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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F876CF it is the complementary color #078930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F876CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F876CF shade: #FD76CA, #FF88DD, #FF9AF0, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F876CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F876CF shade: #F876CF, #E764BC, #D652A9, #C54096 and #B42E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F876CF shade: #F777CF, #F777AC, #F7778A and #F77777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F876CF shade: #F777CF, #F777F1, #DB77F7, #B877F7 and #9577F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F876CF shade matches the following richer shades: #F777CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F876CF shade: #F777CF, #EC82CB, #E08EC6, #D599C2 and #C9A5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F876CF shade: #D977F7, #F777F3, #F777D1, #F777AF and #F7778C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F876CF shade: #F328B3, #F550C1, #F777CF, #F99EDD and #FBC5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F876CF shade: #F876CF, #F7B777 and #77F7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F876CF shade: #F876CF, #D1F777 and #77D1F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F876CF shade: #F876CF, #F7B777, #77F79D and #77B7F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F876CF shade: #F876CF, #F7DE77, #77F79D and #7791F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

Complementary color

CMYK 95 / 0 / 65 / 46

HEX #078930

RGB 7 137 48

HSL 138.92, 0.9%, 0.28%

LAB 49.68, -50.51, 38

 

CMYK 0 / 53 / 20 / 1

HEX #FD76CA

RGB 253 118 202

HSL 322.67, 0.97%, 0.73%

LAB 68.1, 60.75, -19.15

 

CMYK 0 / 47 / 13 / 0

HEX #FF88DD

RGB 255 136 221

HSL 317.14, 1%, 0.77%

LAB 72.29, 55.62, -23.3

 

CMYK 0 / 40 / 6 / 0

HEX #FF9AF0

RGB 255 154 240

HSL 308.91, 1%, 0.8%

LAB 76.47, 49.74, -27.28

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

CMYK 0 / 57 / 19 / 9

HEX #E764BC

RGB 231 100 188

HSL 319.69, 0.73%, 0.65%

LAB 61.42, 60.51, -21.69

 

CMYK 0 / 62 / 21 / 16

HEX #D652A9

RGB 214 82 169

HSL 320.45, 0.62%, 0.58%

LAB 55.27, 60.84, -20.37

 

CMYK 0 / 68 / 24 / 23

HEX #C54096

RGB 197 64 150

HSL 321.2, 0.53%, 0.51%

LAB 49.18, 60.86, -18.74

 

CMYK 0 / 74 / 27 / 29

HEX #B42E83

RGB 180 46 131

HSL 321.94, 0.59%, 0.44%

LAB 43.21, 60.38, -16.65

 

CMYK 0 / 52 / 16 / 3

HEX #F777CF

RGB 247 119 207

HSL 318.75, 0.89%, 0.72%

LAB 67.63, 59.23, -22.73

 

CMYK 0 / 52 / 30 / 3

HEX #F777AC

RGB 247 119 172

HSL 335.16, 0.89%, 0.72%

LAB 66.48, 54.47, -4.76

 

CMYK 0 / 52 / 44 / 3

HEX #F7778A

RGB 247 119 138

HSL 351.09, 0.89%, 0.72%

LAB 65.59, 50.69, 13.27

 

CMYK 0 / 52 / 52 / 3

HEX #F77777

RGB 247 119 119

HSL 0, 0.89%, 0.72%

LAB 65.2, 48.96, 23.48

 

CMYK 0 / 52 / 16 / 3

HEX #F777CF

RGB 247 119 207

HSL 318.75, 0.89%, 0.72%

LAB 67.63, 59.23, -22.73

 

CMYK 0 / 52 / 2 / 3

HEX #F777F1

RGB 247 119 241

HSL 302.81, 0.89%, 0.72%

LAB 68.98, 64.59, -39.5

 

CMYK 11 / 52 / 0 / 3

HEX #DB77F7

RGB 219 119 247

HSL 286.88, 0.89%, 0.72%

LAB 65.72, 58.24, -48.15

 

CMYK 26 / 52 / 0 / 3

HEX #B877F7

RGB 184 119 247

HSL 270.47, 0.89%, 0.72%

LAB 61.74, 49.2, -54.72

 

CMYK 40 / 52 / 0 / 3

HEX #9577F7

RGB 149 119 247

HSL 254.06, 0.89%, 0.72%

LAB 58.32, 40.68, -60.38

 

CMYK 0 / 52 / 16 / 3

HEX #F777CF

RGB 247 119 207

HSL 318.75, 0.89%, 0.72%

LAB 67.63, 59.23, -22.73

 

CMYK 0 / 52 / 16 / 3

HEX #F777CF

RGB 247 119 207

HSL 318.75, 0.89%, 0.72%

LAB 67.63, 59.23, -22.73

 

CMYK 0 / 45 / 14 / 7

HEX #EC82CB

RGB 236 130 203

HSL 318.68, 0.74%, 0.72%

LAB 68.1, 49.95, -19.91

 

