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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87691 it is the complementary color #07896E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87691. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87691 shade: #FD768C, #FF889F, #FF9AB2, #FFACC5 and #FFBED8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87691. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87691 shade: #F87691, #E7647E, #D6526B, #C54058 and #B42E45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87691 shade: #F77792 and #F77777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87691 shade: #F77792, #F777B4, #F777D7, #F577F7 and #D377F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87691 shade matches the following richer shades: #F77792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87691 shade: #F77792, #EC8298, #E08E9F, #D599A6 and #C9A5AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87691 shade: #F777D7, #F777B5, #F77793, #F77D77 and #F7A077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87691 shade: #F32853, #F55072, #F77792, #F99EB1 and #FBC5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87691 shade: #F87691, #F7F577 and #77C6F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87691 shade: #F87691, #93F777 and #7793F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87691 shade: #F87691, #F7F577, #77F7DC and #7779F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87691 shade: #F87691, #D3F777, #77F7DC and #9B77F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

Complementary color

CMYK 95 / 0 / 20 / 46

HEX #07896E

RGB 7 137 110

HSL 167.54, 0.9%, 0.28%

LAB 50.76, -37.99, 5.73

 

CMYK 0 / 53 / 45 / 1

HEX #FD768C

RGB 253 118 140

HSL 350.22, 0.97%, 0.73%

LAB 66.32, 53.4, 13.27

 

CMYK 0 / 47 / 38 / 0

HEX #FF889F

RGB 255 136 159

HSL 348.4, 1%, 0.77%

LAB 70.44, 47.35, 8.44

 

CMYK 0 / 40 / 30 / 0

HEX #FF9AB2

RGB 255 154 178

HSL 345.74, 1%, 0.8%

LAB 74.56, 40.53, 3.82

 

CMYK 0 / 33 / 23 / 0

HEX #FFACC5

RGB 255 172 197

HSL 341.93, 1%, 0.84%

LAB 78.92, 33.77, -0.23

 

CMYK 0 / 25 / 15 / 0

HEX #FFBED8

RGB 255 190 216

HSL 336, 1%, 0.87%

LAB 83.47, 27.16, -3.82

 

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

CMYK 0 / 57 / 45 / 9

HEX #E7647E

RGB 231 100 126

HSL 348.09, 0.73%, 0.65%

LAB 59.53, 53.06, 11.31

 

CMYK 0 / 62 / 50 / 16

HEX #D6526B

RGB 214 82 107

HSL 348.64, 0.62%, 0.58%

LAB 53.38, 53.81, 13.47

 

CMYK 0 / 68 / 55 / 23

HEX #C54058

RGB 197 64 88

HSL 349.17, 0.53%, 0.51%

LAB 47.29, 54.34, 16.07

 

CMYK 0 / 74 / 62 / 29

HEX #B42E45

RGB 180 46 69

HSL 349.7, 0.59%, 0.44%

LAB 41.35, 54.45, 19.29

 

CMYK 0 / 52 / 41 / 3

HEX #F77792

RGB 247 119 146

HSL 347.34, 0.89%, 0.72%

LAB 65.78, 51.5, 8.99

 

CMYK 0 / 52 / 52 / 3

HEX #F77777

RGB 247 119 119

HSL 0, 0.89%, 0.72%

LAB 65.2, 48.96, 23.48

 

CMYK 0 / 52 / 41 / 3

HEX #F77792

RGB 247 119 146

HSL 347.34, 0.89%, 0.72%

LAB 65.78, 51.5, 8.99

 

CMYK 0 / 52 / 27 / 3

HEX #F777B4

RGB 247 119 180

HSL 331.41, 0.89%, 0.72%

LAB 66.72, 55.49, -8.93

 

CMYK 0 / 52 / 13 / 3

HEX #F777D7

RGB 247 119 215

HSL 315, 0.89%, 0.72%

LAB 67.93, 60.43, -26.74

 

CMYK 1 / 52 / 0 / 3

HEX #F577F7

RGB 245 119 247

HSL 299.06, 0.89%, 0.72%

LAB 68.98, 65.08, -42.81

 

CMYK 15 / 52 / 0 / 3

HEX #D377F7

RGB 211 119 247

HSL 283.13, 0.89%, 0.72%

LAB 64.77, 56.15, -49.72

 

CMYK 0 / 52 / 41 / 3

HEX #F77792

RGB 247 119 146

HSL 347.34, 0.89%, 0.72%

LAB 65.78, 51.5, 8.99

 

CMYK 0 / 52 / 41 / 3

HEX #F77792

RGB 247 119 146

HSL 347.34, 0.89%, 0.72%

LAB 65.78, 51.5, 8.99

 

CMYK 0 / 45 / 36 / 7

HEX #EC8298

RGB 236 130 152

HSL 347.55, 0.74%, 0.72%

LAB 66.57, 42.94, 6.51

 

