL 96.92, 0.91%, 0.64%

LAB 88.41, -57.56, 68.53

 

CMYK 68 / 28 / 0 / 3

HEX #4EB1F7

RGB 78 177 247

HSL 204.85, 0.91%, 0.64%

LAB 69.31, -7.13, -43.21

 

CMYK 26 / 68 / 0 / 3

HEX #B64EF7

RGB 182 78 247

HSL 276.92, 0.91%, 0.64%

LAB 54.14, 68.58, -66.91

 

CMYK 0 / 40 / 69 / 3

HEX #F8954E

RGB 248 149 78

HSL 25.06, 0.92%, 0.64%

LAB 70.87, 31.41, 52.23

 

CMYK 63 / 0 / 68 / 3

HEX #5CF74E

RGB 92 247 78

HSL 115.03, 0.91%, 0.64%

LAB 86.68, -70.86, 66.18

 

CMYK 68 / 28 / 0 / 3

HEX #4EB1F7

RGB 78 177 247

HSL 204.85, 0.91%, 0.64%

LAB 69.31, -7.13, -43.21

 

CMYK 6 / 68 / 0 / 3

HEX #E94EF7

RGB 233 78 247

HSL 295.03, 0.91%, 0.64%

LAB 61.21, 79.05, -55.19

 

Description

Color code: HEX #F8954E | qconv.com Color code: HEX #F8954E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 149 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 149 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 69 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 69% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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