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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88725 it is the complementary color #0778DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88725. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88725 shade: #FD8720, #FF9933, #FFAB46, #FFBD59 and #FFCF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88725. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88725 shade: #F88725, #E77512, #D66300, #C55100 and #B43F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88725 shade: #F88725, #F84E25 and #F82525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88725 shade: #F88725, #F8C025, #F7F825, #BEF825 and #85F825

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88725 shade matches the following richer shades: #F88725

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88725 shade: #F88725, #E68837, #D38949, #C18B5B and #AF8C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88725 shade: #F82536, #F84C25, #F88425, #F8BC25 and #F8F425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88725 shade: #C45E06, #ED7207, #F88725, #F99D4D and #FAB375

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88725 shade: #F88725, #6FF825 and #2F25F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88725 shade: #F88725, #25F884 and #8425F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88725 shade: #F88725, #6FF825, #2599F8 and #AE25F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88725 shade: #F88725, #2FF825, #2599F8 and #ED25F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

Complementary color

CMYK 97 / 45 / 0 / 15

HEX #0778DA

RGB 7 120 218

HSL 207.87, 0.94%, 0.44%

LAB 50.14, 9.58, -57.65

 

CMYK 0 / 47 / 87 / 1

HEX #FD8720

RGB 253 135 32

HSL 27.96, 0.98%, 0.56%

LAB 68.25, 38.94, 68.5

 

CMYK 0 / 40 / 80 / 0

HEX #FF9933

RGB 255 153 51

HSL 30, 1%, 0.6%

LAB 72.42, 31.03, 65.73

 

CMYK 0 / 33 / 73 / 0

HEX #FFAB46

RGB 255 171 70

HSL 32.76, 1%, 0.64%

LAB 76.57, 22.39, 62.14

 

CMYK 0 / 26 / 65 / 0

HEX #FFBD59

RGB 255 189 89

HSL 36.14, 1%, 0.67%

LAB 80.95, 13.98, 58.43

 

CMYK 0 / 19 / 58 / 0

HEX #FFCF6C

RGB 255 207 108

HSL 40.41, 1%, 0.71%

LAB 85.49, 5.9, 54.81

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 49 / 92 / 9

HEX #E77512

RGB 231 117 18

HSL 27.89, 0.86%, 0.49%

LAB 61.44, 39.09, 65.74

 

CMYK 0 / 54 / 100 / 16

HEX #D66300

RGB 214 99 0

HSL 27.76, 1%, 0.42%

LAB 55.3, 41.22, 64

 

CMYK 0 / 59 / 100 / 23

HEX #C55100

RGB 197 81 0

HSL 24.67, 1%, 0.39%

LAB 49.2, 43.42, 59.13

 

CMYK 0 / 65 / 100 / 29

HEX #B43F00

RGB 180 63 0

HSL 21, 1%, 0.35%

LAB 43.15, 45.38, 54.32

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 69 / 85 / 3

HEX #F84E25

RGB 248 78 37

HSL 11.66, 0.94%, 0.56%

LAB 57.6, 62.91, 57.85

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 23 / 85 / 3

HEX #F8C025

RGB 248 192 37

HSL 44.08, 0.94%, 0.56%

LAB 80.62, 7.37, 76.8

 

CMYK 0 / 0 / 85 / 3

HEX #F7F825

RGB 247 248 37

HSL 60.28, 0.94%, 0.56%

LAB 94.76, -21.06, 88.26

 

CMYK 23 / 0 / 85 / 3

HEX #BEF825

RGB 190 248 37

HSL 76.49, 0.94%, 0.56%

LAB 90.88, -43.68, 83.47

 

CMYK 46 / 0 / 85 / 3

HEX #85F825

RGB 133 248 37

HSL 92.7, 0.94%, 0.56%

LAB 88.09, -63.13, 79.98

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 41 / 76 / 10

HEX #E68837

RGB 230 136 55

HSL 27.77, 0.78%, 0.56%

LAB 65.52, 29.84, 56.46

 

CMYK 0 / 35 / 65 / 17

HEX #D38949

RGB 211 137 73

HSL 27.83, 0.61%, 0.56%

LAB 63.53, 22.34, 45.19

 

CMYK 0 / 28 / 53 / 24

HEX #C18B5B

RGB 193 139 91

HSL 28.24, 0.45%, 0.56%

LAB 62.13, 15.04, 33.64

 