CMYK 0 / 37 / 12 / 12

HEX #E08EC6

RGB 224 142 198

HSL 319.02, 0.57%, 0.72%

LAB 68.95, 39.1, -15.98

 

CMYK 0 / 28 / 9 / 16

HEX #D599C2

RGB 213 153 194

HSL 319, 0.42%, 0.72%

LAB 70.05, 28.83, -12.22

 

CMYK 0 / 18 / 5 / 21

HEX #C9A5BE

RGB 201 165 190

HSL 318.33, 0.25%, 0.72%

LAB 71.59, 17.4, -7.84

 

CMYK 12 / 52 / 0 / 3

HEX #D977F7

RGB 217 119 247

HSL 285.94, 0.89%, 0.72%

LAB 65.48, 57.72, -48.55

 

CMYK 0 / 52 / 2 / 3

HEX #F777F3

RGB 247 119 243

HSL 301.88, 0.89%, 0.72%

LAB 69.07, 64.93, -40.46

 

CMYK 0 / 52 / 15 / 3

HEX #F777D1

RGB 247 119 209

HSL 317.81, 0.89%, 0.72%

LAB 67.7, 59.53, -23.74

 

CMYK 0 / 52 / 29 / 3

HEX #F777AF

RGB 247 119 175

HSL 333.75, 0.89%, 0.72%

LAB 66.57, 54.85, -6.33

 

CMYK 0 / 52 / 43 / 3

HEX #F7778C

RGB 247 119 140

HSL 350.16, 0.89%, 0.72%

LAB 65.64, 50.89, 12.2

 

CMYK 0 / 84 / 26 / 5

HEX #F328B3

RGB 243 40 179

HSL 318.92, 0.89%, 0.55%

LAB 55.91, 82.18, -24.8

 

CMYK 0 / 67 / 21 / 4

HEX #F550C1

RGB 245 80 193

HSL 318.91, 0.89%, 0.64%

LAB 60.78, 73.08, -25.35

 

CMYK 0 / 52 / 16 / 3

HEX #F777CF

RGB 247 119 207

HSL 318.75, 0.89%, 0.72%

LAB 67.63, 59.23, -22.73

 

CMYK 0 / 37 / 11 / 2

HEX #F99EDD

RGB 249 158 221

HSL 318.46, 0.88%, 0.8%

LAB 75.95, 42.67, -17.8

 

CMYK 0 / 22 / 7 / 2

HEX #FBC5EA

RGB 251 197 234

HSL 318.89, 0.87%, 0.88%

LAB 85.19, 25.05, -10.92

 

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

CMYK 0 / 26 / 52 / 3

HEX #F7B777

RGB 247 183 119

HSL 30, 0.89%, 0.72%

LAB 79.03, 16.01, 41.41

 

CMYK 52 / 0 / 5 / 3

HEX #77F7EB

RGB 119 247 235

HSL 174.38, 0.89%, 0.72%

LAB 90.06, -38.35, -5.11

 

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

CMYK 15 / 0 / 52 / 3

HEX #D1F777

RGB 209 247 119

HSL 77.81, 0.89%, 0.72%

LAB 92.31, -31.18, 56.82

 

CMYK 52 / 15 / 0 / 3

HEX #77D1F7

RGB 119 209 247

HSL 197.81, 0.89%, 0.72%

LAB 79.75, -16.77, -26.94

 

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

CMYK 0 / 26 / 52 / 3

HEX #F7B777

RGB 247 183 119

HSL 30, 0.89%, 0.72%

LAB 79.03, 16.01, 41.41

 

CMYK 52 / 0 / 36 / 3

HEX #77F79D

RGB 119 247 157

HSL 137.81, 0.89%, 0.72%

LAB 88.39, -54.69, 32.69

 

CMYK 52 / 26 / 0 / 3

HEX #77B7F7

RGB 119 183 247

HSL 210, 0.89%, 0.72%

LAB 72.56, -2.94, -38.02

 

CMYK 0 / 52 / 17 / 3

HEX #F876CF

RGB 248 118 207

HSL 318.92, 0.9%, 0.72%

LAB 67.59, 59.99, -22.78

 

CMYK 0 / 10 / 52 / 3

HEX #F7DE77

RGB 247 222 119

HSL 48.28, 0.89%, 0.72%

LAB 88.61, -4.15, 53.13

 

CMYK 52 / 0 / 36 / 3

HEX #77F79D

RGB 119 247 157

HSL 137.81, 0.89%, 0.72%

LAB 88.39, -54.69, 32.69

 

CMYK 52 / 41 / 0 / 3

HEX #7791F7

RGB 119 145 247

HSL 227.81, 0.89%, 0.72%

LAB 62.41, 18.75, -53.98

 

Description

Color code: HEX #F876CF | qconv.com Color code: HEX #F876CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 118 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 118 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 17 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 17% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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