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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87D9E it is the complementary color #078261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87D9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87D9E shade: #FD7D99, #FF8FAC, #FFA1BF, #FFB3D2 and #FFC5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87D9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87D9E shade: #F87D9E, #E76B8B, #D65978, #C54765 and #B43552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87D9E shade: #F87C9D and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87D9E shade: #F87C9D, #F87CBE, #F87CE0, #EE7CF8 and #CD7CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87D9E shade matches the following richer shades: #F87C9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87D9E shade: #F87C9D, #EC87A2, #E192A7, #D69DAC and #CBA8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87D9E shade: #F87CE1, #F87CC0, #F87C9F, #F87C7E and #F89B7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87D9E shade: #F32D62, #F65480, #F87C9D, #FAA3BA and #FCCAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87D9E shade: #F87D9E, #F8ED7C and #7CD0F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87D9E shade: #F87D9E, #9FF87C and #7C9FF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87D9E shade: #F87D9E, #F8ED7C, #7CF8D5 and #7C86F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87D9E shade: #F87D9E, #DDF87C, #7CF8D5 and #977CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

Complementary color

CMYK 95 / 0 / 25 / 49

HEX #078261

RGB 7 130 97

HSL 163.9, 0.9%, 0.27%

LAB 48.1, -38.47, 9.51

 

CMYK 0 / 51 / 40 / 1

HEX #FD7D99

RGB 253 125 153

HSL 346.88, 0.97%, 0.74%

LAB 67.91, 51.39, 8.17

 

CMYK 0 / 44 / 33 / 0

HEX #FF8FAC

RGB 255 143 172

HSL 344.46, 1%, 0.78%

LAB 72.15, 45.38, 3.66

 

CMYK 0 / 37 / 25 / 0

HEX #FFA1BF

RGB 255 161 191

HSL 340.85, 1%, 0.82%

LAB 76.38, 38.65, -0.67

 

CMYK 0 / 30 / 18 / 0

HEX #FFB3D2

RGB 255 179 210

HSL 335.53, 1%, 0.85%

LAB 80.82, 32.01, -4.49

 

CMYK 0 / 23 / 10 / 0

HEX #FFC5E5

RGB 255 197 229

HSL 326.9, 1%, 0.89%

LAB 85.43, 25.56, -7.87

 

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

CMYK 0 / 54 / 40 / 9

HEX #E76B8B

RGB 231 107 139

HSL 344.52, 0.72%, 0.66%

LAB 61.11, 51.11, 6.01

 

CMYK 0 / 58 / 44 / 16

HEX #D65978

RGB 214 89 120

HSL 345.12, 0.6%, 0.59%

LAB 54.86, 51.89, 7.85

 

CMYK 0 / 64 / 49 / 23

HEX #C54765

RGB 197 71 101

HSL 345.71, 0.52%, 0.53%

LAB 48.66, 52.52, 10.06

 

CMYK 0 / 71 / 54 / 29

HEX #B43552

RGB 180 53 82

HSL 346.3, 0.55%, 0.46%

LAB 42.55, 52.84, 12.79

 

CMYK 0 / 50 / 37 / 3

HEX #F87C9D

RGB 248 124 157

HSL 344.03, 0.9%, 0.73%

LAB 67.13, 50.63, 4.7

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 50 / 37 / 3

HEX #F87C9D

RGB 248 124 157

HSL 344.03, 0.9%, 0.73%

LAB 67.13, 50.63, 4.7

 

CMYK 0 / 50 / 23 / 3

HEX #F87CBE

RGB 248 124 190

HSL 328.06, 0.9%, 0.73%

LAB 68.09, 54.75, -12.51

 

CMYK 0 / 50 / 10 / 3

HEX #F87CE0

RGB 248 124 224

HSL 311.61, 0.9%, 0.73%

LAB 69.29, 59.78, -29.62

 

CMYK 4 / 50 / 0 / 3

HEX #EE7CF8

RGB 238 124 248

HSL 295.16, 0.9%, 0.73%

LAB 69.02, 61.05, -43.36

 

CMYK 17 / 50 / 0 / 3

HEX #CD7CF8

RGB 205 124 248

HSL 279.19, 0.9%, 0.73%

LAB 65.1, 52.25, -49.8

 

CMYK 0 / 50 / 37 / 3

HEX #F87C9D

RGB 248 124 157

HSL 344.03, 0.9%, 0.73%

LAB 67.13, 50.63, 4.7

 

CMYK 0 / 50 / 37 / 3

HEX #F87C9D

RGB 248 124 157

HSL 344.03, 0.9%, 0.73%

LAB 67.13, 50.63, 4.7

 

CMYK 0 / 43 / 31 / 7

HEX #EC87A2

RGB 236 135 162

HSL 343.96, 0.73%, 0.73%

LAB 67.85, 41.6, 2.72

 