CMYK 0 / 37 / 29 / 12

HEX #E08E9F

RGB 224 142 159

HSL 347.56, 0.57%, 0.72%

LAB 67.8, 33.27, 4.14

 

CMYK 0 / 28 / 22 / 16

HEX #D599A6

RGB 213 153 166

HSL 347, 0.42%, 0.72%

LAB 69.24, 24.33, 2.16

 

CMYK 0 / 18 / 14 / 21

HEX #C9A5AD

RGB 201 165 173

HSL 346.67, 0.25%, 0.72%

LAB 71.11, 14.48, 0.85

 

CMYK 0 / 52 / 13 / 3

HEX #F777D7

RGB 247 119 215

HSL 315, 0.89%, 0.72%

LAB 67.93, 60.43, -26.74

 

CMYK 0 / 52 / 27 / 3

HEX #F777B5

RGB 247 119 181

HSL 330.94, 0.89%, 0.72%

LAB 66.75, 55.62, -9.45

 

CMYK 0 / 52 / 40 / 3

HEX #F77793

RGB 247 119 147

HSL 346.88, 0.89%, 0.72%

LAB 65.81, 51.61, 8.45

 

CMYK 0 / 49 / 52 / 3

HEX #F77D77

RGB 247 125 119

HSL 2.81, 0.89%, 0.72%

LAB 66.35, 46.03, 25.02

 

CMYK 0 / 35 / 52 / 3

HEX #F7A077

RGB 247 160 119

HSL 19.22, 0.89%, 0.72%

LAB 73.71, 28.11, 34.66

 

CMYK 0 / 84 / 66 / 5

HEX #F32853

RGB 243 40 83

HSL 347.29, 0.89%, 0.55%

LAB 53.16, 74.32, 28.4

 

CMYK 0 / 67 / 53 / 4

HEX #F55072

RGB 245 80 114

HSL 347.64, 0.89%, 0.64%

LAB 58.38, 64.89, 17.05

 

CMYK 0 / 52 / 41 / 3

HEX #F77792

RGB 247 119 146

HSL 347.34, 0.89%, 0.72%

LAB 65.78, 51.5, 8.99

 

CMYK 0 / 37 / 29 / 2

HEX #F99EB1

RGB 249 158 177

HSL 347.47, 0.88%, 0.8%

LAB 74.68, 36.22, 4.45

 

CMYK 0 / 22 / 17 / 2

HEX #FBC5D0

RGB 251 197 208

HSL 347.78, 0.87%, 0.88%

LAB 84.48, 20.85, 1.9

 

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

CMYK 0 / 1 / 52 / 3

HEX #F7F577

RGB 247 245 119

HSL 59.06, 0.89%, 0.72%

LAB 94.49, -15.56, 60.05

 

CMYK 52 / 20 / 0 / 3

HEX #77C6F7

RGB 119 198 247

HSL 202.97, 0.89%, 0.72%

LAB 76.69, -11.03, -31.62

 

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

CMYK 40 / 0 / 52 / 3

HEX #93F777

RGB 147 247 119

HSL 106.88, 0.89%, 0.72%

LAB 88.95, -52.48, 52

 

CMYK 52 / 40 / 0 / 3

HEX #7793F7

RGB 119 147 247

HSL 226.88, 0.89%, 0.72%

LAB 62.93, 17.58, -53.15

 

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

CMYK 0 / 1 / 52 / 3

HEX #F7F577

RGB 247 245 119

HSL 59.06, 0.89%, 0.72%

LAB 94.49, -15.56, 60.05

 

CMYK 52 / 0 / 11 / 3

HEX #77F7DC

RGB 119 247 220

HSL 167.34, 0.89%, 0.72%

LAB 89.68, -41.94, 2.13

 

CMYK 52 / 51 / 0 / 3

HEX #7779F7

RGB 119 121 247

HSL 239.06, 0.89%, 0.72%

LAB 56.4, 32.97, -63.59

 

CMYK 0 / 52 / 42 / 3

HEX #F87691

RGB 248 118 145

HSL 347.54, 0.9%, 0.72%

LAB 65.72, 52.21, 9.48

 

CMYK 15 / 0 / 52 / 3

HEX #D3F777

RGB 211 247 119

HSL 76.88, 0.89%, 0.72%

LAB 92.44, -30.43, 57.01

 

CMYK 52 / 0 / 11 / 3

HEX #77F7DC

RGB 119 247 220

HSL 167.34, 0.89%, 0.72%

LAB 89.68, -41.94, 2.13

 

CMYK 37 / 52 / 0 / 3

HEX #9B77F7

RGB 155 119 247

HSL 256.88, 0.89%, 0.72%

LAB 58.86, 42.09, -59.48

 

Description

Color code: HEX #F87691 | qconv.com Color code: HEX #F87691 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 118 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 118 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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