CMYK 0 / 20 / 38 / 31

HEX #AF8C6D

RGB 175 140 109

HSL 28.18, 0.29%, 0.56%

LAB 60.76, 8.88, 21.59

 

CMYK 0 / 85 / 78 / 3

HEX #F82536

RGB 248 37 54

HSL 355.17, 0.94%, 0.56%

LAB 53.54, 75.07, 45.8

 

CMYK 0 / 69 / 85 / 3

HEX #F84C25

RGB 248 76 37

HSL 11.09, 0.94%, 0.56%

LAB 57.33, 63.65, 57.63

 

CMYK 0 / 47 / 85 / 3

HEX #F88425

RGB 248 132 37

HSL 27.01, 0.94%, 0.56%

LAB 66.97, 38.59, 65.61

 

CMYK 0 / 24 / 85 / 3

HEX #F8BC25

RGB 248 188 37

HSL 42.94, 0.94%, 0.56%

LAB 79.65, 9.45, 76

 

CMYK 0 / 2 / 85 / 3

HEX #F8F425

RGB 248 244 37

HSL 58.86, 0.94%, 0.56%

LAB 93.79, -18.73, 87.51

 

CMYK 0 / 52 / 97 / 23

HEX #C45E06

RGB 196 94 6

HSL 27.79, 0.94%, 0.4%

LAB 51.56, 36.67, 59.09

 

CMYK 0 / 52 / 97 / 7

HEX #ED7207

RGB 237 114 7

HSL 27.91, 0.94%, 0.48%

LAB 61.7, 42.81, 68.37

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 0 / 37 / 69 / 2

HEX #F99D4D

RGB 249 157 77

HSL 27.91, 0.93%, 0.64%

LAB 72.75, 27.59, 54.79

 

CMYK 0 / 28 / 53 / 2

HEX #FAB375

RGB 250 179 117

HSL 27.97, 0.93%, 0.72%

LAB 78.37, 19.15, 41.69

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 55 / 0 / 85 / 3

HEX #6FF825

RGB 111 248 37

HSL 98.96, 0.94%, 0.56%

LAB 87.31, -69.2, 79.01

 

CMYK 81 / 85 / 0 / 3

HEX #2F25F8

RGB 47 37 248

HSL 242.84, 0.94%, 0.56%

LAB 35.41, 69.61, -98.71

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 85 / 0 / 47 / 3

HEX #25F884

RGB 37 248 132

HSL 147.01, 0.94%, 0.56%

LAB 86.6, -72.31, 42.34

 

CMYK 47 / 85 / 0 / 3

HEX #8425F8

RGB 132 37 248

HSL 267.01, 0.94%, 0.56%

LAB 42.77, 75.84, -86.29

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 55 / 0 / 85 / 3

HEX #6FF825

RGB 111 248 37

HSL 98.96, 0.94%, 0.56%

LAB 87.31, -69.2, 79.01

 

CMYK 85 / 38 / 0 / 3

HEX #2599F8

RGB 37 153 248

HSL 207.01, 0.94%, 0.56%

LAB 61.61, 2.44, -55.98

 

CMYK 30 / 85 / 0 / 3

HEX #AE25F8

RGB 174 37 248

HSL 278.96, 0.94%, 0.56%

LAB 48.38, 81.07, -76.87

 

CMYK 0 / 46 / 85 / 3

HEX #F88725

RGB 248 135 37

HSL 27.87, 0.94%, 0.56%

LAB 67.59, 37.07, 66.12

 

CMYK 81 / 0 / 85 / 3

HEX #2FF825

RGB 47 248 37

HSL 117.16, 0.94%, 0.56%

LAB 85.94, -80.78, 77.28

 

CMYK 85 / 38 / 0 / 3

HEX #2599F8

RGB 37 153 248

HSL 207.01, 0.94%, 0.56%

LAB 61.61, 2.44, -55.98

 

CMYK 4 / 85 / 0 / 3

HEX #ED25F8

RGB 237 37 248

HSL 296.87, 0.94%, 0.56%

LAB 58.14, 90.77, -60.62

 

Description

Color code: HEX #F88725 | qconv.com Color code: HEX #F88725 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 135 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 135 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 85% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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