CMYK 0 / 35 / 26 / 12

HEX #E192A7

RGB 225 146 167

HSL 344.05, 0.57%, 0.73%

LAB 69.01, 32.6, 1.43

 

CMYK 0 / 27 / 20 / 16

HEX #D69DAC

RGB 214 157 172

HSL 344.21, 0.41%, 0.73%

LAB 70.45, 23.43, 0.59

 

CMYK 0 / 17 / 12 / 20

HEX #CBA8B2

RGB 203 168 178

HSL 342.86, 0.25%, 0.73%

LAB 72.17, 14.4, -0.34

 

CMYK 0 / 50 / 9 / 3

HEX #F87CE1

RGB 248 124 225

HSL 311.13, 0.9%, 0.73%

LAB 69.33, 59.93, -30.12

 

CMYK 0 / 50 / 23 / 3

HEX #F87CC0

RGB 248 124 192

HSL 327.1, 0.9%, 0.73%

LAB 68.15, 55.03, -13.53

 

CMYK 0 / 50 / 36 / 3

HEX #F87C9F

RGB 248 124 159

HSL 343.06, 0.9%, 0.73%

LAB 67.18, 50.85, 3.64

 

CMYK 0 / 50 / 49 / 3

HEX #F87C7E

RGB 248 124 126

HSL 359.03, 0.9%, 0.73%

LAB 66.43, 47.49, 21.23

 

CMYK 0 / 38 / 50 / 3

HEX #F89B7C

RGB 248 155 124

HSL 15, 0.9%, 0.73%

LAB 72.8, 31.56, 30.83

 

CMYK 0 / 81 / 60 / 5

HEX #F32D62

RGB 243 45 98

HSL 343.94, 0.89%, 0.56%

LAB 53.83, 74.04, 20.29

 

CMYK 0 / 66 / 48 / 4

HEX #F65480

RGB 246 84 128

HSL 343.7, 0.9%, 0.65%

LAB 59.43, 64.79, 10.33

 

CMYK 0 / 50 / 37 / 3

HEX #F87C9D

RGB 248 124 157

HSL 344.03, 0.9%, 0.73%

LAB 67.13, 50.63, 4.7

 

CMYK 0 / 35 / 26 / 2

HEX #FAA3BA

RGB 250 163 186

HSL 344.14, 0.9%, 0.81%

LAB 76.11, 35.17, 1.6

 

CMYK 0 / 20 / 15 / 1

HEX #FCCAD7

RGB 252 202 215

HSL 344.4, 0.89%, 0.89%

LAB 85.93, 19.66, 0.29

 

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

CMYK 0 / 4 / 50 / 3

HEX #F8ED7C

RGB 248 237 124

HSL 54.68, 0.9%, 0.73%

LAB 92.57, -10.83, 55.52

 

CMYK 50 / 16 / 0 / 3

HEX #7CD0F8

RGB 124 208 248

HSL 199.35, 0.9%, 0.73%

LAB 79.71, -14.91, -27.51

 

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

CMYK 36 / 0 / 50 / 3

HEX #9FF87C

RGB 159 248 124

HSL 103.06, 0.9%, 0.73%

LAB 89.84, -48.58, 50.89

 

CMYK 50 / 36 / 0 / 3

HEX #7C9FF8

RGB 124 159 248

HSL 223.06, 0.9%, 0.73%

LAB 66.41, 12, -48.18

 

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

CMYK 0 / 4 / 50 / 3

HEX #F8ED7C

RGB 248 237 124

HSL 54.68, 0.9%, 0.73%

LAB 92.57, -10.83, 55.52

 

CMYK 50 / 0 / 14 / 3

HEX #7CF8D5

RGB 124 248 213

HSL 163.06, 0.9%, 0.73%

LAB 89.96, -42.9, 6.2

 

CMYK 50 / 46 / 0 / 3

HEX #7C86F8

RGB 124 134 248

HSL 235.16, 0.9%, 0.73%

LAB 59.99, 26.63, -58.37

 

CMYK 0 / 50 / 36 / 3

HEX #F87D9E

RGB 248 125 158

HSL 343.9, 0.9%, 0.73%

LAB 67.35, 50.25, 4.44

 

CMYK 11 / 0 / 50 / 3

HEX #DDF87C

RGB 221 248 124

HSL 73.06, 0.9%, 0.73%

LAB 93.43, -26.66, 56.07

 

CMYK 50 / 0 / 14 / 3

HEX #7CF8D5

RGB 124 248 213

HSL 163.06, 0.9%, 0.73%

LAB 89.96, -42.9, 6.2

 

CMYK 39 / 50 / 0 / 3

HEX #977CF8

RGB 151 124 248

HSL 253.06, 0.9%, 0.73%

LAB 59.68, 38.58, -58.74

 

Description

Color code: HEX #F87D9E | qconv.com Color code: HEX #F87D9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 125 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 125 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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